Oedipus (play By John Dryden)
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Oedipus (play By John Dryden)
The heroic drama ''Oedipus: A Tragedy'', is an adaption of Sophocles' ''Oedipus Rex'', written by John Dryden and Nathaniel Lee. After being licensed in 1678 and published in 1679, it became a huge success on stage during the Restoration period. Career and reputation of ''Oedipus, a Tragedy'' ''Oedipus, a Tragedy'' may today have an unintended comic effect, given the bloodthirsty ending of the drama. In past centuries, however, there was a wide range of views, ranging from enthusiasm to condemnation. "Celebratur Oedipus…" In 1700, the journal "Acta Eruditorum", published in Leipzig, celebrated Dryden and Lee's adaptation of Oedipus. Along with '' All for Love'', ''Oedipus, a Tragedy'' was regarded as the climax of Dryden's dramatic work. Charles Gildon, however, who revised many of Gerard Langbaine's articles in the manual on English Drama ''An Account of the English Dramatick Poets'', harshly criticised ''Oedipus, a Tragedy'', saying: The most understanding Judges wish the ...
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Oedipus A Tragedy
Oedipus (, ; grc-gre, Οἰδίπους "swollen foot") was a mythical Greek king of Thebes. A tragic hero in Greek mythology, Oedipus accidentally fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family. The story of Oedipus is the subject of Sophocles' tragedy ''Oedipus Rex'', which is followed in the narrative sequence by ''Oedipus at Colonus'' and then ''Antigone''. Together, these plays make up Sophocles' three Theban plays. Oedipus represents two enduring themes of Greek myth and drama: the flawed nature of humanity and an individual's role in the course of destiny in a harsh universe. In the best-known version of the myth, Oedipus was born to King Laius and Queen Jocasta of Thebes. Laius wished to thwart the prophecy, so he sent a shepherd-servant to leave Oedipus to die on a mountainside. However, the shepherd took pity on the baby and passed him to another shepherd who gave Oedipus to Kin ...
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Troilus And Cressida (Dryden Play)
''Troilus And Cressida; Or, Truth Found Too Late'' is a 1679 tragedy by the English writer John Dryden. It was first staged by the Duke's Company at the Dorset Garden Theatre in London. It was a reworking of William Shakespeare's 1602 play ''Troilus and Cressida'', set during the Trojan Wars. In acknowledgement of this Dryden has the prologue spoken by Shakespeare's ghost, defending the alterations made to the play. The original cast included Thomas Betterton as Troilus, William Smith (stage actor), William Smith as Hector, Thomas Percival (actor), Thomas Percival as Priam, Joseph Williams (actor), Joseph Williams as Aeneas, Anthony Leigh as Pandarus, Thomas Gillow as Agamemnon, Henry Harris (actor), Henry Harris as Ulysses, George Bright (actor), George Bright as Ajax, Henry Norris (actor), Henry Norris as Nestor, John Crosby (actor), John Crosby as Diomedes, John Bowman (actor), John Bowman as Patroclus, John Richards (actor), John Richards as Anthenor, Cave Underhill as Thers ...
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Greek Tragedy
Greek tragedy is a form of theatre from Ancient Greece and Greek inhabited Anatolia. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy. Greek tragedy is widely believed to be an extension of the ancient rites carried out in honor of Dionysus, and it heavily influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the oral traditions of archaic epics. In tragic theatre, however, these narratives were presented by actors. The most acclaimed Greek tragedians are Aeschylus, Sophocles, and Euripides. These tragedians often explored many themes around human nature, mainly as a way of connecting with the audience but also as way of bringing the audience into the play. Etymology Aristotelian hypothesis The origin of the word ''tragedy'' has been a matter of discussion from ancient times. The primary source of knowledge on the question is the ''Poetics'' of ...
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Greek Theatre
Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 500 BC), comedy (490 BC), and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Etymology The word grc, τραγῳδία, tragoidia, label=none, from which the word "tragedy" is derived, is a compound of two Greek words: grc, τράγος, tragos, label=none or "goat" and grc, ᾠδή, ode, label=none meaning "song", from grc, ἀείδειν, aeid ...
