Ondioline
The Ondioline is an electronic keyboard musical instrument, developed and built by Frenchman Georges Jenny. Sometimes referred to as the "Jenny Ondioline," the instrument is considered a forerunner of the synthesizer. First conceived by Jenny in 1939, he continued refining and reconfiguring the device, producing dozens of variant models up until his death in 1975. Though monophonic, the Ondioline is capable of creating a wide variety of sounds. Its keyboard spans three octaves, but by adjusting a register knob a player can render up to eight octaves. The instrument's keyboard is suspended on custom-designed springs, which enables a natural vibrato if the player manipulates a key laterally (from side to side) as that key is depressed. The keyboard is pressure-sensitive, and volume is controlled by a knee lever. The foremost exponent and popularizer of the instrument was Jean-Jacques Perrey, who performed and recorded with it, composed for it, and served as the instrument's first ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ondioline (ca
The Ondioline is an electronic keyboard musical instrument, developed and built by Frenchman Georges Jenny. Sometimes referred to as the "Jenny Ondioline," the instrument is considered a forerunner of the synthesizer. First conceived by Jenny in 1939, he continued refining and reconfiguring the device, producing dozens of variant models up until his death in 1975. Though monophonic, the Ondioline is capable of creating a wide variety of sounds. Its keyboard spans three octaves, but by adjusting a register knob a player can render up to eight octaves. The instrument's keyboard is suspended on custom-designed springs, which enables a natural vibrato if the player manipulates a key laterally (from side to side) as that key is depressed. The keyboard is pressure-sensitive, and volume is controlled by a knee lever. The foremost exponent and popularizer of the instrument was Jean-Jacques Perrey, who performed and recorded with it, composed for it, and served as the instrument's firs ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Georges Jenny
Georges Marcel Charles Jenny (29 April 1913 – 23 September 1975) was a French musician, poet, and electronic instrument builder. His best-known invention was an electronic keyboard instrument called the Ondioline (sometimes referred to as the Jenny Ondioline). It is considered a forerunner of the Synthesizer. The Ondioline is monophonic, yet it is capable of generating an array of sounds, and features a keyboard that produces a natural-sounding vibrato via side-to-side finger movements when keys are depressed. Development of the instrument Jenny conceived the instrument as a low-cost alternative to the then-well known but expensive Ondes Martenot. The Martenot was used in serious music, but Jenny planned the Ondioline for a broader consumer market, including pop music. He began constructing his first prototype around 1939 (the instrument was as yet unnamed) while recovering from tuberculosis at a sanatorium in the south of France. After the instrument was further refined, Jenn ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jean-Jacques Perrey
Jean Marcel Leroy (; 20 January 1929 – 4 November 2016), popularly known as Jean-Jacques Perrey, was a French electronic music performer, composer, producer, and promoter. He is considered a pioneer of pop electronica.Kreps, Daniel, "Jean-Jacques Perrey, Electronic Music Pioneer, Dead at 87" ''Rolling Stone'', November 5, 2016 Perrey partnered with composer-performer to form the electronic music duo , who issued s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gotye
Wouter André "Wally" De Backer (born 21 May 1980), better known by his stage name Gotye ( ), is a Belgian-Australian multi-instrumentalist and singer-songwriter. The name "Gotye" is a pronunciation respelling of "Gauthier", the French cognate of his Dutch given name "Wouter". Gotye has released three studio albums independently and one album featuring remixes of tracks from his first two albums. He is a founding member of the Melbourne indie-pop trio The Basics, who have independently released four studio albums and numerous other titles since 2002. His voice has been compared to those of Peter Gabriel and Sting. Gotye achieved breakout success with his 2011 single "Somebody That I Used to Know", reaching number one on the ''Billboard'' Hot 100 and becoming the best-selling song of 2012. This made him the fifth Australian-based artist to top the chart and the second born in Belgium (after The Singing Nun in 1963). He has won five ARIA Awards and received a nomination for ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Georges Auric
Georges Auric (; 15 February 1899 – 23 July 1983) was a French composer, born in Lodève, Hérault, France. He was considered one of ''Les Six'', a group of artists informally associated with Jean Cocteau and Erik Satie. Before he turned 20 he had orchestrated and written incidental music for several ballets and stage productions. He also had a long and distinguished career as a film composer. Early life and education Georges Auric began his musical career at a young age, performing a piano recital at the Société musicale indépendante at the age of 14. Several songs that he had written were then performed in the following year by Société Nationale de Musique. Along with his early successes professionally, Auric studied music at the Paris Conservatoire, as well as composition with Vincent d'Indy at the Schola Cantorum de Paris and Albert Roussel. Having gained recognition as a child prodigy both in composition and piano performance, he became a protégé of Erik Satie durin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joseph Kosma
