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Olga Simzis
Olga Simzis (1887, Odessa, Russian Empire – ?) was an operatic soprano who was active in the United States, Italy and Latin America from 1906 to 1941. She created the role of Ermyntrude in Pietro Mascagni's opera ''Isabeau'' in its world premiere conducted by the composer at the Teatro Coliseo in Buenos Aires in 1911. She also sang the role of Gilda in some scenes of one of the first complete recordings of Giuseppe Verdi's ''Rigoletto'' (made in 1916–1917 by La voce del padrone with the company of La Scala under the direction of Carlo Sabajno), where she substituted the first-cast soprano Ayres Borghi-Zerni. Olga Simzis was born in Odessa in 1887. She made her debut in Parma in 1906 as Amina in Vincenzo Bellini's ''La sonnambula'' and sang as a member of the Lambardi Opera Company in the United States in 1907–1908.''San Francisco Call-Bulletin'' (22 September 1907)"Six Unmated Prime Donne" p. 34 In 1909 she moved to Italy, where she kept on singing till 1920, appearing on a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odessa
Odesa (also spelled Odessa) is the third most populous city and municipality in Ukraine and a major seaport and transport hub located in the south-west of the country, on the northwestern shore of the Black Sea. The city is also the administrative centre of the Odesa Raion and Odesa Oblast, as well as a multiethnic cultural centre. As of January 2021 Odesa's population was approximately In classical antiquity a large Greek settlement existed at its location. The first chronicle mention of the Slavic settlement-port of Kotsiubijiv, which was part of the Grand Duchy of Lithuania, dates back to 1415, when a ship was sent from here to Constantinople by sea. After a period of Lithuanian Grand Duchy control, the port and its surroundings became part of the domain of the Ottomans in 1529, under the name Hacibey, and remained there until the empire's defeat in the Russo-Turkish War of 1792. In 1794, the modern city of Odesa was founded by a decree of the Russian empress Catherine t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian '' bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Galeffi
Carlo Galeffi (4 June 1884 – 22 September 1961) was a leading Italian baritone, particularly associated with the operatic works of Giuseppe Verdi and the various verismo composers. Life and career Galeffi was born in Malamocco, the only settlement on the Lido of Venice. As a youth, he studied with Di Como and Enrico Sbriscia; later he followed a finishing course with Antonio Cotogni. According to ''The Concise Oxford Dictionary of Opera'', he made his professional debut in 1904, aged 21, at Rome's Teatro Adriano, as Enrico in ''Lucia di Lammermoor''. Galeffi sang throughout Italy before reaching Italy's premier opera house, La Scala, Milan, in 1912. He would remain at La Scala until 1938, becoming a favorite of the conductor Arturo Toscanini. Galeffi made his American debut in Boston in 1910. He sang at the New York Metropolitan Opera only once, on November 29 of that same year, as Verdi's Germont père in '' La Traviata''. Galeffi sang, too, at the Lyric Opera of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagliacci
''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the composer's only opera that is still widely performed. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav and Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Mascagni's ''Cavalleria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruggero Leoncavallo
Ruggero (or Ruggiero) Leoncavallo ( , , ; 23 April 18579 August 1919) was an Italian opera composer and librettist. Although he produced numerous operas and other songs throughout his career it is his opera '' Pagliacci'' (1892) that remained his lasting contribution, despite attempts to escape the shadow of his greatest success. Today he remains largely known for ''Pagliacci'', one of the most popular and frequently performed works in the opera repertory. His other compositions include the song "Mattinata", popularized by Enrico Caruso, and the symphonic poem ''La Nuit de mai''. Biography The son of Vincenzo Leoncavallo, a police magistrate and judge, Leoncavallo was born in Naples on 23 April 1857. As a child, Leoncavallo moved with his father to the town of Montalto Uffugo in Calabria, where he lived during his adolescence. He later returned to Naples and was educated at the city's San Pietro a Majella Conservatory and later the University of Bologna studying literature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genoa
Genoa ( ; it, Genova ; lij, Zêna ). is the capital of the Italian region of Liguria and the List of cities in Italy, sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of the 2011 Italian census, the Province of Genoa, which in 2015 became the Metropolitan City of Genoa, had 855,834 resident persons. Over 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera. On the Gulf of Genoa in the Ligurian Sea, Genoa has historically been one of the most important ports on the Mediterranean Sea, Mediterranean: it is currently the busiest in Italy and in the Mediterranean Sea and twelfth-busiest in the European Union. Genoa was the capital of Republic of Genoa, one of the most powerful maritime republics for over seven centuries, from the 11th century to 1797. Particularly from the 12th century to the 15th century, the city played a leading role in the commercial trade in Europe, becoming one o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Carlo Felice
