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Orchards, Surrey
Orchards is an Arts and Crafts style house in Bramley in Surrey, England. It is on Bramley's boundary with Busbridge and south-east of Godalming town centre. Described by English Heritage as the first major work of architect Edwin Lutyens, it is a Grade I listed building. The gardens are Grade II* listed in the National Register of Historic Parks and Gardens. The property is privately owned. House The house was built during 1897–99 by Lutyens for William and Julia Chance. Sir William Chance (2 July 1853 – 9 April 1935), a barrister and philanthropist, was the son of Sir James Timmins Chance, of the glassmaking company Chance Brothers, and succeeded his father as the second Chance baronet in 1902. His wife, born Julia Charlotte Strachey, was the only child of explorer Sir Henry Strachey. She was an amateur sculptor, and a supporter of the Arts and Crafts movement.Brown (1996), pp. 32–34 The couple initially commissioned architect Halsey Ricardo for their new house, ...
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Bramley, Surrey
Bramley is a village and civil parish about three miles (5 km) south of Guildford in the Borough of Waverley in Surrey, south east England. Most of the parish lies in the Surrey Hills Area of Outstanding Natural Beauty. Within its boundaries there is evidence of the Iron Age but documents record a village at the end of Anglo-Saxon era of the Kingdom of England and track its expansion and division during the Middle Ages. Much of the building was linear along the Horsham road: many such buildings have survived and the village has a substantial conservation area. History Pre 1600 The name Bramley is of Old English (Anglo-Saxon) origin; like "Bromley", one of its earlier forms, it means a clearing or lea in the broom). Birtley within the parish in the south and means a clearing in the birch. Before the Saxons arrived the wider area was lightly settled. The builders of the Iron Age fort at Hascombe probably included farmers from the Wintershall and Thorncombe Street areas ...
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Vernacular Architecture
Vernacular architecture is building done outside any academic tradition, and without professional guidance. This category encompasses a wide range and variety of building types, with differing methods of construction, from around the world, both historical and extant, representing the majority of buildings and settlements created in pre-industrial societies. Vernacular architecture constitutes 95% of the world's built environment, as estimated in 1995 by Amos Rapoport, as measured against the small percentage of new buildings every year designed by architects and built by engineers. Vernacular architecture usually serves immediate, local needs; is constrained by the materials available in its particular region; and reflects local traditions and cultural practices. Traditionally, the study of vernacular architecture did not examine formally schooled architects, but instead that of the design skills and tradition of local builders, who were rarely given any attribution for the w ...
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Ansty And Staplefield
Ansty and Staplefield, previously Cuckfield Rural, is a civil parish in the Mid Sussex District of West Sussex, England, covering an area from the north-west side of Burgess Hill, the whole lying around but mostly to the west of Cuckfield civil parish, from which it was created in 1894 under the Local Government Act 1894. It includes the settlements of Ansty in the south, Staplefield to the north-west and Brook Street to the north-east. It is the largest civil parish in West Sussex, covering an area of , and has a population of 1574 (2001 Census), increasing to 1,756 at the 2011 Census. Landmarks include Borde Hill Garden Borde Hill Garden is a garden located north of Haywards Heath, West Sussex in southern England. It is set in over of garden, park and woodlands which has views across the Sussex High Weald. Borde Hill Garden is planted in “living garden room ..., and Tyes Place, an historic mansion. References External links Parish Council web site Civil parishes ...
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Bargate Stone
__NOTOC__ Bargate stone is a highly durable form of sandstone. It owes its yellow, butter or honey colouring to a high iron content. In some contexts it may be considered to be a form of ironstone. However, in the context of stone buildings local to the extraction of Bargate Stone, the term 'ironstone' is often used to refer to a darker stone, also extracted from the Greensand, which rusts to a brown colour.https://www.spelthorne.gov.uk/media/2310/Repair-and-Maintenance-of-Stone-Buildings/pdf/advisory_leaflet_9_repair_and_maintenance_of_stone_buildings.pdf Sources This stone was quarried for centuries in the Bargate Member of the Greensand Ridge, particularly where it is widest in south west Surrey, England. It occurs near the surface and was quarried in the hillsides near Godalming. Medieval quarries are still visible in Godalming, at the foot of Holloway Hill. Bargate stone is rare in current use due to its short supply. Bath stone, Yorkstone and other similar coloured ston ...
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Marshcourt
Marshcourt, also spelled Marsh Court, is an Arts and Crafts style country house in Marsh Court, near Stockbridge, Hampshire, England. It is constructed from quarried chalk. Designed and built by architect Edwin Lutyens between 1901 and 1905, it is a Grade I listed building. The gardens, designed by Lutyens and Gertrude Jekyll, are Grade II* listed in the National Register of Historic Parks and Gardens. House Construction Lutyens built Marshcourt for Herbert "Johnnie" Johnson, a trader/stockjobber on the London Stock Exchange, where he had accumulated a fortune of half a million pounds. He bought a hillside site overlooking the River Test (on a ridge above a much older manor house in the valley bottom, Marsh Court Manor), and approached Lutyens after seeing his work portrayed in '' Country Life''. They became lifelong friends. The house was built on the hillside, out of locally quarried chalk cut as ashlar, known as clunch. Lutyens interspersed pieces of black flint and ...
