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One Thousand Years Of Trouble
''One Thousand Years of Trouble'' is the debut full-length album, and second album overall, by English electronic rock band Age of Chance, released in 1987 by Virgin Records. After attracting the attention of Virgin with their industrial cover version of Prince's " Kiss", the band signed to the label and began working on the album with producer Howard Gray, whose Sequential Circuits Studio 440 drum machine enticed the band. Gray was given free hand by Virgin on the album, which was recorded at Trident Studios. The album showcases the band's unique "crush collision" sound, incorporating sampling, noisy power chords, hard percussion, house beats, and influences from post-punk and hip hop. Lead singer Steve Elvidge's lyrics display a Northern, bitter tone, incorporating sloganeering and commenting on contemporary politics. The influential packaging was one of the first major projects by Designer's Republic. ''One Thousand Years of Trouble'' was promoted by a live tour and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Downbeat And Upbeat
In music and music theory, the beat is the basic unit of time, the pulse (music), pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counting (music), counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse (music), pulse, tempo, meter (music), meter, specific rhythms, and groove (popular music), groove. Rhythm in music is characterized by a repeating sequence of #On-beat and off-beat, stressed and unstressed beats (often called "strong" and "weak") and divided into bar (music), bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Meter (music)#Metric structure, Metric levels faster than the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leeds
Leeds () is a city and the administrative centre of the City of Leeds district in West Yorkshire, England. It is built around the River Aire and is in the eastern foothills of the Pennines. It is also the third-largest settlement (by population) in England, after London and Birmingham. The city was a small manorial borough in the 13th century and a market town in the 16th century. It expanded by becoming a major production centre, including of carbonated water where it was invented in the 1760s, and trading centre (mainly with wool) for the 17th and 18th centuries. It was a major mill town during the Industrial Revolution. It was also known for its flax industry, iron foundries, engineering and printing, as well as shopping, with several surviving Victorian era arcades, such as Kirkgate Market. City status was awarded in 1893, a populous urban centre formed in the following century which absorbed surrounding villages and overtook the nearby York population. It is locate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark "Spike" Stent
Mark "Spike" Stent (born 3 August 1965) is an English record producer and mixing engineer who has worked with many international artists including Madonna, Marshmello, U2, Beyoncé, Björk, Depeche Mode, Echo & The Bunnymen, Grimes, Ed Sheeran, Beth Orton, Harry Styles, Frank Ocean, Selena Gomez, All Saints, Spice Girls, Lady Gaga, Coldplay, Mansun, Maroon 5, Muse, Lily Allen, Gwen Stefani, Moby, No Doubt, Lenka, Usher, Kaiser Chiefs, Linkin Park, Yeah Yeah Yeahs, Oasis, Keane, Massive Attack, Bastille, Diana Vickers, and Take That.''Sound on Sound'' magazine, January 1999link. Retrieved March 2006. Early life Stent grew up in Hampshire, England and first gained experience as an engineer at Jacob Studios as a teenager before a two-year stint at Trident Studios. After Trident, Stent worked at Olympic Studios in Barnes, South London. While at Olympic, Stent worked with artists such as Massive Attack, Bjork, Madonna, U2, Keane, and Oasis. Stent currently works at two stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Osbourne
Stephen John "Steve" Osborne (born 1963) is a British record producer, living in Bath, England. He has worked with a wide variety of musicians, including Suede, the B-52s, A-ha, New Order, Elbow, U2, Happy Mondays, Placebo, Gregory Porter, Doves, KT Tunstall, Vanessa Carlton, and Simple Minds. Career During the 1990s, Osborne was half of the Perfecto Records team, a production and remix collaboration with Paul Oakenfold; they worked with Happy Mondays, U2, and other artists. He and Oakenfold were part of the 1990s dance music act Grace which existed from 1994 to 1997. Osborne worked with Cat's Eyes on their critically acclaimed album, released in April 2011. At the 2012 Soundedit Festival in Poland, Osborne received the prestigious 'The Man with the Golden Ear' Award. In 2000 as part of Perfecto, Osborne was replaced by Andy Gray who went on to remix Moby's "Natural Blues", U2's "Beautiful Day", and compose the music for ''Big Brother UK'' with Oakenfold under the name El ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMF (band)
EMF are an English alternative rock band from Cinderford, Gloucestershire, who came to prominence at the beginning of the 1990s. During their initial eight-year run, from 1989 to 1997, the band released three studio albums before a hiatus. Their first single, " Unbelievable", reached number 3 on the UK Singles Chart, and was a number 1 hit on the US ''Billboard'' Hot 100 chart. Their debut album, ''Schubert Dip'', went to number 3 on the UK Albums Chart. In April 2022, EMF released their first album of new material in 27 years, ''Go Go Sapiens''. Band name The name EMF is an initialism of Epsom Mad Funkers, a name taken from a fan club of the band New Order in 1989. The song "Head the Ball", which featured on the remix single release of "Lies", featured the repeating lines "electromotive force" and "ecstasy mother fucker". On the reissue of the band's 1991 album ''Schubert Dip'', after the song "Longtime", there is a hidden track titled "EMF". In this, the chorus lyrics start ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carter USM
