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Odeon (Munich)
The Odeon is a former concert hall in the Odeonsplatz in Munich, Bavaria, Germany, which is named after it. Built in the early 19th century to a design by Leo von Klenze and forming a counterpoint to the externally identical Palais Leuchtenberg, it was rebuilt after being almost totally destroyed in World War II and now houses the Bavarian Ministry of the Interior. History The Odeon was built in 1826–1828 on a commission from King Ludwig I of Bavaria and was originally a concert hall and ballroom. Klenze designed the exterior as an identical counterpart to that of the Palais Leuchtenberg, so that there was no outward indication of its function.Geschichte des Odeons: von Leo von Klenze bis heute , |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archive
An archive is an accumulation of historical records or materials – in any medium – or the physical facility in which they are located. Archives contain primary source documents that have accumulated over the course of an individual or organization's lifetime, and are kept to show the function of that person or organization. Professional archivists and historians generally understand archives to be records that have been naturally and necessarily generated as a product of regular legal, commercial, administrative, or social activities. They have been metaphorically defined as "the secretions of an organism", and are distinguished from documents that have been consciously written or created to communicate a particular message to posterity. In general, archives consist of records that have been selected for permanent or long-term preservation on grounds of their enduring cultural, historical, or evidentiary value. Archival records are normally unpublished and almost alway ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Anschütz
Hermann Anschütz (12 October 1802 – 30 August 1880) was a German painter and professor at the Royal Academy of Fine Arts in Munich. He is associated with the Düsseldorf school of painting. Anschütz was born in Koblenz. His father Joseph Andreas Anschütz was an eminent musician and was in charge of a school for vocal and instrumental instruction, and Hermann's younger brother Karl Anschütz ended up as an opera conductor in the United States. He lived at ''Promenade Straße 1'' in Munich around 1850.Paul Maucher''Alphabetic register of house owners 1849-1851'', p. 1. He died in Munich, where he was buried on the Old Southern Cemetery ( Alter Südfriedhof). See also * List of German painters This is a list of German painters. A > second column was into info box --> * Hans von Aachen (1552–1615) * Aatifi (born 1965) * Karl Abt (1899–1985) * Tomma Abts (born 1967) * Andreas Achenbach (1815–1910) * Oswald Achenbach (1827 ... References External ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Eberle
Adam Eberle (27 March 1804 – 15 April 1832), one of the earliest and most gifted pupils of Peter von Cornelius, was born at Aachen in 1804. He studied painting at the Düsseldorf Academy, and afterwards went with Cornelius to Munich. After commencing his career at Düsseldorf by painting ''The Entombment of Christ'' and ''St. Helena with two Angels'' he executed the large fresco-painting on the ceiling of the Odéon, representing ''Apollo among the Shepherds.'' In 1829 he went to Rome, where he died in 1832. He is associated with the Düsseldorf school of painting.Bryan, p453 References Sources * See also * List of German painters This is a list of German painters. A > second column was into info box --> * Hans von Aachen (1552–1615) * Aatifi (born 1965) * Karl Abt (1899–1985) * Tomma Abts (born 1967) * Andreas Achenbach (1815–1910) * Oswald Achenbach (1827 ... 1804 births 1832 deaths 19th-century German painters German male painters People from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Kaulbach
Wilhelm von Kaulbach (15 October 18057 April 1874) was a German painter, noted mainly as a muralist, but also as a book illustrator. His murals decorate buildings in Munich. He is associated with the Düsseldorf school of painting. Biography Education He was born in Bad Arolsen, Waldeck (state), Waldeck. His father combined painting and engraving with the goldsmith's trade. The family was so poor that he and his sister were glad to accept even stale bread from the peasantry in exchange for the father's engravings. This is said to have suggested to him his earliest work, ''The Fall of Manna in the Wilderness''. But means were found to place Wilhelm, a youth of seventeen, in the Düsseldorf Academy of Fine Arts, to which the sculptor Christian Daniel Rauch, Rauch had obtained him admission. The academy was then becoming renowned under the directorship of Peter von Cornelius, of whom he became a distinguished pupil. Young Kaulbach contended against hardships, even hunger. But his c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nazarene Movement