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Dutch Garden
Dutch garden refers firstly to gardens in the Netherlands, but also, mainly in the English-speaking countries, to various types of gardens traditionally considered to be in a Dutch style, a presumption that has been much disputed by garden historians in recent decades. Historically gardens in the Netherlands have generally followed trends from neighbouring countries, but from the Early Modern period, Dutch gardens were distinctive for the wider range of plants available over the rest of Europe north of the Alps, and an emphasis on individual specimen plants, often sparsely planted in a bed. In the 17th century and into the 18th, the Dutch dominated the publishing of botanical books, and established the very strong position in the breeding and growing of garden plants, which they still retain. They were perhaps also distinguished by their efficient use of space, and in large examples, the use of topiary (sculptured bushes and trees) and small "canals", long thin, rectangular artifi ...
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Loggia
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room."Definition of Loggia"
Lexic.us. Retrieved on 2014-10-24.
An overhanging loggia may be supported by a baldresca. From the early , nearly every Italian

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Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians. The walkway may be lined with retail stores. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. Many medieval arcades housed shops or stalls, either in the arcaded space itself, or set into the main wall behind. From this, "arcade" has become a general word for a group of shops in a single building, regardless of the architectural f ...
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Studio
A studio is an artist or worker's workroom. This can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, radio or television production broadcasting or the making of music. The term is also used for the workroom of dancers, often specified to dance studio. The word ''studio'' is derived from the , from , from ''studere'', meaning to study or zeal. The French term for studio, ''atelier'', in addition to designating an artist's studio is used to characterize the studio of a fashion designer. ''Studio'' is also a metonym for the group of people who work within a particular studio. :uz:Studiya Art studio The studio of any artist, especially from the 15th to the 19th centuries, characterized all the assistants, thus the designation of paintings as "from the workshop of..." or "studio of..." An art studio is sometimes called an atelier, ...
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Buttress
A buttress is an architectural structure built against or projecting from a wall which serves to support or reinforce the wall. Buttresses are fairly common on more ancient buildings, as a means of providing support to act against the lateral (sideways) forces arising out of inadequately braced roof structures. The term ''counterfort'' can be synonymous with buttress and is often used when referring to dams, retaining walls and other structures holding back earth. Early examples of buttresses are found on the Eanna Temple (ancient Uruk), dating to as early as the 4th millennium BC. Terminology In addition to flying and ordinary buttresses, brick and masonry buttresses that support wall corners can be classified according to their ground plan. A clasping or clamped buttress has an L shaped ground plan surrounding the corner, an angled buttress has two buttresses meeting at the corner, a setback buttress is similar to an angled buttress but the buttresses are set back from the ...
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Lutyens Houses And Gardens (1921) (14740855736)
Sir Edwin Landseer Lutyens ( ; 29 March 1869 – 1 January 1944) was an English architect known for imaginatively adapting traditional architectural styles to the requirements of his era. He designed many English country houses, war memorials and public buildings. In his biography, the writer Christopher Hussey wrote, "In his lifetime (Lutyens) was widely held to be our greatest architect since Wren if not, as many maintained, his superior". The architectural historian Gavin Stamp described him as "surely the greatest British architect of the twentieth (or of any other) century". Lutyens played an instrumental role in designing and building New Delhi, which would later on serve as the seat of the Government of India. In recognition of his contribution, New Delhi is also known as "Lutyens' Delhi". In collaboration with Sir Herbert Baker, he was also the main architect of several monuments in New Delhi such as the India Gate; he also designed Viceroy's House, which is now kno ...
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Little Thakeham
Little Thakeham is an Arts and Crafts style, Grade I listed private house in the parish of Thakeham, near the village of Storrington, in the Horsham district of West Sussex, England. Designed by architect Edwin Lutyens in 1902, the house was one of the first in which Lutyens mixed neoclassical architecture into his previously vernacular style. The exterior of the house is vernacular, but the interior has classical features, particularly in its large hall. The gardens, also designed by Lutyens, are Grade II* listed in the National Register of Historic Parks and Gardens. House Lutyens' client was Ernest Blackburn, formerly the headmaster of a preparatory school in Southborough, Kent, who had retired on receiving an inheritance from his father, a wine merchant. His main interest was gardening. Over 1901–2 he made a series of land purchases, creating an estate of , and devoted himself to landscaping it. He commissioned the architect F. Hatchard Smith to build a house on the site, ...
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