Carter the Unstoppable Sex Machine (also known as Carter USM or simply Carter) were an English indie rock band formed in 1987 by singer Jim "Jim Bob" Morrison and guitarist Les "Fruitbat" Carter. They made their name with a distinctive style of power pop, fusing samples, sequenced basses and drum machines with rock 'n' roll guitars and off-beat wordplay-loaded lyrics. They reached the height of their fame in 1992. Over the following years the band took on new members, reaching a six-piece, but struggled to regain their earlier popularity. They initially split up in 1998 after releasing seven albums. History Starting out: 1987–1990 Based in Lambeth in South London, England, Carter and Morrison originally played in an indie band called Jamie Wednesday, which released two singles – "Vote For Love" and "We Three Kings of Orient Aren't". Carter the Unstoppable Sex Machine was formed on Thursday 6 August 1987, when Carter and Morrison were the only band members to turn up for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesus Jones
Jesus Jones are a British alternative rock band from Bradford-on-Avon in Wiltshire, formed in late 1988, who continue to record and perform, as of 2021. Their track " Right Here, Right Now" was an international hit, and was subsequently globally licensed for promotional and advertising campaigns. The single was also nominated for a Grammy award at the 34th Annual Grammy Awards in 1991, as was its album, ''Doubt''. They also achieved chart success with the songs " Real Real Real", " International Bright Young Thing" and "Info Freako". Career Formation and ''Liquidizer'' (1986–1989) Incorporating elements of electronic music styles such as house and techno to an indie rock format, along with fellow British groups such as The Shamen, Pop Will Eat Itself and EMF, Jesus Jones were one of the leading purveyors of the early 1990s alternative dance scene. In late 1988, while on holiday in Spain, Mike Edwards, Gen, and Al Doughty decided to leave the band they were in at the time, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Will Eat Itself
Pop Will Eat Itself are an English alternative rock band formed in 1986 in Stourbridge in the West Midlands of England with members from Birmingham, Coventry and the Black Country. Initially known as a grebo act, they changed style to incorporate sample-driven indie and industrial rock. Graham Crabb describes their sound as "electronic, punk, alternative hip-hop, hybrid music for fucking, fighting & smoking cigars". Their highest- charting single was the 1993 top-ten hit "Get the Girl! Kill the Baddies!". After initially disbanding in 1996, and having a brief reformation in 2005, they issued their first release in more than five years in 2010. Career Early years: 1981–1988 An early permutation of the band formed in 1981 under the name From Eden. Members included Clint Mansell, Adam Mole, Chris Fradgley, Malcolm Treece and Miles Hunt (Treece and Hunt went on to form The Wonder Stuff). From Eden recruited Graham Crabb from ‘Kit-Form Colossus’ to replace Hunt on drums befor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Enemy (group)
"Public enemy" is a term which was first widely used in the United States in the 1930s to describe individuals whose activities were seen as criminal and extremely damaging to society, though the phrase had been used for centuries to describe pirates, vikings, highwaymen, bandits, mobsters, and similar outlaws. Origin and usage The expression dates back to Roman times. The Senate declared emperor Nero a ''hostis publicus'' in AD 68. Its direct translation is "public enemy". Whereas "public" is currently used in English in order to describe something related to collectivity at large, with an implication towards government or the State, the Latin word "publicus" could, in addition to that meaning, also refer directly to people, making it the equivalent of the genitive of ''populus'' ("people"), ''populi'' ("popular" or "of the people"). Thus, "public enemy" and "enemy of the people" are, etymologically, near-synonyms. The words "'' ennemi du peuple''" were extensively used duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve-inch Single
The twelve-inch single (often written as 12-inch or 12″) is a type of vinyl ( polyvinyl chloride or PVC) gramophone record that has wider groove spacing and shorter playing time with a 'single' or a few related sound tracks on each surface, compared to LPs (long play) which have several songs on each side. This allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range, and thus better sound quality. This record type is commonly used in disco and dance music genres, where DJs use them to play in clubs. They are played at either or 45 . The conventional 7‐inch single usually holds three or four minutes of music at full volume. The 12‐inch LP sacrifices volume for extended playing time. Technical features Twelve-inch singles typically have much shorter playing time than full-length LPs, and thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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