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OpenMusic
OpenMusic (OM) is an object-oriented visual programming environment for musical composition based on Common Lisp. It may also be used as an all-purpose visual interface to Lisp programming. At a more specialized level, a set of provided classes and libraries make it a very convenient environment for music composition. History OpenMusic is the last in a series of computer-assisted composition software designed at IRCAM. Versions of OpenMusic are currently available for Mac OS X (PowerPC and Intel), Windows and Linux. The source code has been released under the GNU Lesser General Public License (LGPL). Programming in OpenMusic Programs in OpenMusic are created by connecting together (a process known as 'patching') either pre-defined or user-defined modules, in a similar manner to graphical signal-processing environments such as Max/MSP or Pd. Unlike such environments, however, the result of an OpenMusic computation will typically be displayed in conventional music notation, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rozalie Hirs
Rozalie Hirs (born 7 April 1965) is a Dutch composer of contemporary classical music and a poet. The principal concerns of her work are the adventure of listening, reading, and the imagination. Biography Rozalie Hirs studied piano and voice from age twelve and seventeen respectively. For her secondary education, she attended Gymnasium Herkenrath, North Rhine-Westphalia, from 1975 until 1979, and Het Nieuwe Lyceum, Bilthoven, Netherlands, from which she graduated in 1983. She subsequently studied chemical engineering at the University of Twente, Enschede, completing her Master of Science degree in 1990. During her science studies she sang leading roles in several opera productions at Muziekschool Enschede, and co-composed and performed songs with her new wave band Boolean. From 1991 to 1992 she studied classical voice with Eugenie Ditewig at Utrechts Conservatorium, from 1992 to 1994 with Gerda van Zelm at the Royal Conservatory of The Hague. Music education From 1991 until 199 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IRCAM
IRCAM (French: ''Ircam, '', English: Institute for Research and Coordination in Acoustics/Music) is a French institute dedicated to the research of music and sound, especially in the fields of avant garde and electro-acoustical art music. It is situated next to, and is organisationally linked with, the Centre Pompidou in Paris. The extension of the building was designed by Renzo Piano and Richard Rogers. Much of the institute is located underground, beneath the fountain to the east of the buildings. A centre for musical research Several concepts for electronic music and audio processing have emerged at IRCAM. John Chowning pioneered work on FM synthesis at IRCAM, and Miller Puckette originally wrote Max at IRCAM in the mid-1980s, which would become the real-time audio processing graphical programming environment Max/MSP. Max/MSP has subsequently become a widely used tool in electroacoustic music. Many of the techniques associated with spectralism, such as analyses based on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karim Haddad
Karim Haddad ( ar, كريم حداد) (born January 22, 1962 in Dar-el Mraisseh, Beirut, Lebanon) is a Lebanese composer. Education He achieved his first musical studies at the National Conservatory of Beirut. He received B.A. of Philosophy and literature at the American University of Beirut. He left his war torn country in 1982 to settle in Paris (France). In 1985 he received B.A. degree in musicology at the Sorbonne University. He then joined the Conservatoire de Paris. He mastered the essentials: Harmony, counterpoint, fugue, orchestration, analysis and composition with Edith Lejet (Harmony, Fugue), Bernard de Crepy (Counterpoint), Paul Mefano (Orchestration), Jacques Casterede and Alain Louvier (Analysis), Alain Bancquart and Emmanuel Nunes (Composition) where he obtained Six awards and the "Diplome Superieur" in Composition. Contemporary Music Composer From 1991 to 1992 he attended master classes in composition with Karlheinz Stockhausen and Klaus Huber. Between 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Lisp
Common Lisp (CL) is a dialect of the Lisp programming language, published in ANSI standard document ''ANSI INCITS 226-1994 (S20018)'' (formerly ''X3.226-1994 (R1999)''). The Common Lisp HyperSpec, a hyperlinked HTML version, has been derived from the ANSI Common Lisp standard. The Common Lisp language was developed as a standardized and improved successor of Maclisp. By the early 1980s several groups were already at work on diverse successors to MacLisp: Lisp Machine Lisp (aka ZetaLisp), Spice Lisp, NIL and S-1 Lisp. Common Lisp sought to unify, standardise, and extend the features of these MacLisp dialects. Common Lisp is not an implementation, but rather a language specification. Several implementations of the Common Lisp standard are available, including free and open-source software and proprietary products. Common Lisp is a general-purpose, multi-paradigm programming language. It supports a combination of procedural, functional, and object-oriented programming paradigms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Computer-assisted Composition
