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Opaque Couché (Meat Beat Manifesto Album)
Meat Beat Manifesto, often shortened as Meat Beat, Manifesto or MBM, is an electronic music group originally consisting of Jack Dangers and Jonny Stephens that was formed in 1987 in Swindon, United Kingdom. The band, fronted by Dangers (the only permanent member), has proven versatile over the years, experimenting with techno, breakbeat, industrial, dub and jazz fusion while touring the world and influencing major acts such as Nine Inch Nails, the Chemical Brothers and the Prodigy. Some of the band's earlier work has been credited with influencing the rise of the trip hop, big beat, and drum and bass genres. History Early years Dangers and Stephens had formed the English pop group Perennial Divide in 1986 with Paul Freeguard and released the first few Meat Beat Manifesto singles as a side project. The first release under the Meat Beat name was 1987's ''Suck Hard'' EP on Sweat Box Records. They left Perennial Divide in 1988 to record a full Meat Beat album. The tapes of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swindon
Swindon () is a town and unitary authority with Borough status in the United Kingdom, borough status in Wiltshire, England. As of the 2021 Census, the population of Swindon was 201,669, making it the largest town in the county. The Swindon unitary authority area had a population of 233,410 as of 2021. Located in South West England, the town lies between Bristol, 35 miles (56 kilometres) to its west, and Reading, Berkshire, Reading, equidistant to its east. Recorded in the 1086 Domesday Book as ''Suindune'', it was a small market town until the mid-19th century, when it was selected as the principal site for the Great Western Railway's repair and maintenance Swindon Works, works, leading to a marked increase in its population. The new town constructed for the railway workers produced forward-looking amenities such as the UK’s first lending library and a ‘cradle-to-grave' health care centre that was later used as a blueprint for the National Health Service, NHS. After the W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno Music
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
99% (Meat Beat Manifesto Album)
''99%'' is the third studio album by British electronic music group Meat Beat Manifesto. The album peaked at No. 6 on the CMJ Radio Top 150. Critical reception ''The Washington Post'' wrote that "these 10 tracks employ some obnoxious samples and plenty of metallic wallop, but the ultimate effect is almost seamless." Track listing Personnel * Jack Dangers Jack Dangers (born John Stephen Corrigan, 11 January 1965) is an English electronic musician, DJ, producer, and remixer best known for his work as the primary member of Meat Beat Manifesto. He lives in San Francisco. Career Prior to founding ... * Jonny Stephens * Greg Retch * Craig Morrison - cover art References Meat Beat Manifesto albums 1990 albums Mute Records albums Albums produced by Jack Dangers {{1990s-electronic-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wax Trax
Wax Trax! Records is an American independent record label based in Chicago. It began as a record shop in Denver, Colorado, opened by life partners Jim Nash and Dannie Flesher, who sold the store in 1978 and moved to Chicago. In November of that year, they opened a store under the same name in the Lincoln Park neighborhood. During the 1980s and 1990s, the accompanying record label became a presence on the new wave and punk rock scenes in the city, and an outlet for European bands. The label was purchased in 1992 by TVT Records and was discontinued in 2001. In 2014, it was re-established by Julia Nash, daughter of co-founder Jim Nash. Richard Giraldi of the ''Chicago Sun-Times'' wrote, "As important as Chess Records was to blues and soul music, Chicago's Wax Trax imprint was just as significant to the punk rock, new wave and industrial genres." According to critic Greg Kot, the legacy of Wax Trax is trusting the artist. Origins The record store became a record label slowly at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perennial Divide
Perennial Divide was a British electronic music band, formed in 1986 by Jack Dangers, Jonny Stephens, Andy Ward, Paul Freegard and Steve Searley. It was relatively short-lived; Dangers and Stephens left it in 1988 to form Meat Beat Manifesto. Discography ''Burndown'' 12" vinyl (1986) #"New Foundation of Mankind" – 5:51 #"The Permanent Way" – 5:13 ''Purge LP'' (1986; only 2000 copies pressed) #"Blow" – 5:52 #"Parricide" – 2:08 #"Word of the Lord" – 4:18 #"Captain Swing" – 4:29 #"Rescue" – 4:56 #"The Fall" – 5:32 #"Trip" – 6:07 #"Tuna Hell" – 1:51 #"Burning Dogs" – 3:47 #"End of the Line" – 5:07 ''Beehead EP'' (1987) #"Bee Head" – 4:38 (produced by XTC's Andy Partridge) #"World Spread" – 5:27 (Produced by Johnny Pegg) #"Gentle as a Fawn Is Warm" – 4:05 (Produced by Johnny Pegg) #"Clamp" – 0:39 (Produced by Johnny Pegg) ''Leathernecks'' (1988; test 12") #"Monster" – 5:59 #"Leathernecks" – 3:58 #(untitled) – 1:20 External links Digitalchemi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum And Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, rock and pop. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Beat
Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns – common to acid house/techno. The term has been used by the British music industry to describe music by artists such as the Prodigy, the Chemical Brothers, Fatboy Slim, the Crystal Method, Propellerheads, Basement Jaxx and Groove Armada. Big beat achieved mainstream success during the 1990s, and achieved its critical and commercial peak between 1995 and 1999, with releases such The Chemical Brothers’ Dig Your Own Hole, Prodigy’s Fat of the Land, and Fatboy Slim’s You've Come a Long Way, Baby, before quickly declining from 2000 onwards. Style Big beat features heavy and distorted drum beats at tempos between 100 and 140 beats per minute, Roland TB-303 synthesizer lines resembling those of acid house, and heavy loops from 1960s and 1970s funk, soul, jazz, and rock songs. They are often punctuated with punk-style vocals or rappers and driven by in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trip Hop
Trip hop (sometimes used synonymously with "downtempo") is a musical genre that originated in the early 1990s in the United Kingdom, especially Bristol. It has been described as a psychedelic music, psychedelic fusion of hip hop music, hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul music, soul, funk, reggae, dub music, dub, Contemporary R&B, R&B, and other forms of electronic dance music, electronic music, as well as sample (music), sampling from movie soundtracks and other eclectic sources. The style emerged as a more experimental music, experimental variant of breakbeat from the Bristol sound scene of the late 1980s and early 1990s, incorporating influences from jazz, soul, funk, dub, and hip hop music, rap music. It was pioneered by acts like Massive Attack, Tricky (musician), Tricky, and Portishead (band), Portishead. The term was first coined in a 1994 ''Mixmag'' piece about American producer DJ Shadow. Trip ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Prodigy
The Prodigy are an English electronic dance music band formed in Braintree, Essex, in 1990 by producer, keyboard player and songwriter Liam Howlett. The original line-up also featured dancer and singer Keith Flint and dancer and occasional live keyboard player Leeroy Thornhill, dancer Sharky and MC and vocalist Maxim. They were pioneers of the breakbeat-influenced genre big beat, and achieved mainstream popularity in the 1990s. Howlett's rock-inspired drum rhythms infused with electronic rave music beats/breaks were combined with Maxim's omnipresent mystique, Thornhill's shuffle dancing style, and Flint's later modern punk appearance. The Prodigy describe their style as electronic punk. The band emerged during the underground rave scene and achieved early success in 1991 with their debut singles "Charly" and "Everybody in the Place", which reached the UK top five. After their debut album ''Experience'' (1992), the band moved from their rave roots and incorporated techno, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
