Oh Jeong-suk
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Oh Jeong-suk
Oh Jeong-suk (; 21 June 1935 – 7 July 2008) was an ''ingan-munhwage'' for ''pansori ' () is a Korean genre of musical storytelling performed by a singer and a drummer. The term ''pansori'' is derived from the Korean words ''pan'' (Hangul: 판) and ''sori'' (Hangul: 소리), the latter of which means "sound." However, ''pan' ...''. She was designated as an ''ingan-munhwage'' 1 May 1991. She specialized in ''Chunhyangga'', which is the 5th Important Intangible Cultural Properties of Korea, Important Intangible Cultural Property of Korea. Biography Oh Jeong-suk was born in Wanju, Zenrahoku-dō, Korea under Japanese rule, Korea, Empire of Japan. She learned the basic ''pansori'' from her neighbors when she was young. One of her ancestors was master of ''pansori'' Oh Sam-ryong. She was a member of ''Wori Gugak'' Group from the age of 14 to 18. She concentrated on mastering ''pansori'' and performing at the age of 21, and then she moved to Seoul when she was 23 to learn special pa ...
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Ingan-munhwage
A Living National Treasure (인간 문화재; ingan munhwajae), literally meaning ''human cultural asset'', is a South Korean popular term for those individuals certified as Holders of Important Intangible Cultural Properties (중요 무형 문화재 보유자), also known as ''keepers'', by the Ministry of Education as based on South Korea's ''Law for the Protection of Cultural Properties'' (문화재 보호법). The term "Living National Treasure" is not formally mentioned in the law, but is an informal term referencing the cultural properties designated as the National Treasures. History The government started taking steps after the Second World War and the Korean War to protect the intangible heritage of the country. The term was coined in 1960 by the young reporter Ye Yong-hae, who published a number of series in the ''Hankook Ilbo'' newspaper, highlighting the plight of artisans and artists who were either neglected or even persecuted under the regime of President Park ...
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Pansori
'''' () is a Korean genre of musical storytelling performed by a singer and a drummer. The term ''pansori'' is derived from the Korean words ''pan'' (Hangul: 판) and ''sori'' (Hangul: 소리), the latter of which means "sound." However, ''pan'' has multiple meanings, and scholars disagree on which was the intended meaning when the term was coined. One meaning is "a situation where many people are gathered." Another meaning is "a song composed of varying tones." In music, Gugwangdae describes a long story that takes as little as three hours and as much as eight hours or more. It is one of the traditional forms of Korean music that mixes body movements and songs to the accompaniment of a buk drum played by a gosu. The dramatic content of the drama is changed according to various rhythms based on the melody of Korea's local music. Pansori was originally called the "sori", and it was called Taryeong, Japga (잡가), Clown Song, and Geukga (극가; 劇歌). It was also commonly use ...
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Chunhyangga
''Chunhyangga'' is the most famous ''pansori'' (musical story telling) in Korea, having had considerable popularity in the country for the past century. ''Chunhyangga'' is considered to be the best ''pansori'' musically, and as a work of literature and play. ''Chunhyangga'' tells the story of love between Chunhyang (춘향), the daughter of a ''kisaeng'' entertainer, and Yi Mongryong (이 몽룡), the son of a magistrate. After the two are illegally married, Mongryong goes to Seoul and a corrupt local magistrate, Byeon the vicious (변학도), attempts to force Chunhyang to be his concubine. She refuses and is faced with death, but is rescued at the last minute by Mongryong returning in his new role as a secret royal inspector. The story is set in Namwon, in Jeolla province, where an annual Chunhyang Festival is held. There are no records confirming the exact time when ''Chunhyangga'' was written. ''Chunhyangga'' can be found in ''Manwhajip'' written by Yu Jin-han during the Jose ...
