Oppana @VAST
Oppana ( ml, ഒപ്പന) is a popular form of social entertainment among the Mappila (Kerala Muslims) community of Kerala, South India, prevalent throughout Kerala, especially in Malabar. The Term Oppana is believed to be originated from the Arabic word "Affna". Oppana is traditionally used in various important cultural ceremonies, and in particular, is a component of all Mappila weddings. In Kerala, this art form has been revived with much popularity on the performing stages of the Youth Festivals of the student community. Oppana is generally presented by females, numbering about fifteen, including musicians, on a wedding day. The bride dressed in all finery, covered with gold ornaments and her palms and feet adorned with an intricately woven pattern of ''mylanchi'' (henna), sits amidst the circle of dancers. She is the chief spectator sitting on a peetam (chair), around which the singing and dancing take place. While they sing, they clap their hands rhythmically and move aroun ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Oppana At Kerala School Kalolsavam 2019 3
Oppana ( ml, ഒപ്പന) is a popular form of social entertainment among the Mappila (Kerala Muslims) community of Kerala, South India, prevalent throughout Kerala, especially in Malabar. The Term Oppana is believed to be originated from the Arabic word "Affna". Oppana is traditionally used in various important cultural ceremonies, and in particular, is a component of all Mappila weddings. In Kerala, this art form has been revived with much popularity on the performing stages of the Youth Festivals of the student community. Oppana is generally presented by females, numbering about fifteen, including musicians, on a wedding day. The bride dressed in all finery, covered with gold ornaments and her palms and feet adorned with an intricately woven pattern of ''mylanchi'' (henna), sits amidst the circle of dancers. She is the chief spectator sitting on a peetam (chair), around which the singing and dancing take place. While they sing, they clap their hands rhythmically and move aroun ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ganjira
The kanjira, khanjira, khanjiri or ganjira, a South Indian frame drum, is an instrument of the tambourine family. As a folk and bhajan instrument, it has been used in India for many centuries. The kanjira's emergence in South Indian Carnatic music, as well as the development of the modern form of the instrument, is credited to Manpoondia Pillai. In the 1880s, Manpoondia Pillai was a temple lantern-bearer who sought to study drumming. He modified it to a frame drum with a single pair of jingles and brought the instrument to a classical stage. It is used primarily in concerts of Carnatic music (South Indian classical music) as a supporting instrument for the ''mridangam''. Construction Similar to the Western tambourine, it consists of a circular frame made of the wood of the jackfruit tree, between 7 and 9 inches in width and 2 to 4 inches in depth. It is covered on one side with a drumhead made of monitor lizard skin (specifically the Bengal monitor, ''Varanus bengalensis'', now ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dances Of Kerala
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athletes ta ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kerala Folklore Akademi
Kerala ( ; ) is a state on the Malabar Coast of India. It was formed on 1 November 1956, following the passage of the States Reorganisation Act, by combining Malayalam-speaking regions of the erstwhile regions of Cochin, Malabar, South Canara, and Thiruvithamkoor. Spread over , Kerala is the 21st largest Indian state by area. It is bordered by Karnataka to the north and northeast, Tamil Nadu to the east and south, and the Lakshadweep Sea to the west. With 33 million inhabitants as per the 2011 census, Kerala is the 13th-largest Indian state by population. It is divided into 14 districts with the capital being Thiruvananthapuram. Malayalam is the most widely spoken language and is also the official language of the state. The Chera dynasty was the first prominent kingdom based in Kerala. The Ay kingdom in the deep south and the Ezhimala kingdom in the north formed the other kingdoms in the early years of the Common Era (CE). The region had been a prominent spice exporter s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kuthu Ratheeb
Rifai Raatheeb is a ritual performed by a section of Ahmed ar-Rifa'i. Rifai is a name that originates from Sufi saint Ahmed-Al-Kabeer who was born in the Wasit region in Baghdad, Iraq in 1118. Shaikh Rifai committed himself to memorise the Quran at age seven. Ritual He founded the Rifai Sufi Order. Rifai Ratheeb, which is performed at ritual festivals and homes. The ritual is performed to defeat incurable diseases and to fulfill the aspirations of the faithful. It is the pilgrimage of Shaykh Ahmad Rifai. However, no authentic source confirms this origin. The ritual involves piercing the body without pain, immunity to snake and fire and riding of wild animals. Piercing affects the tongue, the ear and the stomach. Knives and steel tools are used. Hymns known as ''Byths'' or ''Ratheebs'' are sung. (More than twenty such ''byths'' are used) The followers of the ritual believe that even though injuries are inflicted on the bodies of the performers by weapons, these do not cause ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mappila Paattu