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Laius
In Greek mythology, King Laius (pronounced ), or Laios ( el, Λάϊος) of Thebes was a key personage in the Theban founding myth. Family Laius was the son of Labdacus. He was the father, by Jocasta, of Oedipus, who killed him. Mythology Abduction of Chrysippus After the death of his father Labdacus, Laius was raised by the regent Lycus but Amphion and Zethus usurped the throne of Thebes. Some Thebans, wishing to see the line of Cadmus continue, smuggled the young Laius out of the city before their attack, in which they killed Lycus and took the throne. Laius was welcomed by Pelops, king of Pisa in the Peloponnesus. According to some sources, Laius abducted and raped the king's son, Chrysippus, and carried him off to Thebes while teaching him how to drive a chariot, or as Hyginus records it, during the Nemean Games. Because of this, Laius is considered by many to be the originator of pederastic love, and the first pederastic rapist. This abduction is thought to be ...
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Dirce
Dirce (; , , modern Greek , meaning "double" or "cleft") was a queen of Thebes as the wife of Lycus in Greek mythology. Family Dirce was a daughter of the river-gods Achelous or Ismenus, or of Helios. Mythology After Zeus impregnated Dirce's niece Antiope, the latter fled in shame to King Epopeus of Sicyon, but was brought back by Lycus through force, giving birth to the twins Amphion and Zethus on the way. Lycus gave Antiope to Dirce. Dirce hated Antiope and treated her cruelly, until Antiope, in time, escaped. In Euripides' lost play ''Antiope'', Antiope flees back to the cave where she gave birth to Amphion and Zethus; they are now living there as young men. They disbelieve her claim to be their mother and refuse her pleas for sanctuary, but when Dirce comes to find Antiope and orders her to be killed, the twins are convinced by the shepherd who raised them that Antiope is their mother. They kill Dirce by tying her to the horns of a bull. Dirce was devoted to the g ...
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Theseus
Theseus (, ; grc-gre, Θησεύς ) was the mythical king and founder-hero of Athens. The myths surrounding Theseus his journeys, exploits, and friends have provided material for fiction throughout the ages. Theseus is sometimes described as the son of Aegeus, King of Athens, and sometimes as the son of the god Poseidon. He was raised by his mother, Aethra, and, upon discovering his connection to Aegeus, travels overland to Athens, having many adventures on the way. When he reaches Athens, he finds that Aegeus is married to Medea (formerly wife of Jason), who plots against him. The most famous legend about Theseus is his slaying of the Minotaur, half man and half bull. He then goes on to unite Attica under Athenian rule: the ''synoikismos'' ('dwelling together'). As the unifying king, he is credited with building a palace on the fortress of the Acropolis. Pausanias reports that after ''synoikismos'', Theseus established a cult of Aphrodite ('Aphrodite of all the People' ...
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Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ...
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Pierre Corneille
Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, ''Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed ''Académie française'' for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' (Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 18 he ...
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Seneca The Younger
Lucius Annaeus Seneca the Younger (; 65 AD), usually known mononymously as Seneca, was a Stoic philosopher of Ancient Rome, a statesman, dramatist, and, in one work, satirist, from the post-Augustan age of Latin literature. Seneca was born in Córdoba in Hispania, and raised in Rome, where he was trained in rhetoric and philosophy. His father was Seneca the Elder, his elder brother was Lucius Junius Gallio Annaeanus, and his nephew was the poet Lucan. In AD 41, Seneca was exiled to the island of Corsica under emperor Claudius, but was allowed to return in 49 to become a tutor to Nero. When Nero became emperor in 54, Seneca became his advisor and, together with the praetorian prefect Sextus Afranius Burrus, provided competent government for the first five years of Nero's reign. Seneca's influence over Nero declined with time, and in 65 Seneca was forced to take his own life for alleged complicity in the Pisonian conspiracy to assassinate Nero, in which he was probably innocen ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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Dorset Garden
The Dorset Garden Theatre in London, built in 1671, was in its early years also known as the Duke of York's Theatre, or the Duke's Theatre. In 1685, King Charles II died and his brother, the Duke of York, was crowned as James II. When the Duke became King, the theatre became the Queen's Theatre in 1685, referring to James' second wife, Mary of Modena. The name remained when William III and Mary II came to the throne in 1689. It was the fourth home of the Duke's Company, one of the two patent theatre companies in Restoration London, and after 1682 continued to be used by the company's successor, the United Company. It was demolished in 1709. Background After years of being banned during the Interregnum, theatre performances were again permitted on the Restoration of Charles II with the grant of Letters Patent to two companies to perform "legitimate drama" in London. The Duke's Company was patronised by the Duke of York (later James II); the other patent theatre company, the ...
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