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Otto Edelmann
Otto Edelmann (5 February 1917 – 14 May 2003) was an Austrian operatic bass. Life Edelmann was born in Vienna and studied singing with Gunnar Graarud. His debut was at Gera as Figaro in Mozart's '' The Marriage of Figaro''. He later sang the Vienna State Opera, the Edinburgh International Festival and the Metropolitan Opera. He sang at the Bayreuth Festival immediately after its reopening in 1951 after World War II, performing the role of Hans Sachs in Wagner's '' Die Meistersinger von Nürnberg''. (He also recorded as Veit Pogner the goldsmith in the same work in one of Hans Knappertsbusch's early recorded performances.) He also sang Ochs in Richard Strauss's ''Der Rosenkavalier'' at the first performances in the new Salzburg Festspielhaus in 1960. In 1957, he recorded the role of Wotan opposite Kirsten Flagstad in Georg Solti's recording of Act III of Wagner's ''Die Walküre'' (an album made prior to the later famous complete set of ''Der Ring des Nibelungen''). In 198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * '' Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operatic Bass-baritones
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decoration Of Honour For Services To The Republic Of Austria
The Decoration of Honour for Services to the Republic of Austria (german: Ehrenzeichen für Verdienste um die Republik Österreich) is a state decoration of the Republic of Austria. It is divided into 15 classes and is the highest award in the Austrian national honours system. History The Decoration of Honour for Services to the Republic of Austria was first established by federal law on 4 November 1922. It initially had ten grades; later, it was expanded to sixteen grades. It was replaced in 1934 by the Austrian Order of Merit (''Österreichischer Verdienstorden''). The modern iteration of the Decoration of Honour for Services to the Republic of Austria was established by the National Council in 1952. It is conferred by the Republic of Austria to honour people (from Austria and abroad) who have rendered meritorious services to the country. Recipients are selected by the government. The awards are made by the President in accordance with the respective laws. The State Presiden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wiener Staatsoper
The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (''Wiener Hofoper'') in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera (built in 1636 inside the Hofburg). The new site was chosen and the construction paid by Emperor Franz Joseph in 1861. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kammersänger
Kammersänger (male) or Kammersängerin (female), abbreviated Ks. or KS, is a German honorific title for distinguished singers of opera and classical music. It literally means "chamber singer". Historically, the title was bestowed by princes or kings, when it was styled ''Hofkammersänger(in)'', where ''hof'' refers to the royal court. The title is given in Germany and in Austria usually on the recommendation of relevant national and local institutions. In East Germany, some concert halls bestowed this designation. Titles and recipients Austria Österreichischer Kammersänger (male) / Österreichische Kammersängerin (female) The honorary title is awarded by the Federal President of Austria on the proposal of the responsible Federal Minister since 1971. * Germany Kammersänger (male) / Kammersängerin (female) * Elise Kutscherra de Nyss (Coburg, 1894) * Gerhard Unger (1952) * Theo Adam (1955) * Hans-Dieter Bader (Hanover, 1981) * Alfred Vökt (Frankfurt, 1989) * (Frankfurt, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Siepi
Cesare Siepi (10 February 19235 July 2010) was an Italian opera singer, generally considered to have been one of the finest basses of the post-war period. His voice was characterised by a deep, warm timbre, a full, resonant, wide-ranging lower register with relaxed vibrato, and a ringing, vibrant upper register. Although renowned as a Verdian bass, his tall, striking presence and the elegance of phrasing made him a natural for the role of Don Giovanni. He can be seen in that role on Paul Czinner's 1954 film of the opera made during an edition of the Salzburg Festival under the baton of Wilhelm Furtwängler. Early career Born in Milan (his year of birth is debated between 1919 and 1923, though 1923 is given as official), he began singing as a member of a madrigal group. He often claimed to have been largely self-taught, having attended the music conservatory in his home city for just a short time. His operatic career was interrupted by World War II. After his debut in 1941 (in S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Schwarzkopf
