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Ondioline (ca
The Ondioline is an electronic keyboard musical instrument, developed and built by Frenchman Georges Jenny. Sometimes referred to as the "Jenny Ondioline," the instrument is considered a forerunner of the synthesizer. First conceived by Jenny in 1939, he continued refining and reconfiguring the device, producing dozens of variant models up until his death in 1975. Though monophonic, the Ondioline is capable of creating a wide variety of sounds. Its keyboard spans three octaves, but by adjusting a register knob a player can render up to eight octaves. The instrument's keyboard is suspended on custom-designed springs, which enables a natural vibrato if the player manipulates a key laterally (from side to side) as that key is depressed. The keyboard is pressure-sensitive, and volume is controlled by a knee lever. The foremost exponent and popularizer of the instrument was Jean-Jacques Perrey, who performed and recorded with it, composed for it, and served as the instrument's firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ondioline (ca
The Ondioline is an electronic keyboard musical instrument, developed and built by Frenchman Georges Jenny. Sometimes referred to as the "Jenny Ondioline," the instrument is considered a forerunner of the synthesizer. First conceived by Jenny in 1939, he continued refining and reconfiguring the device, producing dozens of variant models up until his death in 1975. Though monophonic, the Ondioline is capable of creating a wide variety of sounds. Its keyboard spans three octaves, but by adjusting a register knob a player can render up to eight octaves. The instrument's keyboard is suspended on custom-designed springs, which enables a natural vibrato if the player manipulates a key laterally (from side to side) as that key is depressed. The keyboard is pressure-sensitive, and volume is controlled by a knee lever. The foremost exponent and popularizer of the instrument was Jean-Jacques Perrey, who performed and recorded with it, composed for it, and served as the instrument's firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darius Milhaud
Darius Milhaud (; 4 September 1892 – 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six—also known as ''The Group of Six''—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers.Reinhold Brinkmann & Christoph Wolff, ''Driven into Paradise: The Musical Migr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vacuum Tube
A vacuum tube, electron tube, valve (British usage), or tube (North America), is a device that controls electric current flow in a high vacuum between electrodes to which an electric voltage, potential difference has been applied. The type known as a thermionic tube or thermionic valve utilizes thermionic emission of electrons from a hot cathode for fundamental electronic functions such as signal amplifier, amplification and current rectifier, rectification. Non-thermionic types such as a vacuum phototube, however, achieve electron emission through the photoelectric effect, and are used for such purposes as the detection of light intensities. In both types, the electrons are accelerated from the cathode to the anode by the electric field in the tube. The simplest vacuum tube, the diode (i.e. Fleming valve), invented in 1904 by John Ambrose Fleming, contains only a heated electron-emitting cathode and an anode. Electrons can only flow in one direction through the device—fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Music
Art music (alternatively called classical music, cultivated music, serious music, and canonic music) is music considered to be of high phonoaesthetic value. It typically implies advanced structural and theoretical considerationsJacques Siron, "Musique Savante (Serious music)", ''Dictionnaire des mots de la musique'' (Paris: Outre Mesure): 242. or a written musical tradition.Denis Arnold, "Art Music, Art Song", in ''The New Oxford Companion to Music, Volume 1: A–J'' (Oxford and New York: Oxford University Press, 1983): 111. In this context, the terms "serious" or "cultivated" are frequently used to present a contrast with ordinary, everyday music (i.e. popular and folk music, also called "vernacular music"). Many cultures have art music traditions; in the Western world the term typically refers to Western classical music. Definition In Western literature, "Art music" is mostly used to refer to music descending from the tradition of Western classical music. Musicologist Phi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Martenot
Maurice Louis Eugène Martenot (; October 14, 1898 – October 8, 1980) was a French cellist, a radio telegrapher during the first World War, and an inventor. Born in Paris, he is best known for his invention of the ondes Martenot, an instrument he first realized in 1928 and spent decades improving. He unveiled a microtonal model in 1938. He also was responsible for teaching the first generation of ondes Martenot performers, including Karel Goeyvaerts, Jeanne Loriod, Georges Savaria, Gilles Tremblay, and his sister Ginette Martenot. Martenot himself performed as an 'ondist' with the Philadelphia Orchestra under Leopold Stokowski in 1930. The 1937 World's Fair in Paris awarded him "Le Grand Prix de l'Exposition Mondiale". He taught lessons at the Paris Conservatoire during the 1940s. A Martenot biography, in French, has been written by ondist Jean Laurendeau. His invention of the ondes Martenot The ondes Martenot ( ; , "Martenot waves") or ondes musicales ("musical waves" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ondes Martenot
