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Orchidée
Orchidée is software developed by IRCAM as a computer-aided orchestration tool. It is a MATLAB-based application that communicates with traditional computer-aided composition environments through Open Sound Control messages. This means that it can be effectively controlled from programs like Max/MSP or OpenMusic. It was developed by Grégoire Carpentier and Damien Tardieu during their PhD studies at IRCAM, with the help and supervision of composer . A recent example of its use for orchestral composition were in Jonathan Harvey's ''Speakings'', premiered in 2008, in which speech was analyzed and computed to provide orchestral combinations for the composer. Given an input target sound, Orchidée creates a musical score which imitates the sound using a mixture of traditional instruments. It then searches within a large instrument sample database for combinations of sounds that perceptually match the target. The application takes into account complex combinatorial possibilities, co ...
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IRCAM
IRCAM (French: ''Ircam, '', English: Institute for Research and Coordination in Acoustics/Music) is a French institute dedicated to the research of music and sound, especially in the fields of avant garde and electro-acoustical art music. It is situated next to, and is organisationally linked with, the Centre Pompidou in Paris. The extension of the building was designed by Renzo Piano and Richard Rogers. Much of the institute is located underground, beneath the fountain to the east of the buildings. A centre for musical research Several concepts for electronic music and audio processing have emerged at IRCAM. John Chowning pioneered work on FM synthesis at IRCAM, and Miller Puckette originally wrote Max at IRCAM in the mid-1980s, which would become the real-time audio processing graphical programming environment Max/MSP. Max/MSP has subsequently become a widely used tool in electroacoustic music. Many of the techniques associated with spectralism, such as analyses based on ...
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Jonathan Harvey (composer)
Jonathan Dean Harvey (3 May 1939 – 4 December 2012)"Jonathan Harvey"
was a British composer. He held teaching positions at universities and music conservatories in Europe and the USA.


Life

Harvey was born in , and studied at , eventually obtaining a PhD ...
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List Of Music Software
This is a list of software for creating, performing, learning, analyzing, researching, broadcasting and editing music. This article only includes software, not services. For streaming services such as iHeartRadio, Pandora, Prime Music, and Spotify, see Comparison of on-demand streaming music services. For storage, uploading, downloading and streaming of music via the cloud, see Comparison of online music lockers. This list does not include discontinued historic or legacy software, with the exception of trackers that are still supported. For example, the company Ars Nova produces music education software, and its software program Practica Musica has remnants of the historic Palestrina software. Practica will be listed here, but not Palestrina. If a program fits several categories, such as a comprehensive digital audio workstation or a foundation programming language (e.g. Pure Data), listing is limited to its top three categories. Types of music software CD ripping software * B ...
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Christopher Trapani
Christopher Trapani is an American/Italian composer of contemporary classical music. In 2007 he won the Gaudeamus Award of the Dutch Gaudeamus Foundation. A CD of his music, ''Waterlines'', was released in 2018. A second release of Waterlines by the Ictus Ensemble was named one of the top 5 classical releases of 2020 by '' De Standaard''. In 2021–2022 he was a visiting assistant professor at the Thornton School of Music of the University of Southern California. Reception In 2007 Trapani won the Gaudeamus Award for young contemporary composers for his composition ''Sparrow Episodes'', for ensemble with solo electric guitar, which was performed in the Muziekgebouw aan 't IJ in Amsterdam by the Asko Ensemble under Étienne Siebens, with Trapani on guitar. In September 2008, his commissioned piece ''Üsküdar'' was performed in the same hall by the Nieuw Ensemble. His composition ''Rust and Stardust'' was performed during the Tectonics Festival in Glasgow in 2015; the '' Gua ...
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Audio Programming Languages
This is a list of notable programming languages optimized for sound production, algorithmic composition, and sound synthesis. * ABC notation, a language for notating music using the ASCII character set * ChucK, strongly timed, concurrent, and on-the-fly audio programming language * Real-time Cmix, a MUSIC-N synthesis language somewhat similar to Csound * Common Lisp Music (CLM), a music synthesis and signal processing package in the Music V family * Csound, a MUSIC-N synthesis language released under the LGPL with many available unit generators * Extempore, a live-coding environment which borrows a core foundation from the Impromptu environment * FAUST, Functional Audio Stream, a functional compiled language for efficient real-time audio signal processingGLICOL a graph-oriented live coding language written in Rust * Hierarchical Music Specification Language (HMSL), optimized more for music than synthesis, developed in the 1980s in Forth * Impromptu, a Scheme language environmen ...