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Important Intangible Cultural Properties Of Korea
The Intangible Cultural Heritage (, ''Muhyeong Munhwajae'') are aspects of intangible culture that the government of South Korea has officially designated for preservation in accordance with the 1962 Cultural Property Protection Law. They are proclaimed and maintained by South Korea's Cultural Heritage Administration. Practices of particular importance can be designated as Important Intangible Cultural Properties (, ''Jungyo Muhyeong Munhwajae''). The first practice so designated was '' Jongmyo jeryeak'', the ancient music and dance performed at the Jongmyo Royal Ancestral Shrine in Seoul; it was proclaimed on December 7, 1964. The most recent, announced on November 16, 2006, was Important Intangible Cultural Property 119, ''geumbakjang'' (gold leaf decoration), practiced in Seongnam, Gyeonggi-do. A similarly named yet distinct designation, "Intangible Cultural Properties," also exists, with 33 items having been proclaimed. These are proclaimed by provinces or cities rather t ...
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Wanju
Wanju County (''Wanju-gun'') is a Administrative divisions of South Korea, county in North Jeolla Province, South Korea. It almost entirely surrounds Jeonju. This county should not be confused with Wonju, in Gangwon-do. History ○ Mahan Baekje Kingdom Wansanju 16th year of King Gyeongdeok of Silla renamed to Jeonju ○ 1935.10. 1 Separation of Wanju-gun ○ 1957.11. 6 Entry of Chopo and part Ujeon-myeon to Jeonju ○ 1983. 2. 15 Entry of part Sanggwan-myeon to Jeonju ○ 1987. 1. 1 Entry of Jochon-eup to Jeonju ○ 1989. 1. 1 Entry of Yongjin-myeon and part Gui-myeon to Jeonju ○ 1990. 8. 1 Entry of part Iseo to Jeonju ○ 1990. 12 Revise of substructure in Sanggwan-myeon and Soyang-myeon ri Ancient Times In three Han States age, it was the territory of Mahan and in 555 wideokwang2*) wansan week was installed but in 565 wansan week was abolished. After (king Uija 20) Baekje in 660 collapsed, it was amalgamated into Shilla and (the Sinmunwang 5) wansan main part in 685 w ...
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Zenrahoku-dō
was one of the administrative divisions of Chōsen, with its capital at Jeonju, Zenshū (present day Jeonju, South Korea). The province consisted of what is now the South Korean province of North Jeolla Province, North Jeolla. Population Number of people by nationality according to the 1936 census: * Overall population: 1,540,686 people ** Japanese: 35,844 people ** Koreans: 1,502,380 people ** Other: 2,462 people Administrative divisions The following list is based on the administrative divisions of 1945: Cities *Jeonju, Zenshū (capital) *Gunsan, Gunzan Counties *Wanju County, Kanshū *Jinan County, Chin'an *Geumsan County, Kinzan *Muju County, Moshu *Jangsu County, Chōsui *Imsil County, Ninjitsu *Namwon, Nangen *Sunchang County, Junshō *Jeongeup, Seiyū *Gochang County, Kōshō *Buan County, Fuan *Gimje, Kintei *Gunsan, Yokkō *Iksan, Ekizan Provincial governors The following people were provincial ministers before August 1919. This was then changed to the title o ...
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Korea Under Japanese Rule
Between 1910 and 1945, Korea was ruled as a part of the Empire of Japan. Joseon Korea had come into the Japanese sphere of influence with the Japan–Korea Treaty of 1876; a complex coalition of the Meiji government, military, and business officials began a process of integrating Korea's politics and economy with Japan. The Korean Empire, proclaimed in 1897, became a protectorate of Japan with the Japan–Korea Treaty of 1905; thereafter Japan ruled the country indirectly through the Japanese Resident-General of Korea. Japan formally annexed the Korean Empire with the Japan–Korea Treaty of 1910, without the consent of the former Korean Emperor Gojong, the regent of the Emperor Sunjong. Upon its annexation, Japan declared that Korea would henceforth be officially named Chōsen. This name was recognized internationally until the end of Japanese colonial rule. The territory was administered by the Governor-General of Chōsen based in Keijō (Seoul). Japanese rule prioritized ...
