Painter Of Nicosia Olpe
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Painter Of Nicosia Olpe
The Painter of Nicosia Olpe was an ancient Greek vase painter, who was producing work around 575 BC to 475 BC, and these dates are concluded from the vases that were found and attributed to the specific painter. All of the pieces are black-figure, and this can also be determined by the dates. The majority of vases that he painted were larger pieces; this is not something that he had control over, but he did have control over the scenes on the vases. Works There are forty-five vases that are attributed to the Painter of Nicosia Olpe that are recorded and posted on the Beazley Archive. Out of those forty-five vases more than half are larger vase shapes such as amphora, amphora B, neck amphora, skyphos, and more. These large vases were found mostly in Italy, which means that most of the vases that the painter and workshop were producing were for the Italian market. Twelve of the forty-five vases were found in different parts of Italy such as Etruria, Capua, Nola, Taranto and S ...
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Terracotta Kylix (drinking Cup) MET DT10998
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based unglazed or glazed ceramic where the fired body is porous. In applied art, craft, construction, and architecture, terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including vessels (notably flower pots), water and waste water pipes, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery; the choice of term depends on the type of object rather than the material or firing technique. Unglazed pieces, and those made for building construction and i ...
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Black-figure Pottery
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ...
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Beazley Archive
Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford he became a close friend of the poet James Elroy Flecker. Academic career After graduating, Beazley spent time at the British School at Athens. He then returned to University of Oxford as a student (equivalent to fellow) and tutor in Classics at Christ Church. ...
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Amphora
An amphora (; grc, ἀμφορεύς, ''amphoreús''; English plural: amphorae or amphoras) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. They are most often ceramic, but examples in metals and other materials have been found. Versions of the amphorae were one of many shapes used in Ancient Greek vase painting. The amphora complements a vase, the pithos, which makes available capacities between one-half and two and one-half tons. In contrast, the amphora holds under a half-ton, typically less than . The bodies of the two types have similar shapes. Where the pithos may have multiple smal ...
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Skyphos
A ''skyphos'' ( grc, σκύφος; plural ''skyphoi'') is a two-handled deep wine-cup on a low flanged base or none. The handles may be horizontal ear-shaped thumbholds that project from the rim (in both Corinthian and Athenian shapes), or they may be loop handles at the rim or that stand away from the lower part of the body. ''Skyphoi'' of the type called '' glaux'' (owl) have one horizontal and one vertical thumbhold handle. Examples Early ''skyphoi'' were made during the Geometric period. Corinth set the conventions that Athens followed. Over a long period the shape remained the same while the style of decoration changed. ''Skyphoi'' were also made of precious metals, generally silver and gold leaf, many examples exist. One possible, well-preserved example is the Warren cup,In his notes, John Pollini states that uncertainty about the correct name of many ancient drinking vessels exists, however he refers to the object with the "established classificatory term scyphus", Specif ...
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Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ...
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Etruria
Etruria () was a region of Central Italy, located in an area that covered part of what are now most of Tuscany, northern Lazio, and northern and western Umbria. Etruscan Etruria The ancient people of Etruria are identified as Etruscan civilization, Etruscans. Their complex Etruscan civilization, culture centered on numerous city-states that arose during the Villanovan period in the ninth century BCE, and they were very powerful during the Orientalizing Archaic period in Greece, Archaic periods. The Etruscans were a dominant culture in Italy by 650 BCE,Rix, Helmut. "Etruscan." In ''The Ancient Languages of Europe,'' ed. Roger D. Woodard. Cambridge University Press, 2008, pp. 141–164. surpassing other ancient Italic peoples such as the Ligures. Their influence may be seen beyond Etruria's confines in the Po River Valley and Latium, as well as in Campania and through their contact with the Magna Graecia, Greek colonies in Southern Italy (including Sicily). Indeed, at some Etrusc ...
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Capua
Capua ( , ) is a city and ''comune'' in the province of Caserta, in the region of Campania, southern Italy, situated north of Naples, on the northeastern edge of the Campanian plain. History Ancient era The name of Capua comes from the Etruscan ''Capeva''. The meaning is 'City of Marshes'. Its foundation is attributed by Cato the Elder to the Etruscans, and the date given as about 260 years before it was "taken" by Rome. If this is true it refers not to its capture in the Second Punic War (211 BC) but to its submission to Rome in 338 BC, placing the date of foundation at about 600 BC, while Etruscan power was at its highest. In the area several settlements of the Villanovian civilization were present in prehistoric times, and these were probably enlarged by the Oscans and subsequently by the Etruscans. Etruscan supremacy in Campania came to an end with the Samnite invasion in the latter half of the 5th century BC. About 424 BC it was captured by the Samnites and in 343 BC be ...
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Nola
Nola is a town and a municipality in the Metropolitan City of Naples, Campania, southern Italy. It lies on the plain between Mount Vesuvius and the Apennines. It is traditionally credited as the diocese that introduced bells to Christian worship. History Prehistory Excavations at Nola-Croce del Papa have uncovered extensive evidence of a small village quickly abandoned at the time of the Avellino Eruption in the 17th century BC. This powerful eruption from Mount Vesuvius caused the inhabitants to leave behind a wide range of pottery and other artefacts. The foundations of their buildings are also preserved in imprints among the mud left by the eruption. Antiquity Nola was one of the oldest cities of Campania, with its most ancient coins bearing the name Nuvlana. It was later said to have been founded by the Ausones, who were certainly occupying the city by  BC. It once vied in luxury with Capua. During the Roman invasion of Campania in the Samnite War in 328 ...
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Taranto
Taranto (, also ; ; nap, label= Tarantino, Tarde; Latin: Tarentum; Old Italian: ''Tarento''; Ancient Greek: Τάρᾱς) is a coastal city in Apulia, Southern Italy. It is the capital of the Province of Taranto, serving as an important commercial port as well as the main Italian naval base. Founded by Spartans in the 8th century BC during the period of Greek colonisation, Taranto was among the most important in Magna Graecia, becoming a cultural, economic and military power that gave birth to philosophers, strategists, writers and athletes such as Archytas, Aristoxenus, Livius Andronicus, Heracleides, Iccus, Cleinias, Leonidas, Lysis and Sosibius. By 500 BC, the city was among the largest in the world, with a population estimated up to 300,000 people. The seven-year rule of Archytas marked the apex of its development and recognition of its hegemony over other Greek colonies of southern Italy. During the Norman period, it became the capital of the Principality of ...
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Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ...
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Maenad
In Greek mythology, maenads (; grc, μαινάδες ) were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Maenads were known as Bassarids, Bacchae , or Bacchantes in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin. Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a combination of dancing and intoxication. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped with a pine cone. They would weave ivy-wreaths around their heads or wear a bull helmet in honor of their god, and often handle or wear snakes. These women were mythologized as the "mad women" who were nurses of Dionysus in Nysa. Lycurgus "chased the Nurses of the frenzied Dionysus through the holy hills of Nysa, and the sacred implements ...
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