Computer music is the application of computing technology in music composition, to help human composers create new music or to have computers independently create music, such as with algorithmic composition programs. It includes the theory and application of new and existing computer software technologies and basic aspects of music, such as sound synthesis, digital signal processing, sound design, sonic diffusion, acoustics, electrical engineering and psychoacoustics. The field of computer music can trace its roots back to the origins of electronic music, and the first experiments and innovations with electronic instruments at the turn of the 20th century. History Much of the work on computer music has drawn on the relationship between music and mathematics, a relationship which has been noted since the Ancient Greeks described the "harmony of the spheres". Musical melodies were first generated by the computer originally named the CSIR Mark 1 (later renamed CSIRAC) in Australia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eres Holz
Eres Holz (born September 26, 1977 in Rehovot), is a German composer of Israeli origin. He has been living in Germany since 2003. Life Biography Holz studied composition with Ruben Seroussi in Tel Aviv. From 2003 to 2011 he studied composition with Hanspeter Kyburz and electronic music with Wolfgang Heiniger at the Hochschule für Musik "Hanns Eisler" in Berlin, where since 2008 he has taught Algorithmic Composition with OpenMusic and Common Music. His works have been performed in Germany, Switzerland, Israel, Spain and Australia, by Ensemble Adapter, Ensemble Zafraan, Modern Art Sextet, Trio Nexus, Ensemble Risonanze Erranti, Israel Contemporary Players, Ensemble Meitar and others, as well as broadcast on the national German public broadcaster Deutschlandradio and on Hessischer Rundfunk. Since 2014 he has been a member of the Academy of German Composers (Akademie Deutscher Musikautoren) Grants & Awards The Hanns Eisler Prize in Composition, in the category "Competition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alain Bancquart
Alain Bancquart (20 June 1934 – 27 January 2022) was a French composer. Biography Bancquart had his musical formation at the Conservatoire de Paris (violin, viola, chamber music, counterpoint, fugue and composition) with Darius Milhaud. He was a violist with the Orchestre National de France The Orchestre national de France (ONF; literal translation, ''National Orchestra of France'') is a French symphony orchestra based in Paris, founded in 1934. Placed under the administration of the French national radio (named Radio France sinc ... until 1973. He became ''Directeur Musical des Orchestres de Régions at the ORTF'' (1973–1974), then musical director of the Orchestre National de France (1975–1976). Since 1967, he had dedicated his compositional work to the study of micro-intervals in a neo- serial approach using quarter-tones, and more recently 16th tones. Bancquart was married to French poet Marie-Claire Bancquart. He died on 27 January 2022, at the age of 87. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fractals
In mathematics, a fractal is a geometric shape containing detailed structure at arbitrarily small scales, usually having a fractal dimension strictly exceeding the topological dimension. Many fractals appear similar at various scales, as illustrated in successive magnifications of the Mandelbrot set. This exhibition of similar patterns at increasingly smaller scales is called self-similarity, also known as expanding symmetry or unfolding symmetry; if this replication is exactly the same at every scale, as in the Menger sponge, the shape is called Affine geometry, affine self-similar. Fractal geometry lies within the mathematical branch of measure theory. One way that fractals are different from finite geometric figures is how they Scaling (geometry), scale. Doubling the edge lengths of a filled polygon multiplies its area by four, which is two (the ratio of the new to the old side length) raised to the power of two (the conventional dimension of the filled polygon). Likewise, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Information Retrieval
Music information retrieval (MIR) is the interdisciplinary science of retrieving information from music. MIR is a small but growing field of research with many real-world applications. Those involved in MIR may have a background in academic musicology, psychoacoustics, psychology, signal processing, informatics, machine learning, optical music recognition, computational intelligence or some combination of these. Applications MIR is being used by businesses and academics to categorize, manipulate and even create music. Music classification One of the classical MIR research topic is genre classification, which is categorizing music items into one of pre-defined genres such as classical, jazz, rock, etc. Mood classification, artist classification, instrument identification, and music tagging are also popular topics. Recommender systems Several recommender systems for music already exist, but surprisingly few are based upon MIR techniques, instead making use of similarity betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Synthesis
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Ferneyhough
Brian John Peter Ferneyhough (; born 16 January 1943) is an English composer. Ferneyhough is typically considered the central figure of the New Complexity movement. Ferneyhough has taught composition at the Hochschule für Musik Freiburg and the University of California, San Diego; he teaches at Stanford University and is a regular lecturer in the summer courses at Darmstädter Ferienkurse. He has resided in California since 1987. Life Ferneyhough was born in Coventry and received formal musical training at the Birmingham School of Music and the Royal Academy of Music from 1966 to 1967, where he studied with Lennox Berkeley. Ferneyhough was awarded the Mendelssohn Scholarship in 1968 and moved to mainland Europe to study with Ton de Leeuw in Amsterdam, and later with Klaus Huber in Basel. Between 1973 and 1986 he taught composition at the Hochschule für Musik Freiburg, Germany,Richard Toop, "Ferneyhough, Brian", '' Grove Music Online'' (Updated 22 October 2008), edited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