Joseph Kosma (22 October 19057 August 1969) was a Hungarian-French composer. Biography Kosma was born József Kozma in Budapest, where his parents taught stenography and typing. He had a brother, Ákos. A maternal relative was the photographer László Moholy-Nagy, and another was the conductor Georg Solti. He started to play the piano at age five, and later took piano lessons. At the age of 11, he wrote his first opera, ''Christmas in the Trenches''. After completing his education at the Secondary Grammar School Franz-Josef, he attended the Academy of Music in Budapest, where he studied with Leo Weiner. He also studied with Béla Bartók at the Liszt Academy, receiving diplomas in composition and conducting. He won a grant to study in Berlin in 1928, where he met Lilli Apel, another musician, whom he later married. Kosma also met and studied with Hanns Eisler in Berlin. He became acquainted with Bertolt Brecht and Helene Weigel. Kosma and his wife emigrated to Paris in 1933. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Wanda Landowska
Wanda Aleksandra Landowska (5 July 1879 – 16 August 1959) was a Polish harpsichordist and pianist whose performances, teaching, writings and especially her many recordings played a large role in reviving the popularity of the harpsichord in the early 20th century. She was the first person to record Johann Sebastian Bach's ''Goldberg Variations'' on the harpsichord in 1933. She became a naturalized French citizen in 1938. Life and career Life in Europe left, alt=Polnische Frauen, Polnische Frau, femmes polonaises, Polish women,mujeres polacas, Leonid Pasternak. ''Concert of Wanda Landowska in Moscow'' (1907), a pastel from the Tretyakov Gallery. Landowska was born in Warsaw to Jewish parents. Her father was a lawyer, and her mother a linguist who translated Mark Twain into Polish. She began playing piano at the age of four, and studied at the Warsaw Conservatory with the senior Jan Kleczyński and Aleksander Michałowski. She was considered a child prodigy.Kottick, Edward L ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marcel Delannoy
Marcel-François-Georges Delannoy (9 July 1898 – 14 September 1962) was a French composer and critic.Hoérrée A. Marcel Delannoy. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. He wrote operas, ballets, orchestral works, vocal and chamber works, and film scores. Life and career Marcel Delannoy was born at La Ferté-Alais, Essonne, France. He initially studied painting and architecture and entered the École des Beaux-Arts, but at age 20 he took up music. Having been mobilised during the First World War, he then worked as an artist. However, he was initially self-taught and never attended a conservatory, but he did receive some encouragement from Arthur Honegger (whose biography he wrote in 1953) and some lessons from Alexis Roland-Manuel and André Gedalge. He made his name with the opera ''Le Poirier de misère'' (1927), which attracted favourable commentary from Maurice Ravel, among others. That same year, he was one of ten composers who ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gustave Samazeuilh
__NOTOC__Gustave Marie Victor Fernand Samazeuilh (2 June 1877 in Bordeaux – 4 August 1967 in Paris) was a French composer and writer on music. He studied music with Ernest Chausson until the latter's death in 1899, and then attended the Schola Cantorum de Paris, where he became a pupil of Vincent d'Indy and Paul Dukas. He was also much influenced by the impressionist school, and wrote a number of works for piano which are reminiscent of Debussy (Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the .... His output was marked more by "fine craftsmanship" (to quote Slonimsky) than by quantity or commercial success.Nicholas Slonimsky, ''The Concise Baker's Biographical Dictionary of Composers and Musicians'' (Simon & Schuster, London, 1988, ), p. 1085 He produced many piano transcriptions ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jacques Castérède
Jacques Castérède (10 April 1926 – 6 April 2014)Centre de documentation de la musique contemporaine (CDMC) biographical pagebr>Musique Contemporaine files on Castérède Google book search ''Music, society and imagination in contemporary France'', Volume 8, Part 1 By François Bernard Mâche {{DEFAULTSORT:Casterede, Jacques 1926 births 2014 deaths 20th-century classical composers 20th-century French composers 20th-century French male musicians Academic staff of the École Normale de Musique de Paris Conservatoire de Paris alumni [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jacques Chailley
Jacques Chailley (24 March 1910 – 21 January 1999) was a French musicologist and composer.Alain Lompech, "Jacques Chailley, musicologue-praticien et infatigable chercheur", ''Consociatio internationalis musicæ sacræ, Musicæ sacræ ministerium'', Anno XXXIV-XXXVI (1997 - 1999), Rome, p. 146 - 147 Biography His mother was the pianist Céliny Chailley-Richez (1884–1973), his father the cellist Marcel Chailley (1881–1936). Adolescent, he was a boarder at the Fontgombault Abbey (Indre) where he learned to play the organ and learned about choir directing. At the age of 14, he composed a four-voice ''Domine non sum dignus''. He received a classical and musical teaching of high quality, studying harmony with Nadia Boulanger, counterpoint and fugue with Claude Delvincourt, musicology with Yvonne Rokseth who gave him insight into medieval music. At the Conservatoire de Paris, he followed Maurice Emmanuel's class of music history and studied music composition with Henri Büsser ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Computer Music Journal
''Computer Music Journal'' is a peer-reviewed academic journal that covers a wide range of topics related to digital audio signal processing and electroacoustic music. It is published on-line and in hard copy by MIT Press. The journal is accompanied by an annual CD/DVD that collects audio and video work by various electronic artists. ''Computer Music Journal'' was established in 1977. According to the ''Journal Citation Reports'', the journal has a 2016 impact factor The impact factor (IF) or journal impact factor (JIF) of an academic journal is a scientometric index calculated by Clarivate that reflects the yearly mean number of citations of articles published in the last two years in a given journal, as ... of 0.405. References External links * Journal pageat publisher's website Music journals Publications established in 1977 MIT Press academic journals Quarterly journals English-language journals {{compu-journal-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |