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Chunhyangga
''Chunhyangga'' is the most famous ''pansori'' (musical story telling) in Korea, having had considerable popularity in the country for the past century. ''Chunhyangga'' is considered to be the best ''pansori'' musically, and as a work of literature and play. ''Chunhyangga'' tells the story of love between Chunhyang (춘향), the daughter of a ''kisaeng'' entertainer, and Yi Mongryong (이 몽룡), the son of a magistrate. After the two are illegally married, Mongryong goes to Seoul and a corrupt local magistrate, Byeon the vicious (변학도), attempts to force Chunhyang to be his concubine. She refuses and is faced with death, but is rescued at the last minute by Mongryong returning in his new role as a secret royal inspector. The story is set in Namwon, in Jeolla province, where an annual Chunhyang Festival is held. There are no records confirming the exact time when ''Chunhyangga'' was written. ''Chunhyangga'' can be found in ''Manwhajip'' written by Yu Jin-han during the Jose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pansori
'''' () is a Korean genre of musical storytelling performed by a singer and a drummer. The term ''pansori'' is derived from the Korean words ''pan'' (Hangul: 판) and ''sori'' (Hangul: 소리), the latter of which means "sound." However, ''pan'' has multiple meanings, and scholars disagree on which was the intended meaning when the term was coined. One meaning is "a situation where many people are gathered." Another meaning is "a song composed of varying tones." In music, Gugwangdae describes a long story that takes as little as three hours and as much as eight hours or more. It is one of the traditional forms of Korean music that mixes body movements and songs to the accompaniment of a buk drum played by a gosu. The dramatic content of the drama is changed according to various rhythms based on the melody of Korea's local music. Pansori was originally called the "sori", and it was called Taryeong, Japga (잡가), Clown Song, and Geukga (극가; 劇歌). It was also commonly use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pansori
'''' () is a Korean genre of musical storytelling performed by a singer and a drummer. The term ''pansori'' is derived from the Korean words ''pan'' (Hangul: 판) and ''sori'' (Hangul: 소리), the latter of which means "sound." However, ''pan'' has multiple meanings, and scholars disagree on which was the intended meaning when the term was coined. One meaning is "a situation where many people are gathered." Another meaning is "a song composed of varying tones." In music, Gugwangdae describes a long story that takes as little as three hours and as much as eight hours or more. It is one of the traditional forms of Korean music that mixes body movements and songs to the accompaniment of a buk drum played by a gosu. The dramatic content of the drama is changed according to various rhythms based on the melody of Korea's local music. Pansori was originally called the "sori", and it was called Taryeong, Japga (잡가), Clown Song, and Geukga (극가; 劇歌). It was also commonly use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pansori Gosu
'''' () is a Korean genre of musical storytelling performed by a singer and a drummer. The term ''pansori'' is derived from the Korean words ''pan'' (Hangul: 판) and ''sori'' (Hangul: 소리), the latter of which means "sound." However, ''pan'' has multiple meanings, and scholars disagree on which was the intended meaning when the term was coined. One meaning is "a situation where many people are gathered." Another meaning is "a song composed of varying tones." In music, Gugwangdae describes a long story that takes as little as three hours and as much as eight hours or more. It is one of the traditional forms of Korean music that mixes body movements and songs to the accompaniment of a buk drum played by a gosu. The dramatic content of the drama is changed according to various rhythms based on the melody of Korea's local music. Pansori was originally called the "sori", and it was called Taryeong, Japga (잡가), Clown Song, and Geukga (극가; 劇歌). It was also commonly us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legend Of Chun Hyang
is a manga by Clamp. Its story and characters are loosely based on a well known Korean folktale of the same name ''Shin Shunkaden'' was first published in 1996 by Hakusensha in Japan. The project was dropped after three chapters, but Tokyopop licensed the manga in English as ''The Legend of Chun Hyang'' and released it in 2004. Plot The story follows Chun Hyang (춘향), the spirited, beautiful, yet headstrong daughter of a mudang in a Korean village. Her name means "spring fragrance" (the ''shun-ka'' in the original Japanese title; Chinese: ''Chūn-Xiāng''). A master of martial arts, Chun Hyang rises to the occasion when the Yangban, a tyrannical warlord, takes control of her village. He tried to kidnap one of her friends despite Chun Hyang's bold nature and formidable abilities, but there is little hope of freeing her village unless the amhaeng'eosa, a secret Korean government agent, arrives and catches the Ryanban in the act of abusing his powers. When Mong Ryong, a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Literature
Korean literature is the body of literature produced by Koreans, mostly in the Korean language and sometimes in Classical Chinese. For much of Korea's 1,500 years of literary history, it was written in Hanja. It is commonly divided into classical and modern periods, although this distinction is sometimes unclear. Korea is home to the world's first metal and copper type, the world's earliest known printed document and the world's first featural script. Korean literature Classical Korean literature has its roots in traditional folk beliefs and folk tales of the Korean peninsula. There are four major traditional poetic forms: hyangga ("native songs"); byeolgok ("special songs"), or changga ("long poems"); sijo ("current melodies"); and gasa ("verses"). Other poetic forms that flourished briefly include the kyonggi-style, in the 14th and 15th centuries, and the akchang ("words for songs") in the 15th century. The most representative akchang is Yongbi och'on ka (1445–47; Songs of F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kisaeng
