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Oratory Of San Filippo Neri, Bologna
The Oratory of San Filippo Neri in Bologna is a restored late-Baroque religious structure in central Bologna. It is located on Via Manzoni. The Oratory was constructed from the sacristy of the adjacent church of the Madonna di Galliera. This church is now called ''Chiesa dei Filippini Madonna di Galliera e Filippo Neri''. History The original oratory was commissioned by the Oratorian Order of Philip Neri. It was decorated in the early 18th century (1723-1733) by a series of artists including Alfonso Torreggiani (architect); Angelo Piò Angelo Gabriello Piò (Bologna, 1690- Bologna, 1770) was an Italian sculptor, active in Bologna in a Rococo style. Life In Bologna, he studied from 1711 to 1712 under Andrea Ferreri (1673–1744) . He was also a pupil of Giuseppe Maria Mazza. A ... (sculptor), and Francesco Monti (painter). Other artists involved included the quadraturae painter Fernando Galli Bibiena (1657-1743) and the stuccoist Carlo Nessi. The oratory now contains the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna Di Galliera, Bologna
The Madonna di Galliera is a church with a Renaissance facade and Baroque interiors, located on Via Manzoni, in central Bologna, Italy. It stands in front of the Palazzo Ghisilardi Fava. The present name over the portal is the ''Chiesa di Filippini Madonna di Galliera e Filippo Neri''. History The church was acquired in 1622 by the Oratorians of St Phillip Neri, who reconstructed the interiors, and built the adjacent Oratory of San Filippo Neri. The original church at the site was founded in 1304 by a charitable order which translates into ''Confraternity of the Shameful Poor'' (Compagnia dei Poveri Vergognosi). By 1479 they began construction of the sculpturally rich stone Renaissance facade, with a design attributed to Egidio Montanari, and sculptures by Zilio Montanari. The interiors were all refurbished by the Oratorians, including reconstruction by Giuseppe Antonio Torri in 1684. The interior includes frescoes by Giuseppe Marchesi in the ceiling, apse and ceiling o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Neri
Philip Romolo Neri ( ; it, italics=no, Filippo Romolo Neri, ; 22 July 151526 May 1595), known as the "Second Apostle of Rome", after Saint Peter, was an Italian priest noted for founding a society of secular clergy called the Congregation of the Oratory. Early life Philip was the son of Francesco di Neri, a lawyer, and his wife Lucrezia da Mosciano, whose family were nobility of Italy, nobility in the service of the state. He was carefully brought up, and received his early teaching from the friars at San Marco, Florence, San Marco, the famous Dominican Order, Dominican monastery in Florence. He was accustomed in later life to ascribing most of his progress to the teaching of two of them, Zenobio de' Medici and Servanzio Mini. At the age of 18, in 1533, Philip was sent to his uncle, Romolo, a wealthy merchant at San Germano (now Cassino), a then Neapolitan town near the base of Monte Cassino, to assist him in his business, and with the hope that he might inherit his uncle's fort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonso Torreggiani
Alfonso Torreggiani (1682–1764) was an Italian architect of the Rococo period, principally associated with Bologna. Life Torregiani was born in Budrio. An apprentice of Giuseppe Antonio Torri, he became intensely active in the city of Bologna working on the design of churches and private buildings and as a consultant on the organisation and reconstruction of existing buildings: for example, the Church of Sant'Ignazio, 1726; the interior of the Church of La Maddalena, 1735; the Palazzo Torfanini (then property of the Princes of Este) in the Via Galliera, 1735; continued the construction of the Palazzo Aldrovandi in 1741, the west front of the cathedral, 1744–52, and the high altar in the Basilica of San Domenico. Torreggiani was named ''prince'' of the Accademia Clementina, and had the patronage of Cardinale Pompeo Aldrovandi and Pope Benedict XIV (Lambertini). For the former he completed a Chapel in the Basilica of San Petronio. Among his main collaborators i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelo Piò
Angelo Gabriello Piò (Bologna, 1690- Bologna, 1770) was an Italian sculptor, active in Bologna in a Rococo style. Life In Bologna, he studied from 1711 to 1712 under Andrea Ferreri (1673–1744) . He was also a pupil of Giuseppe Maria Mazza. After 1718 he studied in Rome under Camillo Rusconi (1658-1728). In 1721 Piò became a member of the ''Accademia Clementina'' in Bologna. He worked with some of the prime Bolognese architects of the time: Carlo Francesco Dotti, Alfonso Torreggiani and Giuseppe Antonio Ambrosi. His son, pupil and assistant was Domenico Piò (1715-1799). Other pupils included Filippo Scandellari (brother of Pietro) and Antonio Schiassi (died 1778). by Salvatore Muzzi; Bologna, 1846, Volume 8, page 746. Work ...
