Ottoman Turkish Architecture
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Ottoman Turkish Architecture
Ottoman architecture is the architectural style that developed under the Ottoman Empire. It first emerged in northwestern Anatolia in the late 13th century and developed from earlier Seljuk Turkish architecture, with influences from Byzantine and Iranian architecture along with other architectural traditions in the Middle East.: "The grand tradition of Ottoman architecture, established in the 16th century, differed markedly from that of the earlier Moors. It was derived from both the Byzantine Christian tradition, outlined above, and native Middle Eastern forms used by the Islamic Seljuk Turks, who preceded the Ottomans. The Byzantine tradition, particularly as embodied in Hagia Sophia, was perhaps the major source of inspiration." "The mosques of the classical period are more elaborate than those of earlier times. They derive from a fusion of a native Turkish tradition with certain elements of the plan of Haghia Sophia, the former cathedral of Constantinople, converted into a mo ...
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ...
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Edirne
Edirne (, ), formerly known as Adrianople or Hadrianopolis (Greek: Άδριανούπολις), is a city in Turkey, in the northwestern part of the province of Edirne in Eastern Thrace. Situated from the Greek and from the Bulgarian borders, Edirne was the second capital city of the Ottoman Empire from 1369 to 1453, before Constantinople became its capital. The city is a commercial centre for woven textiles, silks, carpets and agricultural products and has a growing tourism industry. In 2019 its estimated population was 185,408. Edirne has an attractive location on the rivers Meriç and Tunca and has managed to withstand some of the unattractive development that mars the outskirts of many Turkish cities. The town is famous in Turkey for its liver. ''Ciğer tava'' (breaded and deep-fried liver) is often served with a side of cacık, a dish of diluted strained yogurt with chopped cucumber. Names and etymology The city was founded and named after the Roman emperor Hadr ...
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Bursa
( grc-gre, Προῦσα, Proûsa, Latin: Prusa, ota, بورسه, Arabic:بورصة) is a city in northwestern Turkey and the administrative center of Bursa Province. The fourth-most populous city in Turkey and second-most populous in the Marmara Region, Bursa is one of the industrial centers of the country. Most of Turkey's automotive production takes place in Bursa. As of 2019, the Metropolitan Province was home to 3,056,120 inhabitants, 2,161,990 of whom lived in the 3 city urban districts (Osmangazi, Yildirim and Nilufer) plus Gursu and Kestel, largely conurbated. Bursa was the first major and second overall capital of the Ottoman State between 1335 and 1363. The city was referred to as (, meaning "God's Gift" in Ottoman Turkish, a name of Persian origin) during the Ottoman period, while a more recent nickname is ("") in reference to the parks and gardens located across its urban fabric, as well as to the vast and richly varied forests of the surrounding region ...
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Vedat Tek
Mehmet Vedat Tek (1873–1942) was a Turkish architect who was one of the leading figures of the First Turkish National Architectural Movement. Early life and education Of Cretan Muslim origin, Vedat Tek was born in Istanbul to the governor of Baghdad Province Giritli Sırrı Pasha and composer Leyla Saz as their second son. His older brother was Yusuf Razi Bel (1870–1947), who later became an engineer. After finishing Galatasaray High School in Istanbul, he was sent to France for higher education. He attended Académie Julian for studies in painting and then studied at the École Centrale Paris École Centrale Paris (ECP; also known as École Centrale or Centrale) was a French grande école in engineering and science. It was also known by its official name ''École Centrale des Arts et Manufactures''. In 2015, École Centrale Paris mer ..., graduating with a degree in civil engineering before he got his further education in architecture at the École des Beaux Arts in ...
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Mimar Kemaleddin
Ahmet Kemalettin or Kemaleddin (1870-13 July 1927), widely known as Mimar Kemalettin (Kemalettin the Architect) and Kemalettin Bey, was a renowned Turkish architect the during the late Ottoman Empire and the early years of the newly established Republic. He was among the pioneers of the first national architectural movement, a type of Ottoman Revivalism. His lifetime saw intense and important changes for Turkish history and culture. Early years Ahmet Kemalettin was born 1870 in a middle-class family to Ali Bey, a naval captain, and his wife Sadberk Hanım at Acıbadem neighborhood of Kadıköy district in Istanbul. In 1875, he began with his primary education at "İbrahim Ağa İbtidai Mektebi". He continued his secondary education in 1881 on Crete (then part of the Ottoman Empire) due to his father's assignment. Returned soon after to Istanbul, he finished the high school. In 1887 at the age of 17, he entered the School of Civil Engineering ( ota, Hendese-i Mülkiye Mektebi ...