The Teatro Carlo Felice is the principal opera house of Genoa, Italy, used for performances of opera, ballet, orchestral music, and recitals. It is located on the side of Piazza De Ferrari. The hall is named for King Carlo Felice, and dates from 24 December 1824, when the Most Excellent Department of Theatres was established. On 31 January 1825, local architect Carlo Barabino submitted his design for the opera house which was to be built on the site of the church of San Domenico. The Dominican friars were moved elsewhere without delay or ceremony, and the first stone of the new building was laid on 19 March 1826. The inaugural performance of Bellini's ''Bianca e Fernando'' took place on 7 April 1828, even though the structure and decoration were not quite finished. The auditorium accommodated an audience of about 2,500 in five tiers (each with 33 boxes), a gallery above, and standing room in the orchestra pit. The acoustics were considered among the best of the time. For ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loreley (opera)
''Loreley'' is an opera (''azione romantica'') in three acts composed by Alfredo Catalani to a libretto by , and others. It premiered on 16 February 1890 at the Teatro Regio in Turin. Based on the German legend of the Lorelei, the opera is an extensive reworking of Catalani's four-act opera ''Elda'' which had premiered in Turin ten years earlier. Background and performance history The praise received by Catalani's ''La falce'', a one-act opera written while he was a student at the Milan Conservatory, led to Giovannina Lucca offering him a contract for more operas. Lucca ran the music publishing house Casa Musicale Lucca that had acquired the rights to publish Wagner's works in Italy. ''Elda'', his first opera for Lucca premiered to critical success in 1880, followed by ''Dejanice'' in 1883 and ''Edmea'' in 1886. Neither of them had the critical success of ''Elda'', but ''Edmea'' went on to be performed both in Italy and internationally. This prompted Lucca to commission a fourt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfredo Catalani
Alfredo Catalani (19 June 1854 – 7 August 1893) was an Italian operatic composer. He is best remembered for his operas ''Loreley'' (1890) and ''La Wally'' (1892). ''La Wally'' was composed to a libretto by Luigi Illica, and features Catalani's most famous aria "Ebben? Ne andrò lontana." This aria, sung by American soprano Wilhelmenia Fernandez, was at the heart of Jean-Jacques Beineix's 1981 film ''Diva''. Catalani's other operas were much less successful. Life and career Born in Lucca, Catalani came from a musical family. He was trained at the Milan Conservatory, where his teachers included Antonio Bazzini. Despite the growing influence of the ''verismo'' style of opera during the 1880s and early 1890s, Catalani chose to compose in a more traditional manner, which had traces of Wagner in it. As a result, his operas (''La Wally'' excepted) have largely lost their place in the modern repertoire, even compared to those of Massenet and Puccini, whose style his own periodically re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Borgatti
Giuseppe Borgatti (Cento, 17 March 1871 – Reno di Leggiuno, 18 October 1950) was an Italian dramatic tenor with an outstanding voice. (See Michael Scott, cited below, for a laudatory appraisal of his singing.) The creator of the title role in Umberto Giordano's verismo opera ''Andrea Chénier'', he subsequently earned renown for his performances of the music of Richard Wagner, becoming in 1904 the first Italian tenor to appear at the Bayreuth Festival. He sang a variety of leading roles at La Scala, Milan, from 1896 until 1914, but deteriorating eyesight caused by glaucoma put a premature end to his stage career, after which he turned successfully to teaching. Biography Borgatti was born into a poor rural family from the Province of Ferrara in northern Italy and grew up illiterate, according to the music-performance historian John Rosselli. This handicap did not prevent Borgatti from finding work as a bricklayer/stone-cutter. He was also called up by the authorities to disch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried (opera)
''Siegfried'' (), WWV 86C, is the third of the four music dramas that constitute ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''), by Richard Wagner. It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of ''The Ring'' cycle. Background and context The libretto of ''Siegfried'' was drafted by Wagner in November–December 1852, based on an earlier version he had prepared in May–June 1851 and originally entitled ''Jung-Siegfried'' (''Young Siegfried''), later changed to ''Der junge Siegfried''. The musical composition was commenced in 1856, but not finally completed until 1871.Millington, (n.d.) The libretto arose from Wagner's gradual reconception of the project he had initiated with his libretto ''Siegfrieds Tod'' (''Siegfried's Death'') which was eventually to be incarnated as ''Götterdämmerung'', the final section of the Ring cycle. Having grappled with his text for ''Siegfrieds Tod'', and indeed having under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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