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Overshoot (typography)
In typeface design, the overshoot of a round or pointed letter (like O or A) is the degree to which it extends higher or lower than a comparably sized "flat" letter (like X or H), to achieve an optical effect of being the same size; it compensates for inaccuracies in human visual perception. Formally, overshoot is the degree to which capital letters go below the baseline or above the cap height, or to which a lowercase letter goes below the baseline or above the x-height. For example, the highest and lowest extent of the capital O will typically exceed those of the capital X. Although the extent of overshoot varies depending on the design and the designer, perhaps 1% to 3% of the cap or x-height is typical for O. Peter Karow's ''Digital Formats for Typefaces'' recommends 3% for O and 5% for A. Similar design Similar subtle adjustments to create an even appearance occur in other fields. For example, in the game of go Go is an abstract strategy game, abstract strategy bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Type Design
Type design is the art and process of designing typefaces. This involves drawing each letterform using a consistent style. The basic concepts and design variables are described below. A typeface differs from other modes of graphic production such as handwriting and drawing in that it is a fixed set of alphanumeric characters with specific characteristics to be used repetitively. Historically, these were physical elements, called sorts, placed in a wooden frame; modern typefaces are stored and used electronically. It is the art of a type designer to develop a pleasing and functional typeface. In contrast, it is the task of the typographer (or typesetter) to lay out a page using a typeface that is appropriate to the work to be printed or displayed. History The technology of printing text using movable type was invented in China, but the vast number of Chinese characters, and the esteem with which calligraphy was held, meant that few distinctive, complete typefaces were created ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slate (magazine)
''Slate'' is an online magazine that covers current affairs, politics, and culture in the United States. It was created in 1996 by former '' New Republic'' editor Michael Kinsley, initially under the ownership of Microsoft as part of MSN. In 2004, it was purchased by The Washington Post Company (later renamed the Graham Holdings Company), and since 2008 has been managed by The Slate Group, an online publishing entity created by Graham Holdings. ''Slate'' is based in New York City, with an additional office in Washington, D.C. ''Slate'', which is updated throughout the day, covers politics, arts and culture, sports, and news. According to its former editor-in-chief Julia Turner, the magazine is "not fundamentally a breaking news source", but rather aimed at helping readers to "analyze and understand and interpret the world" with witty and entertaining writing. As of mid-2015, it publishes about 1,500 stories per month. A French version, ''slate.fr'', was launched in February 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baseline (typography)
In European and West Asian typography and penmanship, the baseline is the line upon which most letters ''sit'' and below which descenders extend. In the example to the right, the letter 'p' has a descender; the other letters sit on the (red) baseline. Most, though not all, typefaces are similar in the following ways as regards the baseline: * capital letters sit on the baseline. The most common exceptions are the J and Q. *Lining figures (see Arabic numerals) sit on the baseline. *The following text figures have descenders: 3 4 5 7 9. *The following lowercase letters have descenders: g j p q y. *Glyphs with rounded lower and upper extents (0 3 6 8 c C G J o O Q) dip very slightly below the baseline ("overshoot") to create the optical illusion that they sit on the baseline, and rise above the x-height or capital height to create the illusion that they have the same height as flat glyphs (such as those for H x X 1 5 7). Peter Karow's ''Digital Typefaces'' suggests that typical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cap Height
In typography, cap height is the height of a capital letter above the baseline for a particular typeface.http://pfaedit.sourceforge.net/glossary.html Glossary of (some) Typographic Terms It specifically is the height of capital letters that are flat—such as H or I—as opposed to round letters such as O, or pointed letters like A, both of which may display overshoot. The height of the small letters is the x-height upright 2.0, alt=A diagram showing the line terms used in typography In typography, the x-height, or corpus size, is the distance between the baseline and the mean line of lowercase letters in a typeface. Typically, this is the height of the let .... See also * Body height (typography) References External links Typography {{typ-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
X-height
upright 2.0, alt=A diagram showing the line terms used in typography In typography, the x-height, or corpus size, is the distance between the baseline and the mean line of lowercase letters in a typeface. Typically, this is the height of the letter ''x'' in the font (the source of the term), as well as the letters ''v'', ''w'', and ''z''. (Curved letters such as ''a'', ''c'', ''e'', ''m'', ''n'', ''o'', ''r'', ''s'', and ''u'' tend to exceed the x-height slightly, due to overshoot; ''i'' has a dot that tends to go above x-height.) One of the most important dimensions of a font, x-height defines how high lowercase letters without ascenders are compared to the cap height of uppercase letters. Display typefaces intended to be used at large sizes, such as on signs and posters, vary in x-height. Many have high x-heights to be read clearly from a distance. This, though, is not universal: some display typefaces such as Cochin and Koch-Antiqua intended for publicity uses have low x- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonathan Hoefler
Jonathan Hoefler (; born August 22, 1970) is an American typeface designer. Hoefler founded the Hoefler Type Foundry in 1989, a type foundry in New York. Early life Jonathan Hoefler was born on August 22, 1970, in New York City to Doreen Benjamin and Charles Hoefler, a theatrical set designer and producer. Growing up, it was the Gill Sans text on boxes of custard that drew him to typography design. He is largely self-taught, and worked with magazine art director Roger Black prior to forming the Hoefler Type Foundry in 1989. Career Hoefler's Champion Gothic was inspired by 19th century wood type. It was commissioned for ''Sports Illustrated'' shortly after founding the company in 1989. In 1997, his path crossed with type designer Tobias Frere-Jones when both were trying to purchase German type foundry catalogs. In 1999, Hoefler began working with Frere-Jones, and from 2005–2014 the company operated under the name Hoefler & Frere-Jones as a partnership. In 2000, the firm, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tobias Frere-Jones
Tobias Frere-Jones (born Tobias Edgar Mallory Jones; August 28, 1970) is an American type designer who works in New York City. He operates the company Frere-Jones Type and teaches typeface design at the Yale School of Art MFA program. Among his typefaces are Gotham which was used by the Obama 2008 presidential campaign, and Archer which has been used by ''Martha Stewart Living'' and Wells Fargo. Career Frere-Jones grew up in Brooklyn and became interested in letter design while attending Saint Ann's School. He is a son of Robin Carpenter Jones, who wrote for advertising agencies, and his British wife, the former Elizabeth Frere, daughter of Alexander Stuart Frere. His brother is music critic Sasha Frere-Jones and his great-grandfather was writer Edgar Wallace. After receiving a BFA in 1992 from Rhode Island School of Design, Frere-Jones joined Font Bureau in Boston, becoming Senior Designer. He created a number of the typefaces that are Font Bureau's best known, among them Inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go (game)
Go is an abstract strategy board game for two players in which the aim is to surround more territory than the opponent. The game was invented in China more than 2,500 years ago and is believed to be the oldest board game continuously played to the present day. A 2016 survey by the International Go Federation's 75 member nations found that there are over 46 million people worldwide who know how to play Go and over 20 million current players, the majority of whom live in East Asia. The playing pieces are called stones. One player uses the white stones and the other, black. The players take turns placing the stones on the vacant intersections (''points'') of a board. Once placed on the board, stones may not be moved, but stones are removed from the board if the stone (or group of stones) is surrounded by opposing stones on all orthogonally adjacent points, in which case the stone or group is ''captured''. The game proceeds until neither player wishes to make another move. Wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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