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Oxford's Men
The Earl of Oxford’s Men, alternatively Oxford’s Players, were acting companies in late Medieval and Renaissance England patronised by the Earls of Oxford. The name was also sometimes used to refer to tumblers, musicians, and animal acts that were under the patronage of the Earls or hired by them. The most notable troupe of this name was the acting company of the Elizabethan era patronised by Edward de Vere, the 17th Earl of Oxford (1550-1604), that originally derived from an earlier company, the Earl of Warwick’s Men, and was active from 1580 to 1587. It was revived probably in the late 1590s and ultimately was absorbed by yet another troupe, Worcester's Men, in late 1602. Beginnings The Earl of Oxford’s Entertainers, a troupe patronised by John de Vere, 7th Earl of Oxford (1312 – 1360), was paid 6 shillings, 8 pence for a performance in Canterbury, Kent, on 29 September 1353 or 1354, the earliest record for an Oxford company. Records exist for 57 provincial performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
England In The Middle Ages
England in the Middle Ages concerns the history of England during the medieval period, from the end of the 5th century through to the start of the Early Modern period in 1485. When England emerged from the collapse of the Roman Empire, the economy was in tatters and many of the towns abandoned. After several centuries of Germanic immigration, new identities and cultures began to emerge, developing into kingdoms that competed for power. A rich artistic culture flourished under the Anglo-Saxons, producing epic poems such as ''Beowulf'' and sophisticated metalwork. The Anglo-Saxons converted to Christianity in the 7th century and a network of monasteries and convents were built across England. In the 8th and 9th centuries England faced fierce Viking attacks, and the fighting lasted for many decades, eventually establishing Wessex as the most powerful kingdom and promoting the growth of an English identity. Despite repeated crises of succession and a Danish seizure of power at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Morison
Sir Richard Morrison (or Morison or Morysine) (ca. 1513 – 1556) was an English humanist scholar and diplomat. He was a protégé of Thomas Cromwell, propagandist for Henry VIII, and then ambassador to the German court of Charles V for Edward VI. Life Richard Morrison was the son of Thomas Morison of Hertfordshire by a daughter of Thomas Merry of Hatfield. He had a sister, Amy, who married Stephen Hales (d. 27 March 1574), esquire, of Newland, Warwickshire, brother of John Hales. Morrison attended Cardinal College, Oxford (now Christ Church) ca. 1526 and met Nicholas Udall, who became the master of Eton College and was known as the father of English comedy. He graduated B.A. at Oxford on 19 January 1527–8, and directly entered the service of Thomas Wolsey; but he soon left the cardinal, visited Hugh Latimer at Cambridge, and went to Italy to study Greek. He attended the University of Padua in 1532, making the acquaintance there of Michael Throckmorton. In Italy both these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoreditch
Shoreditch is a district in the East End of London in England, and forms the southern part of the London Borough of Hackney. Neighbouring parts of Tower Hamlets are also perceived as part of the area. In the 16th century, Shoreditch was an important centre of the Elizabethan Theatre, and it has been an important entertainment centre since that time. Today, it hosts many pubs, bars and nightclubs. The most commercial areas lie closest to the city of London and along the A10 Road, with the rest mostly residential. Toponymy Early spellings of the name include ''Soredich'' (c.1148), ''Soresdic'' (1183–4), ''Sordig'' (1204), ''Schoresdich'' (1220–21), and other variants. Toponymists are generally agreed that the name derives from Old English "''scoradīc''", i.e. "shore-ditch", the shore being a riverbank or prominent slope; but there is disagreement as to the identity of the "shore" in question. A suggestion made by Eilert Ekwall in 1936 that the "ditch" might have been one leadi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Theatre
The Theatre was an Elizabethan playhouse in Shoreditch (in Curtain Road, part of the modern London Borough of Hackney), just outside the City of London. It was the first permanent theatre ever built in England. It was built in 1576 after the Red Lion, and the first successful one. Built by actor-manager James Burbage, near the family home in Holywell Street, The Theatre is considered the first theatre built in London for the sole purpose of theatrical productions. The Theatre's history includes a number of important acting troupes including the Lord Chamberlain's Men, which employed Shakespeare as actor and playwright. After a dispute with the landlord, the theatre was dismantled and the timbers used in the construction of the Globe Theatre on Bankside. History The Mayor and Corporation of London banned plays in 1572 as a measure against the plague, not wanting to attract crowds of strangers. In 1575 they formally expelled all players from the city. This prompted the constr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inns Of Court
The Inns of Court in London are the professional associations for barristers in England and Wales. There are four Inns of Court – Gray's Inn, Lincoln's Inn, Inner Temple and Middle Temple. All barristers must belong to one of them. They have supervisory and disciplinary functions over their members. The Inns also provide libraries, dining facilities and professional accommodation. Each also has a church or chapel attached to it and is a self-contained precinct where barristers traditionally train and practise, although growth in the legal profession, together with a desire to practise from more modern accommodations and buildings with lower rents, caused many barristers' chambers to move outside the precincts of the Inns of Court in the late 20th century. History During the 12th and early 13th centuries, law was taught in the City of London, primarily by the clergy. But a papal bull in 1218 prohibited the clergy from practising in the secular courts (where the English common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flyting
