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Oxygene (EP)
''Oxygene'' is the debut extended play by Nigerian singer-songwriter Oxlade. It was released on 27 March 2020, through Troniq Music, and The Plug Entertainment. The extended play featured guest appearance from Moelogo. The EP combines elements from R&B, and Afropop with Neo-soul percussive rhythms. ''Oxygene'' received favorable reviews from critics, as Motolani Alake for Pulse Nigeria said "This review should have dropped two days ago, but I did not feel ready or convinced by my cynicism and idea that this EP was underwhelming. So, I deleted the first review I wrote. At the same time, I was scared that my favouritism towards the artist was clouding my judgement, so I wrote another review - a harsh one. Again, I deleted it." On 29 August 2020, ''P.M. News'' included ''Oxygene'' on its list of the top six Nigerian albums/extended playlists this year. Background Oxlade recorded ''Oxygene'' after series of collaborations and appearance on various events. On 19 March 2020, Oxlade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxlade (singer)
Ikuforiji Olaitan Abdulrahman, known professionally as Oxlade, is a Nigerian singer and songwriter signed to Troniq Music, Epic Records in France, and Fuenlabrada Records in the UK. He rose to prominence with the release of the song "Away", which appeared on ''Rolling Stone''s 50 best songs of 2020. Oxlade was named the first Pandora Africa's Next Artist in July 2022. Early life and career Ikuforiji Olaitan Abdulrahman was born on 22 April, 1997 in Surulere, a residential area of Lagos. After the passing of his mother at a tender age, he was raised by his father and grandmother. His father was a lecturer at Lagos State University, where he gained admission to study History and International Relations. He enrolled for two years before dropping off to pursue his musical career. In 2018, he was approached by A&R executive Bizzle Osikoya, right after the release of "Mamiwota" by Blaqbonez, off the ''Bad Boy Blaq'' EP, released through 100 Crowns, an imprint of Chocolate City. After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Critics
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues EPs
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a "movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style. Rhythm may also refer to visual presentation, as "timed move ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Streaming Media
Streaming media is multimedia that is delivered and consumed in a continuous manner from a source, with little or no intermediate storage in network elements. ''Streaming'' refers to the delivery method of content, rather than the content itself. Distinguishing delivery method from the media applies specifically to telecommunications networks, as most of the traditional media delivery systems are either inherently ''streaming'' (e.g. radio, television) or inherently ''non-streaming'' (e.g. books, videotape, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or poor buffering of the content, and users lacking compatible hardware or software systems may be unable to stream certain content. With the use of buffering of the content for just a few seconds in advance of playback, the quality can be much improved. Livestreaming is the real-time delivery of co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Download
A music download (commonly referred to as a digital download) is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment. According to a Nielsen report, downloadable music accounted for 55.9 percent of all music sales in the US in 2012."All music sales" refers to albums plus track equivalent albums. A track equivalent album equates to 10 tracks. By the beginning of 2011, Apple's iTunes Store alone made 1.1 billion of revenue in the first quarter of its fiscal year. Music downloads are typically encoded with modified discrete cosine transform (MDCT) audio data compression, particularly the Advanced Audio Coding (AAC) format used by iTunes as well as the MP3 audio coding format. Online music store Paid downloads are sometimes encoded with d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spax (producer)
Akano Samuel (born 26 July 1987, known professionally as Spax) is a Nigerian record producer. He is known for producing "Damages" for Tems and executive producing ''Oxygene'' by Oxlade. He is notable with the mainstream sound tag "Classic" and "if it's Spax then it gotta be" which is well known in the African mainstream music scene. Early life and career Born in Minna, Niger State, Nigeria, and grew up in Lagos. In 2020, he produced "Damages", the only single from Tems's first EP, ''For Broken Ears''. On 27 March 2020, he executive produced '' Oxygene'' EP by Oxlade. In 2020, he was nominated for producer of the year at The Headies 2020. On October 2, 2021, he was among the Apple Music‘Oshe Naija’ campaign for Indpedence Day by Nigerian producers. Production discography Executive producer *Oxygene (EP) ''Oxygene'' is the debut extended play by Nigerian singer-songwriter Oxlade. It was released on 27 March 2020, through Troniq Music, and The Plug Entertainment. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bizzle Osikoya
