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Olympia De Paris
The Olympia (; commonly known as L'Olympia or in the English-speaking world as Olympia Hall) is a concert venue in the 9th arrondissement of Paris, France, located at 28 Boulevard des Capucines, equally distancing Madeleine church and Opéra Garnier, north of Vendôme square. Its closest métro/RER stations are Madeleine, Opéra, Havre – Caumartin, and Auber. The hall was opened in 1893 by one of the two co-creators of the Moulin Rouge venue, and saw many opera, ballet, and music hall performances. Theatrical performances declined in the late 1920s and the Olympia was converted into a cinema, before re-opening as a venue in 1954 with Bruno Coquatrix as executive director. Since the 1960s, it has been a popular venue for rock bands. The Olympia was threatened with demolition in the early 1990s, but saved by a preservation order. Inevitably included in a group of buildings that were part of an extensive renovation project, the entire edifice was demolished and rebuilt in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nazism And Cinema
Nazism created an elaborate system of propaganda, which made use of the new technologies of the 20th century, including cinema. Nazism courted the masses by the means of slogans that were aimed directly at the instincts and emotions of the people. The Nazis valued film as a propaganda instrument of enormous power. The interest that Adolf Hitler and his propaganda minister Joseph Goebbels took in film was not only the result of a personal fascination. The use of film for propaganda had been planned by the Nazi Party as early as 1930, when the party first established a film department. Background The Nazis were very aware of the propagandistic effect of movies and already in 1920 the issues of the '' Racial Observer'' included film criticism. The SS-philosopher Walter Julius Bloem published the book ''The Soul of the Cinema – A Commitment to the Movies'' in 1922. In September 1923, Philipp Nickel produced a documentary of the "German Day in Nuremberg" where the " Battle-Leagu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Martinière Groupe
La Martinière Groupe is a French publishing house. It was formed in 1994. Subsidiaries include France's Éditions du Seuil and the United States' Abrams Books. In 2018, La Martinière was acquired by Média-Participations. See also * Books in France As of 2018, five firms in France rank among the world's biggest publishers of books in terms of revenue: , Groupe Albin Michel, Groupe Madrigall (including Éditions Gallimard), Hachette Livre (including Éditions Grasset), and Martinière Grou ... References External links * Publishing companies of France French companies established in 1994 {{publish-company-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armand Colin
Armand Colin is a French publishing house founded in 1870 by Auguste Armand Colin. It specializes in publishing works concerning human sciences, economics and education. Among its best-known publications are the "U" collection begun in 1968, and the "Cursus" collection. In 1987, Armand Colin was purchased by Masson which, in turn, became part of the City Group (Groupe de la Cité) in 1994. It is now owned by Hachette Hachette may refer to: * Hachette (surname) * Hachette (publisher), a French publisher, the imprint of Lagardère Publishing ** Hachette Book Group, the American subsidiary ** Hachette Distribution Services, the distribution arm See also * Hachett .... In 2014, the house which shared its premises with Larousse moved to those of Dunod and merged with it. References External links Official website Book publishing companies of France French brands {{Publish-corp-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quartier Pigalle
Pigalle () is an area in Paris around the Place Pigalle, on the border between the 9ème arrondissement, Paris, 9th and the 18ème arrondissement, Paris, 18th arrondissements. It is named after the sculpture, sculptor Jean-Baptiste Pigalle (1714–1785). Pigalle is famous for being a tourist district, with many sex shops, theatres and adult shows on Place Pigalle and the main boulevards. The neighbourhood's raunchy reputation led to its Second World War nickname of "Pig Alley" by Allied soldiers. Le Divan du Monde and the Moulin Rouge, a world-famous cabaret, are both located in Pigalle. The area to the south of Place Pigalle is devoted to the retail of musical instruments and equipment, especially for popular music. A section of the rue de Douai consists solely of stores selling guitars, drums and musical accessories. Henri Toulouse-Lautrec's studio was here. Pablo Picasso, Vincent van Gogh and Maurice Neumont also lived here as did Andre Breton, and in 1928 Josephine Baker ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amusement Park
An amusement park is a park that features various attractions, such as rides and games, as well as other events for entertainment purposes. A theme park is a type of amusement park that bases its structures and attractions around a central theme, often featuring multiple areas with different themes. Unlike temporary and mobile funfairs and carnivals, amusement parks are stationary and built for long-lasting operation. They are more elaborate than city parks and playgrounds, usually providing attractions that cater to a variety of age groups. While amusement parks often contain themed areas, theme parks place a heavier focus with more intricately-designed themes that revolve around a particular subject or group of subjects. Amusement parks evolved from European fairs, pleasure gardens, and large picnic areas, which were created for people's recreation. World's fairs and other types of international expositions also influenced the emergence of the amusement park industry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ministry Of Culture (France)