Flyting or fliting is a contest consisting of the exchange of insults between two parties, often conducted in verse. Etymology The word ''flyting'' comes from the Old English verb meaning 'to quarrel', made into a noun with the suffix -''ing''. Attested from around 1200 in the general sense of a verbal quarrel, it is first found as a technical literary term in Scotland in the sixteenth century. The first written Scots example is William Dunbar, ''The Flyting of Dunbar and Kennedie'', written in the late fifteenth century. Description Flyting is a ritual, poetic exchange of insults practiced mainly between the 5th and 16th centuries. Examples of flyting are found throughout Scots, Ancient, Medieval and Modern Celtic, Old English, Middle English and Norse literature involving both historical and mythological figures. The exchanges would become extremely provocative, often involving accusations of cowardice or sexual perversion. Norse literature contains stories of the gods ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Duttons And Theyr Fellow-players Forsakying The Erle Of Warwycke
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Tarlton
Richard Tarlton (died September 1588), was an English actor of the Elizabethan era. He was the most famous clown of his era, known for his extempore comic doggerel verse, which came to be known as "Tarltons". He helped to turn Elizabethan theatre into a form of mass entertainment paving the way for the Shakespearean stage. After his death many witticisms and pranks were attributed to him and were published as ''Tarlton's Jests''. Tarlton was also an accomplished dancer, musician and fencer. He was also a writer, authoring a number of jigs, pamphlets and at least one full-length play. Family Information on Tarlton's family background is meagre. His father's first name is unknown. His mother's first name was Katherine, but her maiden name is also unknown. A later lawsuit establishes that he had a sister named Helen. His birthplace is also unknown, although more than a century after Tarlton's death Thomas Fuller said that he was born at Condover in Shropshire, where his father was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen Elizabeth's Men
Queen Elizabeth's Men was a playing company or troupe of actors in English Renaissance theatre. Formed in 1583 at the express command of Queen Elizabeth, it was the dominant acting company for the rest of the 1580s, as the Admiral's Men and the Lord Chamberlain's Men would be in the decade that followed. Foundation Since the Queen instigated the formation of the company, its inauguration is well documented by Elizabethan standards. The order came down on 10 March 1583 (new style) to Edmund Tilney, then the Master of the Revels; though Sir Francis Walsingham, head of intelligence operations for the Elizabethan court, was the official assigned to assemble the personnel. At that time the Earl of Sussex, who had been the court official in charge of the Lord Chamberlain's Men in its first Elizabethan incorporation, was nearing death. The Queen's Men assumed the same functional role in the Elizabethan theatrical landscape as the Lord Chamberlain's Men before and after them did: it wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Strange's Men
Lord Strange's Men was an Elizabethan playing company, comprising retainers of the household of Ferdinando Stanley, Lord Strange (pronounced "strang"). They are best known in their final phase of activity in the late 1580s and early 1590s. After 25 September 1593, they were known as the Earl of Derby's Men, that being the date of Stanley's accession to his father's title. History Early iterations of the company were active in the 1560s and 1570s; Henry Stanley, 4th Earl of Derby, kept players both before and after his accession to the title in 1572. A later iteration was active throughout the 1580s, playing at Court in 1580–1, 1583, and 1585–6. And "active" was the key word: they were a troupe of acrobats, led by John Symons "the Tumbler." In 1588 the company went through a re-organization: Symons and the other tumblers left for a competing troupe, Queen Elizabeth's Men. Lord Strange's became a company more devoted to acting; William Kempe, Thomas Pope, and George Bryan, all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acrobatics
Acrobatics () is the performance of human feats of balance, agility, and motor coordination. Acrobatic skills are used in performing arts, sporting events, and martial arts. Extensive use of acrobatic skills are most often performed in acro dance, circus, and gymnastics, and to a lesser extent in other athletic activities including ballet, slacklining and diving. Although acrobatics is most commonly associated with human body performance, the term is used to describe other types of performance, such as aerobatics. History Acrobatic traditions are found in many cultures, and there is evidence that the earliest such traditions occurred thousands of years ago. For example, Minoan art from c. 2000 BC contains depictions of acrobatic feats on the backs of bulls. Ancient Greeks practiced acrobatics, and the noble court displays of the European Middle Ages would often include acrobatic performances that included juggling. In China, acrobatics have been a part of the culture si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Gurr
Andrew John Gurr (born 23 December 1936) is a contemporary literary scholar who specializes in William Shakespeare and English Renaissance theatre. Life and work Born in Leicester, Gurr was raised in New Zealand, and educated at the University of Auckland and at Cambridge University. He has taught at the Universities of Wellington, Leeds, and Nairobi (1969–73); at the latter institution he was also head of his department. From 1976 until his retirement in 2002 he was professor of English at the University of Reading (head of department, 1979–86), where he taught Shakespeare studies and where he is now Emeritus Professor. Gurr co-wrote a 1981 study of Katherine Mansfield (with Claire Hanson) and two books on African literature; but he is best known for his books on Shakespeare and his contemporaries, and the theatre of that historical era—books that are recognized and utilized as essential references on English Renaissance drama. He has authored a wide range of articles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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