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Francesco Monti (Bologna)
Francesco Monti (1685 – 14 April 1768) was an Italian painter of the late Baroque. ''Death of St Anne'', originally in church of San Zeno al Foro, Brescia. Biography Born in Bologna, he studied art for three years with Sigismondo Caula in Modena, and then starting in 1701 with Giovanni Gioseffo dal Sole in Bologna. His neo- Mannerist style was influenced by Donato Creti, Giuseppe Maria Crespi, and Parmigianino. A prolific painter, he worked in oil and in fresco. His first known work, dating from 1713, is a ''Pentecost'' for the Basilica of San Prospero in Reggio Emilia. Other early works include a ''Rape of the Sabines'' for Count Ranuzzi and a ''Triumph of Mordecai'' for the court at Turin. Around this time, he was commissioned, along with other painters, to provide decorations for the Duke of Richmond's Goodwood Palace. He also executed commissions for a number of churches in Bolognia. Within a few years, he was admitted to the prestigious Accademia Clementina. In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illusionistic Ceiling Painting
Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance art, Renaissance, Baroque art, Baroque and Rococo art in which ''trompe-l'œil'', Perspective (graphical), perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the Oculus (architecture), oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of Illusionism (art), illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernando Galli Bibiena
Ferdinando Galli-Bibiena (18 August 1657 – 3 January 1743),"Galli-Bibiena, Ferdinando" (dates, Farnese dynasty, to Barcelona for Karl VI),''Encyclopedia of Austria'', 2006, aeiou.iicm.tugraz.at webpag."Ferdinando Galli Bibiena Online" (overview), John Malyon, ''Artcyclopedia'', 2005, Artcyclopedia.com webpag surname also spelled Galli da Bibiena or Bibbiena, was an Italian Baroque-era architect, designer, and painter."Bibiena, Galli da, Family" (history),''Encyclopædia Britannica Online'', 18-November-2006, Britannica.com webpagEB-Bibienas Biography Bibiena was born on 18 August 1657 at Bologna. He was the son of painter Giovanni Maria Galli (1625–1665), and he studied painting under Carlo Cignani and architecture under Giulio Trogli, called ''il Paradosso''. On the recommendation of Cignani, Bibiena entered into the service of the duke of Parma and also worked for the Farnese dynasty at Piacenza over a period of 30 years. His main work during this time was the ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Nessi
Carlo is a given name. It is an Italian form of Charles. It can refer to: *Carlo (name) *Monte Carlo *Carlingford, New South Wales, a suburb in north-west Sydney, New South Wales, Australia *A satirical song written by Dafydd Iwan about Prince Charles. *A former member of Dion and the Belmonts best known for his 1964 song, Ring A Ling. *Carlo (submachine gun), an improvised West Bank gun. * Carlo, a fictional character from Animal Crossing: Pocket Camp * It can be confused with Carlos * Carlo means “man” (from Germanic “karal”), “free man” (from Middle Low German “kerle”) and “warrior”, “army” (from Germanic “hari”). See also *Carl (name) *Carle (other) *Carlos (given name) Carlos is a masculine given name, and is the Portuguese and Spanish variant of the English name ''Charles'', from the Germanic ''Carl''. Notable people with the name include: Royalty *Carlos I of Portugal (1863–1908), second to last King of P ... {{disambig Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Carracci
Ludovico (or Lodovico) Carracci (21 April 1555 – 13 November 1619) was an Italian, early-Baroque painter, etcher, and printmaker born in Bologna. His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism. He died in Bologna in 1619. Biography Ludovico apprenticed under Prospero Fontana in Bologna and traveled to Florence, Parma, and Venice, before returning to his hometown. Together with his cousins Annibale and Agostino Carracci, Ludovico worked in Bologna on the fresco cycles depicting Histories of ''Jason and Medea'' (1584) in Palazzo Fava, and the ''Histories of Romulus and Remus'' (1590-1592) for the Palazzo Magnani. Their individual contributions to these works are unclear, although Annibale, the younger than Ludovico by 5 years had gained fame as the best of the three. This led to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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