The epithet Nazarene was adopted by a group of early 19th-century German Romantic painters who aimed to revive spirituality in art. The name Nazarene came from a term of derision used against them for their affectation of a biblical manner of clothing and hair style. History In 1809, six students at the Vienna Academy formed an artistic cooperative in Vienna called the Brotherhood of St. Luke or ''Lukasbund'', following a common name for medieval guilds of painters. In 1810 four of them, Johann Friedrich Overbeck, Franz Pforr, Ludwig Vogel and Johann Konrad Hottinger (1788-1827) moved to Rome, where they occupied the abandoned monastery of San Isidoro. They were joined by Philipp Veit, Peter von Cornelius, Julius Schnorr von Carolsfeld, Friedrich Wilhelm Schadow and a loose grouping of other German-speaking artists. They met up with Austrian romantic landscape artist Joseph Anton Koch (1768–1839) who became an unofficial tutor to the group. In 1827 they were joined by Jose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Winter
Peter Winter, later Peter von Winter, (baptised 28 August 1754 – 17 October 1825) was a German violinist, conductor and composer, especially of operas. He began his career as a player at the Mannheim court, and advanced to conductor. When the court moved to Munich, he followed and later became kapellmeister of the opera there. His opera ''Das Labyrinth'', a sequel to Mozart's ''Die Zauberflöte'', was premiered in Vienna in 1798, and his '' Maometto'' at La Scala in Milan in 1817. His work has been regarded as a bridge between Mozart and Weber in the development of German opera. Career Winter was born in Mannheim. He was a child prodigy on the violin, who occasionally played in the Mannheim court orchestra, from age ten, both violin and double bass. He studied violin in Mannheim with Wilhelm Cramer and Thaddäus Hampel, and later composition with Georg Joseph Vogler. Winter was engaged as a violinist in the orchestra from 1776. He also conducted from 1777. When the court mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Cimarosa
Domenico Cimarosa (; 17 December 1749 – 11 January 1801) was an Italian composer of the Neapolitan school and of the Classical period. He wrote more than eighty operas, the best known of which is ''Il matrimonio segreto'' (1792); most of his operas are comedies. He also wrote instrumental works and church music. Cimarosa was principally based in Naples, but spent some of his career in various other parts of Italy, composing for the opera houses of Rome, Venice, Florence and elsewhere. He was engaged by Catherine II of Russia as her court composer and conductor between 1787 and 1791. In his later years, returning to Naples, he backed the losing side in the struggle to overthrow the monarchy there, and was imprisoned and then exiled. He died in Venice at the age of 51. Life and career Early years Cimarosa was born in Aversa, a town near Naples. His family name was Cimmarosa, which is how he is recorded on his baptismal record. He appears to have been an only child. His fath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, he was a crucial figure in the development of German ''Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers – his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher and Georg Joseph Vogler – under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies; a viola concerto; bassoon concerti; piano pieces such as Konzertstück in F minor and '' Invitation to the Dance''; and many pieces that featured the clarinet, usually written for the virtuoso c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étienne Méhul
Étienne Nicolas Méhul (; 16 November 1765 ~ 24 December 1817) was a French composer of the Classical period (music), classical period. He was known as "the most important opera composer in France during the French Revolution, Revolution". He was also the first composer to be called a "Romanticism, Romantic". He is known particularly for his operas, written in keeping with the reforms introduced by Christoph Willibald Gluck and Wolfgang Amadeus Mozart. Life Méhul was born at Givet in Ardennes to Jean-François Méhul, a wine merchant, and his wife Marie-Cécile (née Keuly). His first music lessons came from a blind local organist. When he showed promise, he was sent to study with a German musician and organist, , at the monastery of Lavaldieu, a few miles from Givet. Here Méhul developed his lifelong love of flowers. In 1778 or 1779 he went to Paris and began to study with Jean-Frédéric Edelmann, a harpsichord player and friend of Méhul's idol Christoph Willibald Gluck. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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