Dame Olga Maria Elisabeth Friederike Schwarzkopf, (9 December 19153 August 2006) was a German-born Austro-British soprano. She was among the foremost singers of lieder, and is renowned for her performances of Viennese operetta, as well as the operas of Mozart, Wagner and Richard Strauss. After retiring from the stage, she was a voice teacher internationally. She is considered one of the greatest sopranos of the 20th century. Early life Schwarzkopf was born on 9 December 1915 in Jarocin, Jarotschin in the Province of Posen in Prussia, German Empire, Germany (now Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (). Schwarzkopf performed in her first opera in 1928, as Eurydice in a school production of Christoph Willibald Gluck, Gluck's ''Orfeo ed Euridice'' in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin University of the Arts, Berlin Hochschule für Musik, where her singing tutor, Lula Mysz-Gmeiner, attempted to train her to be a mezzo-s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christa Ludwig
Christa Ludwig (16 March 1928 – 24 April 2021) was a German mezzo-soprano and occasional dramatic soprano, distinguished for her performances of opera, lieder, oratorio, and other major religious works like masses, passions, and solos in symphonic literature. Her performing career spanned almost half a century, from the late 1940s until the early 1990s. She sang at many international opera houses and festivals, including at the Vienna State Opera from 1955 to 1994, and at the Metropolitan Opera in many roles. She is remembered for roles such as Mozart's Dorabella, Beethoven's Leonore in ''Fidelio'', Wagner's Kundry, and both Octavian and the Marschallin in ''Der Rosenkavalier'' by Richard Strauss. In Vienna, she created the title role of Gottfried von Einem's ''Der Besuch der alten Dame'' in 1971. She is widely recognised as having been one of the most significant and distinguished singers of the 20th century. ''The NPR Listener's Encyclopedia of Classical Music'' (2006) st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Von Karajan
Herbert von Karajan (; born Heribert Ritter von Karajan; 5 April 1908 – 16 July 1989) was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, with the Vienna Philharmonic, the Berlin Philharmonic, and during the Second World War he conducted at the Berlin State Opera. Generally regarded as one of the greatest conductors of the 20th century, he was a controversial but dominant figure in European classical music from the mid-1950s until his death. Part of the reason for this was the large number of recordings he made and their prominence during his lifetime. By one estimate, he was the top-selling classical music recording artist of all time, having sold an estimated 200 million records. Biography Early life Genealogy The Karajans were of Greek ancestry. Herbert's great-great-grandfather, Georg Karajan (Geórgios Karajánnis, el, Γεώργιος Καραγιάννης, lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Czinner
Paul Czinner (30 May 1890 – 22 June 1972) was a Hungarian-born British writer, film director, and producer. Biography Czinner was born to a Jewish family in Budapest, Austria-Hungary. After studying literature and philosophy at the University of Vienna, he worked as a journalist. From 1919 onward, he dedicated himself to work for the film industry as writer, director and producer. Czinner became engaged to actress Gilda Langer in early 1920. Shortly after their engagement Langer succumbed to the Spanish flu and died on 31 January 1920. In 1924, he offered the leading role in his film ''Nju'' to Elisabeth Bergner. They became partners. Due to the persecution of Jews by the Nazi Party under Adolf Hitler, the two, both Jewish, fled to Vienna and then London, where they were married. Despite Czinner's homosexuality, the union proved a happy and personally and professionally enriching one for both partners. 1934 saw the realisation of his film ''Catherine the Great'', with his wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buffo
''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesco'', ''dramma comico'', ''divertimento giocoso''. Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, ''buffa'' was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter. ''The New Grove Dictionary of Opera'' considers ''La Cilla'' (music by Michelangelo Faggioli, text by , 1706) and Luigi and Federico Ricci's'' Crispino e la comare'' (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example Ernst Krenek's ''Zeitoper'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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