Mappila songs (or ''Mappila Paattu'') are a folklore Muslim song genre rendered to lyrics, within a melodic framework ( Ishal), in Arabi Malayalam by the Mappilas of the Malabar region in Kerala, India. Mappila songs have a distinct cultural identity, while at the same time remain closely linked to the cultural practices of Kerala. The songs often use words from Persian, Hindustani, and Tamil, apart from Arabic and Malayalam, but the grammatical syntax is always based in Malayalam. They deal with themes such as religion, love, satire, and heroism, and are often sung at occasions of birth, marriage, and death. ''Mappila Paattu'' form an integral part of the heritage of Malayalam literature today and is regarded by some as the most popular branch of Malayalam literature, enjoyed by all Malayali communities in Kerala and Beary speaking communities of Karnataka .Pg 7-14, Mappilappattu - Padhavum Padhanavum ( Mappila songs - Study and Lessons) - Balakrishnan Vallikkunnu and Dr. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Duff Muttu
Duffmuttu (also: Dubhmuttu) is an art form prevalent in the Malabar region of the states of Kerala and Karnataka in south India. It derives its name from the daf, duff, a percussion instrument made of wood and ox skin. The word duff is of Arabic origin and is also called a ''thappitta''. Duffmuttu is performed as social entertainment and to commemorate festivals, ''uroos'' (festivals connected with mosques) and weddings. Duffmuttu can be performed at any time of the day. A ''duffmuttu'' performance usually consists of ten members who stand or sit facing each other singing songs and swaying their bodies to the tempo of the song which is set by the rhythmic beats of the ''duff''. Duffmuttu songs are a tribute to Islamic heroes and martyrs. The lead player also leads the troupe in song while the others provide the chorus. The dancers drum the duff with their fingers or palms and while moving rhythmically often toss them over their heads. A closely related art form is the Aravana M ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arabic
Arabic (, ' ; , ' or ) is a Semitic languages, Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C. E.Watson; Walter de Gruyter GmbH & Co. KG, Berlin/Boston, 2011. Having emerged in the 1st century, it is named after the Arabs, Arab people; the term "Arab" was initially used to describe those living in the Arabian Peninsula, as perceived by geographers from ancient Greece. Since the 7th century, Arabic has been characterized by diglossia, with an opposition between a standard Prestige (sociolinguistics), prestige language—i.e., Literary Arabic: Modern Standard Arabic (MSA) or Classical Arabic—and diverse vernacular varieties, which serve as First language, mother tongues. Colloquial dialects vary significantly from MSA, impeding mutual intelligibility. MSA is only acquired through formal education and is not spoken natively. It is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mappilapaattu
Mappila songs (or ''Mappila Paattu'') are a folklore Muslim song genre rendered to lyrics, within a melodic framework ( Ishal), in Arabi Malayalam by the Mappilas of the Malabar region in Kerala, India. Mappila songs have a distinct cultural identity, while at the same time remain closely linked to the cultural practices of Kerala. The songs often use words from Persian, Hindustani, and Tamil, apart from Arabic and Malayalam, but the grammatical syntax is always based in Malayalam. They deal with themes such as religion, love, satire, and heroism, and are often sung at occasions of birth, marriage, and death. ''Mappila Paattu'' form an integral part of the heritage of Malayalam literature today and is regarded by some as the most popular branch of Malayalam literature, enjoyed by all Malayali communities in Kerala and Beary speaking communities of Karnataka .Pg 7-14, Mappilappattu - Padhavum Padhanavum ( Mappila songs - Study and Lessons) - Balakrishnan Vallikkunnu and Dr. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Elathaalam
Elathalam, or Ilathalam, is a metallic musical instrument which resembles a miniature pair of cymbals. This instrument from Kerala in southern India is completely made out of bronze and has two pieces in it. Elathalam is played by keeping one part of the cymbal in left hand banging the other cymbal to the one in left hand. Even though this instrument is small by size, it does have more thickness than the common cymbal, and thus gives a distinct chime. Elathalam is never a lead instrument but is used in a number of ethnic Kerala percussion ensembles like Panchavadyam, Chenda melam, Thayambaka and Kailaya vathiyam besides by second singer on a Kathakali stage beside providing the beat in Kuzhal Pattu and Kombu Pattu. Masters of Elathalam Leading elathalam masters of the present day include:Cheriyath Thanku Marar, Chelakkara Unnikrishnan, Maniyamparambil Mani, Kothachira Sekharan Nair, Chengamanad Paramu Nair, Pallavur Raghava Pisharody, Chelakkara Jayan, Pookottur Sasidharan (Asi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mappila
Mappila Muslim, often shortened to Mappila, formerly anglicized as Moplah/Mopla and historically known as Jonaka/Chonaka Mappila or Moors Mopulars/Mouros da Terra and Mouros Malabares, in general, is a member of the Muslim community of same name found predominantly in Kerala and Lakshadweep Islands, in southern India. Muslims of Kerala make up 26.56% of the population of the state (2011), and as a religious group they are the second largest group after Hindus (54.73%). Mappilas share the common language of Malayalam with the other religious communities of Kerala.Miller, Roland. E., "Mappila" in "The Encyclopedia of Islam". Volume VI. E. J. Brill, Leiden. 198 pp. 458–56. According to some scholars, the Mappilas are the oldest settled native Muslim community in South Asia. In general, a Mappila is either a descendant of any native convert to Islam or a mixed descendant of any Middle Eastern — Arab or Persian — individual.Hafiz Mohamad, N. P. "Socioeconomic determinants of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |