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Orlando Finto Pazzo
''Orlando finto pazzo'' (; ''Orlando, the Fake Madman'') is an opera (''dramma per musica'') in three acts composed by Antonio Vivaldi to a libretto by Grazio Braccioli. The plot is based on an episode in Matteo Boiardo's unfinished epic poem ''Orlando Innamorato'' (). The second of Vivaldi's known operas, ''Orlando finto pazzo'' premiered in November 1714 (dedication 10 November) at the Teatro Sant'Angelo in Venice. Vivaldi acted as impresario (in partnership with his father Giovanni Battista) as well as composer. Apparently the opera did not meet much approval from the audience and was billed only on few dates, just to be replaced, on 1 December, by a reworking of Giovanni Alberto Ristori’s ''Orlando furioso'' (), an opera that the Vivaldi "''impresa''" had very successfully staged in 1713.A good deal of the music of ''Orlando finto pazzo'' (as well as further music by Vivaldi) was interpolated into the revived work, so that it should be considered a fully-fledged new opera by ...
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Dramma Per Musica
Dramma per musica (Italian, literally: ''drama for music'', plural: ''drammi per musica'') is a libretto. The term was used by dramatists in Italy and elsewhere between the mid-17th and mid-19th centuries. In modern times the same meaning of ''drama for music'' was conveyed through the Italian Greek-rooted word ''melodramma'' (from μέλος = song or music + δρᾶμα = scenic action). ''Dramma per musica'' never meant "drama ''through'' music", let alone music drama. A ''dramma per musica'' was thus originally (in Italy in the 17th century) a verse drama specifically written for the purpose of being set to music, in other words a libretto for an opera, usually a serious opera (a libretto meant for opera buffa, i.e. comic opera, would have been called a ''dramma giocoso''). By extension, the term came to be used also for the opera or operas which were composed to the libretto, and a variation, ''dramma in musica'', which emphasised the musical element, was sometimes preferre ...
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Antonio Francesco Carli
Antonio Francesco Carli ( fl. 1706–23) was an Italian bass singer, primarily of operatic roles. He is best remembered for having sung the role of Claudius in the original production of George Frideric Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, ...'s early success '' Agrippina''. Carli sung in many different Italian cities, including Rome, Bologna, Turin, and Florence, though he primarily worked at Venice between 1706–1718 and 1722–1723. The part of Claudius demands a bass possessed of an exceptionally wide tessitura and one who is able to perform sudden leaps of vocal register. It is possible that an extremely difficult cantata, ''Nell'Africane selve'', which requires a range of C-sharp below the staff (C♯2) to A-natural above it (A4), was composed by Handel for C ...
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Operas By Antonio Vivaldi
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singin ...
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Matter Of France
The Matter of France, also known as the Carolingian cycle, is a body of literature and legendary material associated with the history of France, in particular involving Charlemagne and his associates. The cycle springs from the Old French '' chansons de geste'', and was later adapted into a variety of art forms, including Renaissance epics and operas. Together with the Matter of Britain, which concerned King Arthur, and the Matter of Rome, comprising material derived from and inspired by classical mythology, it was one of the great European literary cycles that figured repeatedly in medieval literature. Three Matters The Matter of France was one of the "Three Matters" repeatedly recalled in medieval literature. It was contrasted with the Matter of Britain, the legendary history of Great Britain, Brittany and King Arthur; and the Matter of Rome, which represented the medieval poets' interpretations of Ancient Greek and Roman mythology and history. The three names were first used by ...
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1714 Operas
Events January–March * January 21 – After being tricked into deserting a battle against India's Mughal Empire by the rebel Sayyid brothers, Prince Azz-ud-din Mirza is blinded on orders of the Emperor Farrukhsiyar as punishment. * February 7 – The Siege of Tönning (a fortress of the Swedish Empire and now located in Germany in the state of Schleswig-Holstein) ends after almost a year, as Danish forces force the surrender of the remaining 1,600 defenders. The fortress is then leveled by the Danes. * February 28 – (February 17 old style) Russia's Tsar Peter the Great issues a decree requiring compulsory education in mathematics for children of government officials and nobility, applying to children between the ages of 10 and 15 years old. * March 2 – (February 19 old style) The Battle of Storkyro is fought between troops of the Swedish Empire and the Russian Empire, near what is now the village of Napue in Finland. The outnumbered Swedish forces, under the c ...
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Sonia Prina
Sonia Prina (born 30 November 1975) is an Italian operatic contralto who has had an active career in concerts and operas since the mid-1990s. She is particularly known for her appearances in Baroque operas and for her performances of the Baroque concert repertoire. She has recorded works by composers George Frideric Handel and Antonio Vivaldi. Career Born in Magenta, Prina studied singing and the trumpet at the Music Conservatoire "Giuseppe Verdi", Milan and then pursued further studies at the La Scala Academy. She began performing in operas in the mid-1990s, first in the Italian repertoire of Rossini and Donizetti. By 1997 she had established herself as an artist in the Baroque repertoire. Some of the roles she has performed are Amastre in ''Serse'', Bradamante in ''Alcina'', Carilda in '' Arianna in Creta'', Cornelia in ''Giulio Cesare'', Ottone in ''L’Incoronazione di Poppea'', Penelope in '' Il ritorno d'Ulisse in patria'', Polinesso in ''Ariodante'', Valentiniano in '' E ...
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Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ...
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Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Charlemagne
Charlemagne ( , ) or Charles the Great ( la, Carolus Magnus; german: Karl der Große; 2 April 747 – 28 January 814), a member of the Carolingian dynasty, was King of the Franks from 768, King of the Lombards from 774, and the first Holy Roman Emperor, Emperor of the Romans from 800. Charlemagne succeeded in uniting the majority of Western Europe, western and central Europe and was the first recognized emperor to rule from western Europe after the fall of the Western Roman Empire around three centuries earlier. The expanded Frankish state that Charlemagne founded was the Carolingian Empire. He was Canonization, canonized by Antipope Paschal III—an act later treated as invalid—and he is now regarded by some as Beatification, beatified (which is a step on the path to sainthood) in the Catholic Church. Charlemagne was the eldest son of Pepin the Short and Bertrada of Laon. He was born before their Marriage in the Catholic Church, canonical marriage. He became king of the ...
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Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and more than List of operas by Antonio Vivaldi, fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale ...
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