The Ministry of Culture (french: Ministère de la Culture) is the ministry of the Government of France in charge of national museums and the . Its goal is to maintain the French identity through the promotion and protection of the arts (visual, plastic, theatrical, musical, dance, architectural, literary, televisual and cinematographic) on national soil and abroad. Its budget is mainly dedicated to the management of the (six national sites and hundred decentralised storage facilities) and the regional (culture centres). Its main office is in the in the 1st arrondissement of Paris on the . It is headed by the Minister of Culture, a cabinet member. The current officeholder has been since 20 May 2022. History Deriving from the Italian and Burgundian courts of the Renaissance, the notion that the state had a key role to play in the sponsoring of artistic production and that the arts were linked to national prestige was found in France from at least the 16th century on. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée D'Orsay
The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe. In 2021 the museum had one million visitors, up 30 percent from attendance in 2020, but far behind earlier years due to the COVID-19 pandemic. Despite the drop, it ranked fifteenth in the list of most-visited art museums in 2020. History The museum building was or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinémathèque Française
The Cinémathèque Française (), founded in 1936, is a French non-profit film organization that holds one of the largest archives of film documents and film-related objects in the world. Based in Paris's 12th arrondissement, the archive offers daily screenings of worldwide films. History The collection emerged from the efforts of Henri Langlois and Lotte H. Eisner in the mid 1930s to collect and screen films. Langlois had acquired one of the largest collections in the world by the beginning of World War II, only to have it nearly wiped out by the German authorities in occupied France, who ordered the destruction of all films made prior to 1937. He and his friends smuggled huge numbers of documents and films out of occupied France to protect them until the end of the war. After the war, the French government provided a small screening room, staff and subsidy for the collection, which was relocated to the Avenue de Messine. Significant French filmmakers of the 1940s and 1950s, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ciné-Ressources
''Ciné-Ressources'' is a union catalogue of the libraries and archives of French cinema, created on 22 August 2007 and managed by the Cinémathèque française. Initiated by the in collaboration with the , it provides access to more than 200,000 resources through a web search engine A search engine is a software system designed to carry out web searches. They search the World Wide Web in a systematic way for particular information specified in a textual web search query. The search results are generally presented in a .... References External links Catalogue de la Cinémathèque de Toulouse {{Authority control Online film databases French film websites ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinémagazine
''Cinémagazine'' was a French weekly (later monthly) magazine about cinema from 1921 to 1935. History and profile ''Cinémagazine'' was established in 1921. It was published weekly from 1921 to 1930, and then monthly from 1930 to 1934. Its editorial board included Marcel Carné, Maurice Bessy, Jean Dréville, Robert Florey, Charles Ford, René Jeanne and Émile Vuillermoz. Contributing photographers included Gaston Paris. The magazine published many articles against sound film.Edouard Arnoldy, ''Pour une histoire culturelle du cinéma: au-devant de "scènes filmées", de "films chantants et parlants" et de comédies musicales'', Paris: Editions du CEFAL, 2004, p. 15/ref> References External links Complete ''Cinémagazine'' archivewith PDFs at Ciné-Ressources ''Ciné-Ressources'' is a union catalogue of the libraries and archives of French cinema, created on 22 August 2007 and managed by the Cinémathèque française. Initiated by the in collaboration with the , it provi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
France 24
France 24 ( in French) is a French state-owned international news television network based in Paris. Its channels broadcast in French, English, Arabic, and Spanish and are aimed at the overseas market. Based in the Paris suburb of Issy-les-Moulineaux, the service started on 6 December 2006. It is aimed at a worldwide market and is generally broadcast by pay television providers around the world, but additionally, in 2010, France 24 began broadcasting online through its own iPhone and Android apps. It is a provider of live streaming world news which can be viewed via its website, YouTube, and various mobile devices and digital media players. The stated mission of the channels is to "provide a global public service and a common editorial stance". Since 2008 the channel has been wholly owned by the French government, via its holding company France Médias Monde, having bought out the minority share of the former partners: Groupe TF1 and France Télévisions. The budget is appro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haussmann's Renovation Of Paris
Haussmann's renovation of Paris was a vast public works programme commissioned by Emperor Napoleon III and directed by his prefect of Seine, Georges-Eugène Haussmann, between 1853 and 1870. It included the demolition of medieval neighbourhoods that were deemed overcrowded and unhealthy by officials at the time; the building of wide avenues; new parks and squares; the annexation of the suburbs surrounding Paris; and the construction of new sewers, fountains and aqueducts. Haussmann's work was met with fierce opposition, and he was finally dismissed by Napoleon III in 1870; but work on his projects continued until 1927. The street plan and distinctive appearance of the centre of Paris today are largely the result of Haussmann's renovation. Overcrowding, disease, crime and unrest in the centre of the old Paris In the middle of the 19th century, the centre of Paris was viewed as overcrowded, dark, dangerous, and unhealthy. In 1845, the French social reformer Victor Considerant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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