Kisaeng (Hangul: 기생, Hanja: 妓生, RR: ''Gisaeng''), also called ginyeo (Hangul: 기녀, Hanja: 妓女), were women from outcast or slave families who were trained to be courtesans, providing artistic entertainment and conversation to men of upper class. First appearing in Goryeo, were the government's legal entertainers, required to perform various functions for the state. Many were employed at court, but they were also spread throughout the country. They were carefully trained and frequently accomplished in the fine arts, poetry, and prose, and although they were of low social class, they were respected as educated artists. Aside from entertainment, their roles included medical care and needlework. play an important role in Korean conceptions of the traditional culture of the Joseon. Although the names of most real have been forgotten, a few are remembered for an outstanding attribute, such as skill or loyalty. The most famous of these is the 16th century Hwang Jini. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chunhyang (2000 Film)
''Chunhyang'' () is a Korean Pansori film directed by Im Kwon-taek, with a screenplay by Kang Hye-yeon and Kim Myung-gon. Distributed by CJ Entertainment, the film was released on January 29, 2000 in South Korea. Lee Hyo-jeong plays Chunhyang and Cho Seung-woo plays Mongryong. It is a film adaptation of the ''pansori'' Chunhyangga, one of the most notable works in the pansori tradition. To date, there have been more than sixteen works based on this narrative, including three North Korean films. Im Kwon-taek's ''Chunhyang'' presents a new interpretation of this oral tradition with a focus towards a more global audience. It is the first Chunhyang adaptation that uses lyrics of pansori as a major part of the screenplay. The film uses the framing device of a present-day pansori narrator who, accompanied by a drummer, sings the story of Chunhyang in front of a responsive audience. The film flashes back and forth between the singer's presentation and scenes of Mongryong. It was entered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deoneum
''Deoneum'' (hangul: 더늠) is a new, revised section of a ''pansori'' song, made by a master ''pansori'' singer. Following years of training, master singers sometimes change or add new parts to a ''pansori'' song, inputting aspects of their own individuality. If this new version of the ''pansori'' becomes widespread in its own right, then it is called a ''deoneum''. Korean tradition encyclopedia, 2010, 한국학중앙연구원 The oldest one, called "Going Out to Let a Swallow Go," is found in the song "," and was sung by Gwon Sam-deuk in the . It was the first known application in ''pansori'' of ''gwon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kisaeng
Kisaeng (Hangul: 기생, Hanja: 妓生, RR: ''Gisaeng''), also called ginyeo (Hangul: 기녀, Hanja: 妓女), were women from outcast or slave families who were trained to be courtesans, providing artistic entertainment and conversation to men of upper class. First appearing in Goryeo, were the government's legal entertainers, required to perform various functions for the state. Many were employed at court, but they were also spread throughout the country. They were carefully trained and frequently accomplished in the fine arts, poetry, and prose, and although they were of low social class, they were respected as educated artists. Aside from entertainment, their roles included medical care and needlework. play an important role in Korean conceptions of the traditional culture of the Joseon. Although the names of most real have been forgotten, a few are remembered for an outstanding attribute, such as skill or loyalty. The most famous of these is the 16th century Hwang Jini. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shin Jae-hyo
Shin Jae-hyo (; 1812–1884) was a theoretician and adapter of ''pansori'' in the late Joseon Dynasty. While not a famous singer of pansori, he contributed much to its development. He organized and recorded the six stories of pansori: ''Chunhyangga'', ''Simcheongga'', ''Jeokbyeokga'', ''Heungbuga'', ''Sugungga'', and '' Byunggang Saega''. Before this, they had only been transmitted orally. He also systematized a theory of pansori. Life He was born into the Pyeongsan Shin clan in 1812 in Gochang, Jeolla Province. Having studied Chinese classics, he had a good knowledge about its philosophical works (제자백가, 諸子百家), including the Seven Chinese Classics: the Four Books and the Three Classics (사서삼경,四書三經). He opened his home to relatives, gisaeng, singers, and other entertainers, with as many as 50 people living in his house at once. He played the geomungo and gayageum in all styles of Korean music from classical music to popular music of the time. He valu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Namwon
Namwon (; ''Namwon-si'') is a city in North Jeolla Province, South Korea. Namwon is about 50 minutes from the provincial capital of Jeonju, which is almost three hours away from Seoul. The official city flower is Royal Azalea () while the city tree is the crape-myrtle () and the city bird is the swallow (). Namwon is a small city located just outside Jirisan National Park, which has the largest set of mountains on the South Korean Mainland. It also borders the Seomjin River, one of South Korea's more prominent rivers. It is 3 hours and 15 minutes from the Seoul Central City Bus Terminal (via direct bus) and about one hour from both the U-Square Bus Terminal in Gwangju and the Jeonju Inter City Bus Terminal (depending on traffic). It is called "the City of Love" because of the famous Korean love story of Chunhyang. Gwanghallu Garden is a shrine to this love story. History Namwon was founded in 680 during the reign of King Sinmun of Silla Kingdom. Namwon county was founded on A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sugungga
''Sugungga'' is one of the five surviving stories of the Korean ''pansori'' storytelling tradition. The other stories are ''Simcheongga'', ''Heungbuga'', ''Jeokbyeokga'', and ''Chunhyangga''. ''Sugungga'' is considered to be more exciting and farcical than the other ''pansori''s because of its personification of animals. The satire is more frank and humorous. It has serious parts as well in the characters of the king and loyal retainers. Therefore ''Sugungga'' is regarded as the "small Jeokbyeokga;" so Pansori singers sing those parts earnestly. ''Sugungga'' is based on the story of the Dragon King of the Southern Sea, a terrapin, and a wily rabbit. This story is believed to have stemmed from a tale about a terrapin and a rabbit in the early period of the Silla Dynasty. The theme of this story is the relationship of subject to king. Recently, the play was popularized by the Korean band Leenalchi ( Korean: 이날치) who uploaded their live action performance of the story on YouTube ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