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First National Architectural Movement
The First national architectural movement ( tr, Birinci Ulusal Mimarlık Akımı), also referred to in Turkey as the National architectural Renaissance ( tr, Millî Mimari Rönesansı), or Turkish Neoclassical architecture ( tr, Neoklasik Türk Üslûbu) was a period of Turkish architecture that was most prevalent between 1908 and 1930 but continued until the end of the 1930s. Inspired by Ottomanism, the movement sought to capture classical elements of Ottoman and Seljuk architecture and use them in the construction of modern buildings. Despite the style focusing on Ottoman aspects, it was most prevalent during the first decade of the Republic of Turkey. The most important architects of the movement were Ahmet Kemaleddin and Vedat Tek, who pioneered the movement, as well as Arif Hikmet Koyunoğlu and Ottoman-born architect of Italian descent . History The movement began in the early 20th-century in the capital of the Ottoman Empire, Constantinople, with the goal of bringing b ...
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Dolmabahçe Palace
Dolmabahçe Palace ( tr, Dolmabahçe Sarayı, ) located in the Beşiktaş district of Istanbul, Turkey, on the European coast of the Bosporus strait, served as the main administrative center of the Ottoman Empire from 1856 to 1887 and from 1909 to 1922 (Yıldız Palace was used in the interim period). History Dolmabahçe Palace was ordered by the Empire's 31st Sultan, Abdülmecid I, and built between the years 1843 and 1856. Previously, the Sultan and his family had lived at the Topkapı Palace, but as the medieval Topkapı was lacking in contemporary style, luxury, and comfort, as compared to the palaces of the European monarchs, Abdülmecid decided to build a new modern palace near the site of the former Beşiktaş Sahil Palace, which was demolished. Hacı Said Ağa was responsible for the construction works, while the project was realized by architects Garabet Balyan, his son Nigoğayos Balyan and Evanis Kalfa (members of the Armenians, Armenian Balyan family of Ottoman cou ...
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Eclecticism In Architecture
Eclecticism is a 19th and 20th century architectural style in which a single piece of work incorporates a mixture of elements from previous historical styles to create something that is new and original. In architecture and interior design, these elements may include structural features, furniture, decorative motives, distinct historical ornament, traditional cultural motifs or styles from other countries, with the mixture usually chosen based on its suitability to the project and overall aesthetic value. The term is also used of the many architects of the 19th and early 20th centuries who designed buildings in a variety of styles according to the wishes of their clients, or their own. The styles were typically revivalist, and each building might be mostly or entirely consistent within the style selected, or itself an eclectic mixture. Gothic Revival architecture, especially in churches, was most likely to strive for a relatively "pure" revival style from a particular medieval ...
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Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architec ...
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Empire Style
The Empire style (, ''style Empire'') is an early-nineteenth-century design movement in architecture, furniture, other decorative arts, and the visual arts, representing the second phase of Neoclassicism. It flourished between 1800 and 1815 during the Consulate and the First French Empire periods, although its life span lasted until the late-1820s. From France it spread into much of Europe and the United States. The Empire style originated in and takes its name from the rule of the Emperor Napoleon I in the First French Empire, when it was intended to idealize Napoleon's leadership and the French state. The previous fashionable style in France had been the Directoire style, a more austere and minimalist form of Neoclassicism that replaced the Louis XVI style, and the new Empire style brought a full return to ostentatious richness. The style corresponds somewhat to the Biedermeier style in the German-speaking lands, Federal style in the United States, and the Regency style in Br ...
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Balyan Family
The Balyan family ( hy, Պալեաններ; tr, Balyan ailesi or ''Palyan ailesi'') was a prominent Armenian family in the Ottoman Empire consisting of court architects in the service of Ottoman sultans and other members of the Ottoman dynasty during the 18th and 19th centuries. For five generations, they designed and constructed numerous major buildings in the Ottoman Empire, including palaces, mansions, konaks, kiosks, yalis, mosques, churches, and various public buildings, mostly in Constantinople (present-day Istanbul). Ancestors Bali the Mason Bali or Balen the Mason ( tr, Meremmetçi Bali Kalfa or ''Meremmetçi Balen Kalfa''), a masonry craftsman from the Belen village of Karaman in central Anatolia, was the founder of the dynasty. He moved to Istanbul, where he learned of an Armenian palace architect of Sultan Mehmed IV (1648–1687), whom he met and replaced, being Armenian himself. When Bali died in 1725, his son Magar took his place as architect at the sulta ...
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