The ondes Martenot ( ; , "Martenot waves") or ondes musicales ("musical waves") is an early electronic musical instrument. It is played with a keyboard or by moving a ring along a wire, creating "wavering" sounds similar to a theremin. A player of the ondes Martenot is called an ondist. The ondes Martenot was invented in 1928 by the French inventor Maurice Martenot. Martenot was inspired by the accidental overlaps of tones between military radio oscillators, and wanted to create an instrument with the expressiveness of the cello. The ondes Martenot is used in more than 100 orchestral compositions. The French composer Olivier Messiaen used it in pieces such as his 1949 symphony ''Turangalîla-Symphonie,'' and his sister-in-law Jeanne Loriod was a celebrated player of the instrument. It appears in numerous film and television soundtracks, particularly science fiction and horror films. Jonny Greenwood of the English rock band Radiohead is credited with bringing the ondes to a large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Castérède
Jacques Castérède (10 April 1926 – 6 April 2014)Centre de documentation de la musique contemporaine (CDMC) biographical pagebr>Musique Contemporaine files on Castérède ''Music, society and imagination in contemporary France'', Volume 8, Part 1 By François Bernard Mâche {{DEFAULTSORT:Casterede, Jacques 1926 births 2014 deaths 20th-century classical composers 20th-century French composers 20th-century French male musicians Academic staff of the École Normale de Musique de Paris Conservatoire de Paris alumni [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Chailley
Jacques Chailley (24 March 1910 – 21 January 1999) was a French musicologist and composer.Alain Lompech, "Jacques Chailley, musicologue-praticien et infatigable chercheur", ''Consociatio internationalis musicæ sacræ, Musicæ sacræ ministerium'', Anno XXXIV-XXXVI (1997 - 1999), Rome, p. 146 - 147 Biography His mother was the pianist Céliny Chailley-Richez (1884–1973), his father the cellist Marcel Chailley (1881–1936). Adolescent, he was a boarder at the Fontgombault Abbey (Indre) where he learned to play the organ and learned about choir directing. At the age of 14, he composed a four-voice ''Domine non sum dignus''. He received a classical and musical teaching of high quality, studying harmony with Nadia Boulanger, counterpoint and fugue with Claude Delvincourt, musicology with Yvonne Rokseth who gave him insight into medieval music. At the Conservatoire de Paris, he followed Maurice Emmanuel's class of music history and studied music composition with Henri Büsser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Samazeuilh
__NOTOC__Gustave Marie Victor Fernand Samazeuilh (2 June 1877 in Bordeaux – 4 August 1967 in Paris) was a French composer and writer on music. He studied music with Ernest Chausson until the latter's death in 1899, and then attended the Schola Cantorum de Paris, where he became a pupil of Vincent d'Indy and Paul Dukas. He was also much influenced by the impressionist school, and wrote a number of works for piano which are reminiscent of Debussy (Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the .... His output was marked more by "fine craftsmanship" (to quote Slonimsky) than by quantity or commercial success.Nicholas Slonimsky, ''The Concise Baker's Biographical Dictionary of Composers and Musicians'' (Simon & Schuster, London, 1988, ), p. 1085 He produced many piano transcriptions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Delannoy
Marcel-François-Georges Delannoy (9 July 1898 – 14 September 1962) was a French composer and critic.Hoérrée A. Marcel Delannoy. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. He wrote operas, ballets, orchestral works, vocal and chamber works, and film scores. Life and career Marcel Delannoy was born at La Ferté-Alais, Essonne, France. He initially studied painting and architecture and entered the École des Beaux-Arts, but at age 20 he took up music. Having been mobilised during the First World War, he then worked as an artist. However, he was initially self-taught and never attended a conservatory, but he did receive some encouragement from Arthur Honegger (whose biography he wrote in 1953) and some lessons from Alexis Roland-Manuel and André Gedalge. He made his name with the opera ''Le Poirier de misère'' (1927), which attracted favourable commentary from Maurice Ravel, among others. That same year, he was one of ten composers who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wanda Landowska
Wanda Aleksandra Landowska (5 July 1879 – 16 August 1959) was a Polish harpsichordist and pianist whose performances, teaching, writings and especially her many recordings played a large role in reviving the popularity of the harpsichord in the early 20th century. She was the first person to record Johann Sebastian Bach's ''Goldberg Variations'' on the harpsichord in 1933. She became a naturalized French citizen in 1938. Life and career Life in Europe left, alt=Polnische Frauen, Polnische Frau, femmes polonaises, Polish women,mujeres polacas, Leonid Pasternak. ''Concert of Wanda Landowska in Moscow'' (1907), a pastel from the Tretyakov Gallery. Landowska was born in Warsaw to Jewish parents. Her father was a lawyer, and her mother a linguist who translated Mark Twain into Polish. She began playing piano at the age of four, and studied at the Warsaw Conservatory with the senior Jan Kleczyński and Aleksander Michałowski. She was considered a child prodigy.Kottick, Edward L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Kosma
Joseph Kosma (22 October 19057 August 1969) was a Hungarian-French composer. Biography Kosma was born József Kozma in Budapest, where his parents taught stenography and typing. He had a brother, Ákos. A maternal relative was the photographer László Moholy-Nagy, and another was the conductor Georg Solti. He started to play the piano at age five, and later took piano lessons. At the age of 11, he wrote his first opera, ''Christmas in the Trenches''. After completing his education at the Secondary Grammar School Franz-Josef, he attended the Academy of Music in Budapest, where he studied with Leo Weiner. He also studied with Béla Bartók at the Liszt Academy, receiving diplomas in composition and conducting. He won a grant to study in Berlin in 1928, where he met Lilli Apel, another musician, whom he later married. Kosma also met and studied with Hanns Eisler in Berlin. He became acquainted with Bertolt Brecht and Helene Weigel. Kosma and his wife emigrated to Paris in 1933. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