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Gugak
Korea refers to music from the Korean peninsula ranging from prehistoric times to the division of Korea into South and North in 1945. It includes court music, folk music, poetic songs, and religious music used in shamanistic and Buddhist traditions. Together, traditional Korean music is referred to as ''gugak'' (Hangul: 국악), which literally means "national music." History Proto-Three Kingdoms of Korea Not much is known about music from the Proto-Three Kingdoms of Korea period (before 57 BCE). It is believed that Korean people practiced shamanistic rituals involving music at agricultural festivals. Tomb murals and ceramics from this period depict string instruments with complex features that suggest the instruments were quite developed. Three Kingdoms of Korea The Three Kingdoms of Korea refers to the period from 57 BCE to 668 CE when the Korean peninsula was ruled by three kingdoms: Goguryeo, Baekje, and Silla. Each kingdom was known for favoring different musical inst ...
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Heungbuga
''Heungbuga'' is one of the five surviving stories of the Korean ''pansori'' storytelling tradition. It is also called ''Baktaryeong'' (hangul: 박타령). The other stories are ''Simcheongga'', ''Chunhyangga'', ''Jeokbyeokga'' and ''Sugungga''. It is about the story of Heungbu, a poor but good man with many children. ''Heungbuga'' depicts common people's lives with a folksy atmosphere. Many listeners prefer ''Heungbuga'' because of its focus on humor. This humor in ''pansori'' is called ''jaedam sori'', which means ''funny sound'' in Korean. The most famous part of ''Heungbuga'' is "Cranky Nolbu," depicting the nasty Nolbu in a light-hearted fashion with a fast ''Jajinmori'' rhythm. It is widely considered that the latter part of Heungbuga is inferior to the beginning. One explanation for this is that the latter part was not sufficiently revised by its singers over the years. This could be used as evidence for the importance of ''deoneum'' in ''pansori''.재미있는 우리국악 ...
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Sugungga
''Sugungga'' is one of the five surviving stories of the Korean ''pansori'' storytelling tradition. The other stories are ''Simcheongga'', ''Heungbuga'', ''Jeokbyeokga'', and ''Chunhyangga''. ''Sugungga'' is considered to be more exciting and farcical than the other ''pansori''s because of its personification of animals. The satire is more frank and humorous. It has serious parts as well in the characters of the king and loyal retainers. Therefore ''Sugungga'' is regarded as the "small Jeokbyeokga;" so Pansori singers sing those parts earnestly. ''Sugungga'' is based on the story of the Dragon King of the Southern Sea, a terrapin, and a wily rabbit. This story is believed to have stemmed from a tale about a terrapin and a rabbit in the early period of the Silla Dynasty. The theme of this story is the relationship of subject to king. Recently, the play was popularized by the Korean band Leenalchi ( Korean: 이날치) who uploaded their live action performance of the story on YouTube ...
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Jeokbyeokga
Jeokbyeokga is one of the five surviving stories of the Korean pansori storytelling tradition. The other stories are Simcheongga, Heungbuga, Chunhyangga and Sugungga. It is also known as ''Hwaryongdo''. This story is a retelling of the Chinese historical legend of the Battle of Red Cliffs. Jeokbyeokga is a heroic story. Therefore, the expressions are grand, sublime, and strong. Accordingly, female singers rarely sing it. Jeokbyeokga has many scenes depicting conflict between the king, feudal lords and a commander, so the singer must have the capability of making grand vocalizations. A singer with an intense voice is aptly suited for Jeokbyeokga. Jeokbyeokga is considered to be the most difficult ''pansori'', even though it is short. Plot The basic plot of Jeokbyeokga is from the 14th century novel ''Romance of the Three Kingdoms'' by Luo Guanzhong. It starts when characters Liu Bei, Guan Yu, and Zhang Fei take an oath by blood to become brothers at Dowon. The last part is Liu Bei an ...
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