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Loreley (opera)
''Loreley'' is an opera (''azione romantica'') in three acts composed by Alfredo Catalani to a libretto by , and others. It premiered on 16 February 1890 at the Teatro Regio in Turin. Based on the German legend of the Lorelei, the opera is an extensive reworking of Catalani's four-act opera ''Elda'' which had premiered in Turin ten years earlier. Background and performance history The praise received by Catalani's ''La falce'', a one-act opera written while he was a student at the Milan Conservatory, led to Giovannina Lucca offering him a contract for more operas. Lucca ran the music publishing house Casa Musicale Lucca that had acquired the rights to publish Wagner's works in Italy. ''Elda'', his first opera for Lucca premiered to critical success in 1880, followed by ''Dejanice'' in 1883 and ''Edmea'' in 1886. Neither of them had the critical success of ''Elda'', but ''Edmea'' went on to be performed both in Italy and internationally. This prompted Lucca to commission a fourt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfredo Catalani
Alfredo Catalani (19 June 1854 – 7 August 1893) was an Italian operatic composer. He is best remembered for his operas ''Loreley'' (1890) and ''La Wally'' (1892). ''La Wally'' was composed to a libretto by Luigi Illica, and features Catalani's most famous aria "Ebben? Ne andrò lontana." This aria, sung by American soprano Wilhelmenia Fernandez, was at the heart of Jean-Jacques Beineix's 1981 film ''Diva''. Catalani's other operas were much less successful. Life and career Born in Lucca, Catalani came from a musical family. He was trained at the Milan Conservatory, where his teachers included Antonio Bazzini. Despite the growing influence of the ''verismo'' style of opera during the 1880s and early 1890s, Catalani chose to compose in a more traditional manner, which had traces of Wagner in it. As a result, his operas (''La Wally'' excepted) have largely lost their place in the modern repertoire, even compared to those of Massenet and Puccini, whose style his own periodically re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Wally
''La Wally'' is an opera in four acts by composer Alfredo Catalani, to a libretto by Luigi Illica, first performed at La Scala, Milan, on 20 January 1892. The libretto is based on a hugely successful ' by Wilhelmine von Hillern (1836–1916), ' (''The Vulture Wally: A Story from the Tyrolean Alps''). Wally, short for Walburga, is a girl with some heroic attributes. The story is based on an episode in the life of Tyrolean painter Anna Stainer-Knittel, whom von Hillern met. She gets her epithet "Geier" (vulture) from once stealing a vulture's hatchling from her nest. Von Hillern's piece was originally serialized in ''Deutsche Rundschau'' and was reproduced in English as "A German Peasant Romance" [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Jorden
James Jorden, born 1954, is an American blogger, journalist and music critic. Jorden is the founding editor of the e-zine-cum-blog '' Parterre Box'' which covers the topic of opera from a queer perspective. Jorden's work with ''parterre box'' also includes a podcast, ''Unnatural Acts of Opera''. ''Parterre Box'' and Jorden have been featured in numerous media publications, including '' Opera News'' magazine, '' The Advocate'', and ''The New York Times''. He is a former web producer for Fox News. Until 2013, he was employed full-time as a legal secretary. After 10 years as a reviewer for ''Gay City News'', Jorden became opera critic for the ''New York Post'' in March 2009, succeeding Clive Barnes. In the fall of 2014, Jorden left the ''Post'' to write about opera for ''The New York Observer ''The New York Observer'' was a weekly newspaper printed from 1987 to 2016, when it ceased print publication and became the online-only newspaper ''Observer''. The media site focuses on cul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bard Music Festival
The Bard Music Festival is an annual classical music festival held during the month of August on the campus of Bard College in Annandale-on-Hudson, New York. Founded in 1990, the festival was created with the intention of finding ways to present the history of music in innovative ways to contemporary audiences. To this end, each year the festival selects a single composer to be its main focus and presents performances in tandem with presentations on biographical details on the subject and links to the worlds of literature, painting, theater, philosophy, and politics that would have influenced the life and works of the featured composer. The effort to bridge the worlds of performance and scholarship often results in a variety of concert formats and styles that often depart from the typical recital and concert structure. Concerts are frequently presented with informative preconcert talks, panel discussions by renowned musicians and scholars, and other special events. In addition, each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Del Giglio
The Teatro del Giglio (Theater of the Giglio) is the historic city theater and opera house located in Piazza del Giglio #13 and #15 in the center of Lucca, region of Tuscany, Italy. History The prior Teatro Pubblico (Public Theater), inaugurated in 1675, which had been destroyed by a fire and rebuilt. After the Napoleonic upheavals, the site had fallen to ruin. A new theater, represented by this Neoclassical-style structure, was built at the site in 1818 by Giovanni Lazzarini. The rusticated portico is surmounted by a balustrade upholding pilasters, that lead to a tympanum with the coat of arms of the city. The frieze reads ''Teatro Comunale del Giglio''. The name ''giglio'' or lily derives from the fleur-de-lis emblem, that was part of the Bourbon heraldic shield of the reigning duchess, Maria Luisa of the House of Bourbon. In the early 19th century, the interiors were painted by Luigi Gatani, while the theater curtain was painted by Federico Tarquini. During the 19th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baths Of Caracalla
The Baths of Caracalla ( it, Terme di Caracalla) in Rome, Italy, were the city's second largest Ancient Rome, Roman public baths, or ''thermae'', after the Baths of Diocletian. The baths were likely built between AD 212 (or 211) and 216/217, during the reigns of emperors Septimius Severus and Caracalla. They were in operation until the 530s and then fell into disuse and ruin. Both during and since their operation as baths, they served as inspiration for many other notable buildings, ancient and modern, such as the Baths of Diocletian, the Basilica of Maxentius, the original Pennsylvania Station (1910–1963), Pennsylvania Station in New York City, Chicago Union Station and the Senate of Canada Building. Artworks recovered from the ruins include famous sculptures such as the ''Farnese Bull'' and the ''Farnese Hercules''. Today the Baths of Caracalla are a tourist attraction. History Construction Construction of the baths was probably initiated by emperor Septimius Severus an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Fitziu
Anna Fitziu (April 1, 1887 – April 20, 1967) was an American soprano who had a prolific international opera career during the early part of the 20th century. Her signature roles included Fiora in ''L'amore dei tre re'', Mimi in ''La bohème'', Nedda in ''Pagliacci'', and the title roles in ''Isabeau'', ''Madama Butterfly'', and ''Tosca''. After her singing career ended, she embarked on a second career as a voice teacher. Among her notable pupils was opera singer Shirley Verrett. Early life and career She was born as Anna Powell in Huntington, West Virginia, on April 1, 1887. Fitziu began her career as a chorus girl and concert soloist in New York City in 1902. At this point in her career she worked under the name "Anna Fitzhugh", taking the last name from an old Virginia family (a member of which included Continental Congress delegate William Fitzhugh) that she was related to. She went to Chicago in early 1903 to portray a number of smaller roles in the musical comedy ''The Wiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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