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Olio (musical Number)
{{Unreferenced, date=November 2007 An olio is a vaudeville number, a short dance or song, or a set of same, performed as an encore after the performance of a dramatic play. It can also be defined as a collection of various artistic or literary works or musical pieces used between acts in a burlesque or minstrel show. This was common on showboats in the 19th and early 20th centuries. See also * The Drunkard * Riverside Studio * Alabamy Bound "Alabamy Bound" is a Tin Pan Alley tune written in 1924, with music by Ray Henderson and words by Buddy DeSylva and Bud Green. It was popularized by Al Jolson and included in the musical ''Kid Boots'', where it was sung by Eddie Cantor. Successful ... Modern Olio Shows Seattle Glee ClubsOlio the Show on MyspaceTulsa performing arts at The Tulsa Spotlight Theater ReferencesMerriam Webster Dictionary Show business terms ...
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Alabamy Bound
"Alabamy Bound" is a Tin Pan Alley tune written in 1924, with music by Ray Henderson and words by Buddy DeSylva and Bud Green. It was popularized by Al Jolson and included in the musical ''Kid Boots'', where it was sung by Eddie Cantor. Successful recordings of the song were released in 1925 by Paul Whiteman, Isham Jones and Fletcher Henderson (instrumentals), as well as Blossom Seeley, whose vocal version reached number 2 on the charts. The song has sold over a million copies of sheet music and has been included in several films over the years. Song history "Alabamy Bound" was the first collaboration between lyricist Buddy DeSylva and composer Ray Henderson, a partnership that would last until 1930 (with lyricist Lew Brown instead of Bud Green). DeSylva gave the song to singer Al Jolson, who liked it and began performing it on every occasion, including special appearances, nightclubs and restaurants. The song became associated with him and a hit before it was even recorded. Sheet ...
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Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and movies. A ...
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Encore (concert)
An encore is an additional performance given by performers after the planned show has ended, usually in response to extended applause from the audience.Lalange Cochrane, in ''Oxford Companion to Music'', Alison Latham, ed., Oxford University Press, 2002,2003 Multiple encores are not uncommon, and they initially originated spontaneously, when audiences continued to applaud and demand additional performance from the artists after they had left the stage. However, in modern times they are rarely spontaneous and are usually a pre-planned part of the show. Instrumental concerts At the end of a concert, if there is prolonged applause, one more relatively short piece may be performed as an encore. In some modern circumstances, encores have come to be expected, and artists often plan their encores. Traditionally, in a concert that has a printed set list for the audience, encores are not listed, even when they are planned. A well-known example is the performance of the ''Radetzky March'' ...
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Drama
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's '' Poetics'' (c. 335 BC)—the earliest work of dramatic theory. The term "drama" comes from a Greek word meaning "deed" or " act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional generic division between comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''play'' or ''game'' (translating the Anglo-Saxon ''pleġan'' or Latin ''ludus'') was the standard term for dramas until William Shakespeare's time—just as its creator was a ''play-maker'' rather than a ''dramatist'' and the building was a ''play-house'' r ...
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American Burlesque
American burlesque is a genre of variety show derived from elements of Victorian burlesque, music hall and minstrel shows. Burlesque became popular in America in the late 1860s and slowly evolved to feature ribald comedy and female nudity. By the late 1920s, the striptease element overshadowed the comedy and subjected burlesque to extensive local legislation. Burlesque gradually lost popularity beginning in the 1940s. A number of producers sought to capitalize on nostalgia for the entertainment by recreating burlesque on the stage and in Hollywood films from the 1930s to the 1960s. There has been a resurgence of interest in this format since the 1990s. Literary and theatrical origins The term "burlesque" more generally means a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects.
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Minstrel Show
The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people wearing blackface make-up for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows caricatured black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.The Coon Character
, Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.
John Kenrick

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Showboat
A showboat, or show boat, was a floating theater that traveled along the waterways of the United States, especially along the Mississippi and Ohio rivers, to bring culture and entertainment to the inhabitants of river frontiers. Showboats were a special type of riverboat designed to carry passengers rather than cargo, and they had to be pushed by a small (and misleadingly labeled) towboat, also known as a pusher, which was attached to it. Showboats were rarely steam-powered because the steam engine had to be placed right in the auditorium for logistical reasons, therefore making it difficult to have a large theater. History During the American frontier era, populations of potential audiences were widely scattered about the area that is now the United States. Actors traveled to America from England, and theatre venues as well as touring companies were developed. Noah Ludlow, an early pioneer in travelling theater, purchased a keelboat in 1816 for $200 and named it ''Noah's Ark''. ...
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The Drunkard
''The Drunkard; or, The Fallen Saved'' is an American temperance play first performed on February 12, 1844."''The Drunkard'': Author's preface (1850 edition)
in ''Uncle Tom's Cabin & American Culture: A Multi-media Archive'' on the website
A drama in five acts, it was perhaps the most popular play produced in the United States until the dramatization of '''' 
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Riverside Studio
The Riverside Studio in Tulsa, Oklahoma, United States, also known as Tulsa Spotlight Club or Spotlight Theatre, was built in 1928. It was designed by architect Bruce Goff in International Style. It was built as a house with a studio wing for a music teacher named Patti Adams Shriner. The Riverside Studio was listed on the U.S. National Register of Historic Places in 2001 under Criterion C."National Register of Historic Places - Registration Form: Riverside Studio." May 9, 2001.
Accessed March 23, 2017.


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Piano studio


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