Oxidizer (album)
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Oxidizer (album)
''Oxidizer'' is the third and final studio album by Chemlab, released on January 27, 2004, by Underground Inc. Alternate versions and controversy Jason Novak, credited as DJ? Acucrack and a member of Acumen Nation, was responsible for the original production of Oxidizer, but according to Novak, his finished tracks were "remixed" by other producers at Louche's behest, changing the album significantly in terms of the album's sound, 'sutures' and track order by the time of its official release. Novak notes that the original version of the album "reflected the proper spirit of Chemlab", and that he did not receive proper credit on the official release, despite being responsible for the majority of the music. Reception AllMusic awarded the ''Oxidizer'' album three out of five possible stars. Matthew Moyer of Ink 19 praised the atmosphere and programming of the music. Track listing Personnel Adapted from the ''Oxidizer'' liner notes. Chemlab * F.J. DeSanto – loops, noises ...
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Chemlab
Chemlab is an American industrial rock band formed in Washington D.C. in 1989 by Dylan Thomas More, Joe Frank, and Jared Louche (then known as Hendrickson). Influenced by the pioneers of the industrial genre, such as Throbbing Gristle, Chemlab mixed experimental sounds with rock and metal within an electronic framework. They released their first EP '' 10 Ton Pressure'' (1990), parted ways with Frank and moved to New York City, their base for the duration of their career. Chemlab released their debut album ''Burn Out at the Hydrogen Bar'' in 1993 and toured with acts such as White Zombie, KMFDM, Nine Inch Nails, 16volt, and GWAR. History Initial releases (1990–2004) Chemlab's first release was the EP '' 10 Ton Pressure,'' in 1990. Chemlab toured as opening acts for Nine Inch Nails from 1990 to 1991 for the Sin tour, which was a part of the greater Pretty Hate Machine Tour . After releasing the albums ''Burn Out at the Hydrogen Bar'' (1993) and ''East Side Militia'' (1996 ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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William Tucker (musician)
William Tucker (1961 – May 14, 1999) was an American guitarist whose credits included work with Ministry (band), Ministry, My Life with the Thrill Kill Kult, Pigface, Chemlab, and Chris Connelly (musician), Chris Connelly. He grew up in New Jersey, where he formed Regressive Aid with Andrew Weiss (guitarist), Andrew Weiss and Sim Cain (both later of Gone (band), Gone and the Rollins Band). He also taught the guitar to locals, one of whom was Dean Ween, Mickey "Dean Ween" Melchiondo of the alternative band Ween. After the release of the single "(Ever Since I Was Young) I Love the Sound of Machines" with the Swinging Pistons in 1986, he came to the attention of Ministry's Al Jourgensen, who invited him to join his band for their "The Mind Is a Terrible Thing to Taste" tour in 1989. After a year of touring with Ministry, Tucker became a much sought-after musician. On May 14, 1999, 38-year-old Tucker was found dead in his apartment of an apparent suicide after taking an excess of ...
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Goteki
Goteki () are a British electro band. They are the musical brainchild of composer Ross Tregenza. They were heavily involved in the development of UK electronic body music (EBM) and cybergoth genres in the early 2000s. Goteki split up in 2006, but reformed in 2008 as a three piece live act expanded from Tregenza's solo studio creations. They refer to their new musical style as 'death electro': a mix of alternative electro pop and industrial combined with influences from film and video game scores. Current activity Goteki's reformation in August 2008 saw them return as a two-piece (Ross Tregenza and Alastair Power, performing under the names of Tregenza and Ali-Star). They were re-joined in 2009 by Clive 'Crash' Lewis. They returned with a more mature sound, but with recognizable qualities from their older material. History Formation The group was formed after Tregenza's former band, Sneaky Bat Machine (SBM), ended. The group took their name from one of the teams in the PlaySt ...
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H3llb3nt
H3llb3nt were an electro-industrial supergroup formed in 1995. The original line-up band consisted of Bryan Barton (of haloblack), Charles Levi (of Pigface), Jared Louche (of Chemlab), Jordan Nogood and Eric Powell (of 16Volt). They released three full length albums: '' 0.01'' (1996), ''Helium'' (1998), ''Hardcore Vanilla'' (2001) History H3llb3nt was formed in San Francisco by Bryan Barton, Charles Levi, Jared Louche, Jordan Nogood and Eric Powell. The idea came about when Powell and Barton were touring with their bands, 16Volt and haloblack respectively, and decided on collaborating on an electronic music project that and had less emphasis on guitars. Their debut studio album, titled '' 0.01'', was released by Fifth Colvmn Records on February 20, 1996. ''Sonic Boom'' called ''0.01'' an "exquisitely tuned finite element state machine which hums along with a groove all of its own" and only criticized the album for being too short. They followed up that album with 1998's ''Heliu ...
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Sampler (musical Instrument)
A sampler is an electronic or digital musical instrument which uses sound recordings (or " samples") of real instrument sounds (e.g., a piano, violin, trumpet, or other synthesizer), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or found sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have Mult ...
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Filter (band)
Filter is an American rock music, rock band formed in 1993 in Cleveland, Ohio, by singer Richard Patrick and guitarist and programmer Brian Liesegang. The band was formed when Patrick desired to start his own band after leaving Nine Inch Nails as their touring guitarist. Their debut album ''Short Bus (album), Short Bus'' was released in 1995 and ended up going platinum, largely due to the success of the single "Hey Man Nice Shot". After the album, the band would go through the first of many lineup changes, leaving Patrick as the only consistent member across all releases. After Liesegang's departure in 1997, Patrick recorded a follow up album with the ''Short Bus'' Title of Record#Personnel, touring band members, who became full-time members thereafter. The resulting effort, 1999's ''Title of Record'', also went platinum driven by the success of the song "Take a Picture (Filter song), Take a Picture". A third album, ''The Amalgamut'', was released in 2002 with the same members, t ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Scratching
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously. While scratching is most associated with hip hop music, where it emerged in the mid-1970s, from the 1990s it has been used in some styles of rap rock, rap metal and nu metal. In hip hop culture, scratching is one of the measures of a DJ's skills. DJs compete in scratching competitions at the DMC World DJ Championships and IDA (International DJ Association), formerly known as ITF (International Turntablist Federation). At scratching competitions, DJs can use only scratch-oriented gear (turntables, DJ mixer, digital vinyl systems or vinyl records only). In recorded hip hop songs, scratched "hooks" often use portions of other songs. History Precursors A rudimentary form of turntable manipulation that is related to scr ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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