Abiodun Osikoya, popularly known as Bizzle Osikoya, is a Nigerian record label executive, talent manager, film producer, and sound engineer. He is the co-founder of The Plug (whose subsidiaries include The Plug Entertainment, The Plug Music, and Plug Sports) and The Block Party Series. In June 2022, Bizzle joined the Recording Academy class of 2022, as a professional member. Early life Abiodun Osikoya was born in Nigeria and raised between Lagos, London, and Birmingham. He had his primary education in Lagos and his secondary education in Lagos and Birmingham, before proceeding to study Music Business in Liverpool for his tertiary education, where he graduated with a B.Sc. in Music Business from the University of Liverpool, and SAE Institute in Liverpool. His interest led him into studying sound engineering at SAE in Liverpool and film production at Digital Film Academy in New York. Career He began his career at Storm 360 Records as Naeto C's road manager, and later joined Mo' H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NotJustOk
NotJustOk is a Nigerian music download website created in June 2006 by Ademola Ogundele. With over 1.2 million viewers per month, from 183 countries, it is one of the most visited websites in Nigeria. History Coined from Seth Godin's book '' Purple Cow: Transform Your Business by Being Remarkable'', ''NotJustOk'' was started as a personal blog by Ademola Ogundele in 2006. It evolved into a music website after Ademola posted a clip of 9ice's performance at Nelson Mandela's 90th anniversary concert, which rapidly increased the traffic of the website. Currently with few employees, ''NotJustOk'' is managed by Ademola Ogundele and Ovie Ofugara. Overview Described as "a revolution in Nigerian music" by Isioma Osaje of ''YNaija'', ''NotJustOk'' delivers music and music videos from the hip hop and contemporary music genres. It also allows artists to upload their songs to the public through an online platform called ''MyNotJustOk''. The website contributed to the sales of popular music al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fireboy
''Fireboy'' is the second solo album by Grant McLennan, a member of the Go-Betweens. It was released in 1993. In the album's liner notes McLennan said the songs were for Gloria Swanson, Kenneth Slessor, Brett Whiteley and Dean Martin. Produced by Dave Dobbyn, it was recorded in Woolloomooloo. The first single was "Surround Me". Critical reception ''Trouser Press'' called the album "a near-perfect convergence of observant, passionate words and jangly, surging tunes." The ''Calgary Herald'' wrote that McLennan "sings with conviction ndpoetic insight." AllMusic wrote: "If there are hints of older rock styles here and there, McLennan's singing in particular still has the sharp, modern edge that helped make the Go-Betweens great, all while not losing his trademark warmth." Track listing All tracks written by Grant McLennan, except where noted. # "Lighting Fires" – 3:36 # "Surround Me" – 3:55 # "One Million Miles From Here" – 3:45 # "The Dark Side of Town" – 3:46 # "Things W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-fusion
Afrobeats (not to be confused with Afrobeat or Afroswing), or Afro-pop or Afro-fusion (or Afropop or Afrofusion), is an umbrella term to describe popular music from West Africa and the diaspora that initially developed in Nigeria, Ghana, and the UK in the 2000s and 2010s. Afrobeats is less of a style per se, and more of a descriptor for the fusion of sounds flowing out of Ghana and Nigeria. Genres such as hiplife, jùjú music, highlife and naija beats, among others, were amalgamated under the 'Afrobeats' umbrella. Afrobeats is primarily produced in Lagos, Accra, and London. Historian and cultural critic Paul Gilroy reflects on the changing London music scene as a result of shifting demographics: We are moving towards an African majority which is diverse both in its cultural habits and in its relationship to colonial and postcolonial governance, so the shift away from Caribbean dominance needs to be placed in that setting. Most of the grime folks are African kids, either th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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