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Future Radio
Future Radio is a local community radio station serving the city of Norwich, Norfolk. The station is part of local charity Future Projects History Future Radio began broadcasting in May 2004 with its first 28-day Restricted Service Licence (RSL). Six such short-term RSLs were broadcast in total, each on the station's former frequency of 105.1 FM. On 6 August 2007 Future Radio launched its full-time permanent service on 96.9 FM, broadcasting from studios on Motum Road, Norwich. The station's first song was '' Once in a Lifetime'' by Talking Heads. The station's programming includes interviews and features, and a range of specialist music programming. Minority language programmes in Lithuanian and Polish are also broadcast. In 2009, the station was awarded an extended Norwich-wide licence which it launched in the summer of 2010. The station then moved to a new frequency, 107.8 FM, which is less subject to incoming interference and is without the previous city centre coverage r ...
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Gérard Buquet
Gérard Buquet (born 1954) is a tubist, conductor and composer, who was born in France. Life He studied at the Conservatoire National Supérieur de Paris, and musicology at the Strasbourg University. Composition studies with Claude Ballif and Franco Donatoni. As instrumentalist he has participated in numerous premiers, and has appeared regularly as a soloist at all leading festivals for contemporary music. He has frequently played with the Orchestre de Paris, the Orchestre National de France, and the Orchestre Philharminique de Radio France, as well as various jazz groups. From 1976 to 2001 he was the tuba player of the ‘Ensemble Intercontemporain’. During this time he worked on several research projects at the Ircam Centre. He has written a book on the ‘contemporary tuba’ (funded by the French cultural ministry). His teaching is inspired by coordination and breathing techniques developed by Jacques Dropsy. Gérard Buquet taught chamber music at the CNSM in Paris ...
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Carnegie Hall
Carnegie Hall ( ) is a concert venue in Midtown Manhattan in New York City. It is at 881 Seventh Avenue (Manhattan), Seventh Avenue, occupying the east side of Seventh Avenue between West 56th Street (Manhattan), 56th and 57th Street (Manhattan), 57th Streets. Designed by architect William Burnet Tuthill and built by philanthropist Andrew Carnegie, it is one of the most prestigious venues in the world for both classical music and popular music. Carnegie Hall has its own artistic programming, development, and marketing departments and presents about 250 performances each season. It is also rented out to performing groups. Carnegie Hall has 3,671 seats, divided among three auditoriums. The largest one is the Stern Auditorium, a five-story auditorium with 2,804 seats. Also part of the complex are the 599-seat Zankel Hall on Seventh Avenue, as well as the 268-seat Joan and Sanford I. Weill Recital Hall on 57th Street. Besides the auditoriums, Carnegie Hall contains offices on its t ...
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Sampler (musical Instrument)
A sampler is an electronic or digital musical instrument which uses sound recordings (or " samples") of real instrument sounds (e.g., a piano, violin, trumpet, or other synthesizer), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or found sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have Mult ...
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Javier Torres Maldonado
Javier Torres Maldonado (born 1968) is a Mexican composer internationally recognized for, mostly, his orchestral, chamber, vocal and electro-acoustic works. Biography Born in Chetumal (Mexico), José Javier Torres Maldonado studied violin and composition at the Mexico City Conservatory and later, invited by Franco Donatoni, composition at the “G. Verdi” Milan Conservatory, under the supervision of Sandro Gorli and Alessandro Solbiati; he completed his postgraduate studies under Franco Donatoni, Azio Corghi (Accademia Nazionale di Santa Cecilia, Accademia Musicale Chigiana) and Ivan Fedele (Conservatoire de Strasbourg). In 2003, he earned a diploma from the G. Verdi Conservatory for his work in electronic music, and in 2004 he was one of ten composers asked to participate in the Stage de Composition et Informatique Musicale at the Parisian center IRCAM. In most of his works, Torres Maldonado explores innovative ways of organizing time, timbre and space. For example, in his p ...
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Orchestration
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts (e.g., melody, bassline, etc.) of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra. In classical music, composers have historically orchestrated their own music. Only gradually over the course of music history did orchestration come to be regarded as a separate compositional art and profession in itself. In modern classical music, composers almost invariably orchestrate their own work. However, in musical theatre, film music and other commercial media, it is customary to use orchestrators and arrangers to ...
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OpenMusic
OpenMusic (OM) is an object-oriented visual programming environment for musical composition based on Common Lisp. It may also be used as an all-purpose visual interface to Lisp programming. At a more specialized level, a set of provided classes and libraries make it a very convenient environment for music composition. History OpenMusic is the last in a series of computer-assisted composition software designed at IRCAM. Versions of OpenMusic are currently available for Mac OS X (PowerPC and Intel), Windows and Linux. The source code has been released under the GNU Lesser General Public License (LGPL). Programming in OpenMusic Programs in OpenMusic are created by connecting together (a process known as 'patching') either pre-defined or user-defined modules, in a similar manner to graphical signal-processing environments such as Max/MSP or Pd. Unlike such environments, however, the result of an OpenMusic computation will typically be displayed in conventional music notation, wh ...
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