|
Oltos
Oltos was a Late Archaic Greek vase painter, active in Athens from 525 BC to 500 BC. About 150 works by him are known. Two pieces, a cup in Berlin ( Antikensammlung F 2264) and a cup in Tarquinia (Museo Nazionale Tarquiniese RC 6848), are signed by him as painter. Overview Oltos is thought to have begun his career in the workshop of the potter Nikosthenes. Initially, he mainly painted bilingual vases or bowls with interior black-figure and exterior red-figure decoration. His black-figure style was influenced by Psiax and the Antimenes Painter. No pure black-figure works by Oltos are yet known. His tondos usually depict a single figure. They are often full of tension, frequently with differential directions of gaze and movement. Later, he exclusively painted red-figure, influenced especially by the Andokides Painter as well as several members of the Pioneer Group, especially his former pupil Euphronios. His drawing style was spacious and elegant, but never reached the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphronios
Euphronios ( el, Εὐφρόνιος; c. 535 – after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called "Pioneer Group," (a modern name given to a group of vase painters who were instrumental in effecting the change from black-figure to red-figure pottery), Euphronios was one of the most important artists of the red-figure technique. His works place him at the transition from Late Archaic to Early Classical art, and he is one of the first known artists in history to have signed his work. General considerations The discovery of Greek vase painters In contrast to other artists, such as sculptors, no Ancient Greek literature sources refer specifically to vase painters. The copious literary tradition on the arts hardly mention pottery. Thus, reconstruction of Euphronios's life and artistic development—like that of all Greek vase painters—can only be derived from his works. Modern s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikosthenes
Nikosthenes was a potter of Greek black- and red-figure pottery in the time window 550–510 BC. He signed as the potter on over 120 black-figure vases, but only nine red-figure. Most of his vases were painted by someone else, called Painter N (for Nikosthenes). Beazley considers the painting "slovenly and dissolute;" that is, not of high quality. In addition, he is thought to have worked with the painters Anakles, Oltos, Lydos and Epiktetos. Six's technique is believed to have been invented in Nikosthenes' workshop, possibly by Nikosthenes himself, around 530 BC. He is considered transitional between black-figure and red-figure pottery. The pottery workshop Nikosthenes was the owner of a workshop in Athens in the latter part of the 6th century BC. On the theory that the number of signed works reflects the number of total works, the high number of signatures referring to Nikosthenes suggests that he had one of the largest if not the largest manufacturing center in Athens. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red-figure Pottery
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens and fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black-figure Pottery
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tleson
Tleson (active around 555-535 BC) was an Attic potter and perhaps also a vase painter in the black-figure style. He was the son of the famous potter Nearchos and brother of Ergoteles. His workshop apparently produced mostly Little-master cups. Most of his vases were painted by the Tleson Painter, whose real name is unknown, and whose conventional name is derived from Tleson. Based on the fact that vases known by that hand so far are only ever signed by Tleson, John Beazley suggested that Tleson and the Tleson painter may be identical. There is no proof for this hypothesis. Some of Tleson's pots were painted by other artists, such as Oltos and the Centaur Painter. Selected works Where no painter is named, the vases were painted by the Tleson painter *Athens, Agora Museum :Fragment of a Little-master cup P 13349 *Athens, National Museum :''Pyxis'' 502 • Fragment of a Little-master cup Acr. 613 • Fragment of a Little-master cup Acr. 1567 • Fragment of a Little-master cup Acr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bilingual Pottery
Bilingual vase painting is a special form of ancient Greek vase painting. The term, derived from linguistics, is essentially a metaphorical one; it describes vases that are painted both in the black-figure and in the red-figure techniques. It also describes the transitional period when black-figure was being gradually replaced in dominance by red-figure, basically the last quarter of the 6th and the very beginning of the 5th century BC. Their appearance may be due to the initial uncertainty of the market for the new red-figure style, although that style subsequently became dominant rather fast. History Bilingual vase painting was almost entirely restricted to belly amphorae of type B and to eye-cups. In some cases, either side of an amphora bore a depiction of the same motif, one in black-figure, the other in red-figure (e.g. on the belly amphora by the Andokides Painter, Munich 2301). Eye-cups usually feature a black-figure image on the interior, and red-figure motifs on the ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pamphaios
Pamphaios was an Attic potter active around the end of the 6th century BC. Pamphaios was the successor of Nikosthenes in that artist's workshop, and thus took over from one of the most influential and creative potters of antiquity. He probably took over the workshop before 510 BC and continued the tradition of his predecessor by producing typical shapes the latter had developed, such as the Nikosthenic amphora, the Nikosthenic pyxis or the Chalkidian style cup. At times, he developed these shapes further. Unlike Nikostehenes, Pamphaios favoured painters of the red-figure style, which was at the time replacing the previously dominant technique of black-figure vase painting. He also continued to employ many of the painters that had worked for Nikosthenes, such as Oltos, Epiktetos and the Nikosthenes Painter. Pamphaios signature survives on more than fifty vases – spelled different ways by various artists, it probably functioned as a trademark on his workshop's products. File:At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pioneer Group
The Pioneer Group is a term used by scholars for a number of vase painters working in potters' quarter of Kerameikos in ancient Athens around the beginning of the 5th century BC, around the time of the emergence of red-figure vase painting, which soon displaced the previously dominant black-figure style. Described by the British art historian John Boardman as perhaps the first conscious art movement in the western tradition, historians had included a number of artists in the group, including Epiktetos, Euphronios, Euthymides, Oltos, Phintias, Smikros, Hypsis, and the Dikaios Painter. Archaeologist John Beazley was the first to identify these artists as a coherent group in his works published in the 1940s, in which he developed a taxonomy of ancient Greek pottery by style. No documentary evidence remains of the artists, and everything we know about them was deduced from their surviving work. The Pioneer Group were not innovators of the red-figure technique but rather late adopt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kachrylion
Kachrylion was a potter of Greek red-figure pottery at the end of the 6th and the beginning of the 5th century BC. At his pottery had worked some of the most important Attic-Greek vase painters of these times, so Euphronios and Oltos. He signed 29 kylixes and one plate. References *Martin Robertson. ''The Art of Vase-Painting in Classical Athens.'' Cambridge University Press, 1992 Literature *John Beazley Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the U ...: ''Attic Red-figure Vase-painters'' 2nd ed. Oxford 1963, S. 107-109. Ancient Greek potters {{AncientGreece-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altenburg
Altenburg () is a city in Thuringia, Germany, located south of Leipzig, west of Dresden and east of Erfurt. It is the capital of the Altenburger Land district and part of a polycentric old-industrial textile and metal production region between Gera, Zwickau and Chemnitz with more than 1 million inhabitants, while the city itself has a population of 33,000. Today, the city and its rural county is part of the Central German Metropolitan Region. Altenburg was first mentioned in 976 and later became one of the first German cities within former Slavic area, east of the Saale river (as part of the medieval Ostsiedlung movement). The emperor Frederick I, Holy Roman Emperor, Frederick Barbarossa visited Altenburg several times between 1165 and 1188, hence the town is named a Barbarossa city, Barbarossa town today. Since the 17th century, Altenburg was the residence of different House of Wettin, Ernestine duchies, of whom the Duchy of Saxe-Altenburg, Saxe-Altenburg persisted until th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysos Staatliche Antikensammlungen 2593
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_MET_DP142292.jpg "Click for more on -> Tleson")
