Oblación
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Oblación
''Oblación'' is a 1994 album by Venezuelan musician Alberto Naranjo. Personnel * Alberto Naranjo – arrangements, direction, drums, percussion * Víctor Mestas – acoustic piano * Gustavo Carucí – electric bass * Julio Flores – soprano, alto and baritone saxophones * Rodolfo Reyes – alto and tenor saxophones, flute * Oscar Mendoza – trombone * Alexander Livinalli – percussion * Vladimir Quintero – percussion Special guests * Rafael Velásquez (trumpet on 4, 6, 8) * José Ortiz (piano on 6) * Huguette Contramaestre (lead vocalist on 6, 7, 12) * Fusión IV: Ilba Rojas, Adriana Portales, Kodiak Agüero and José Mena (vocal group on 12) Track listing *''All songs composed and arranged by Alberto Naranjo, except'': **Desesperanza, composed by María Luisa Escobar and arranged by Naranjo ** Mood Indigo, composed by Duke Ellington, Irving Mills and Barney Bigard andarranged by Naranjo; Johnny Hodges' original solo orchestrated by Naranjo ** Blues and the Abstract Tr ...
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Imagen Latina (album)
''Imagen Latina'' is an album by Venezuelan musician Alberto Naranjo, originally released in 1992 and reedited thrice in 2002, 2008 and 2012. It is the seventh album (fifth studio album) of Alberto Naranjo#1970–1979, El Trabuco Venezolano musical project arranged and directed by Naranjo. ''Trabuco'' is a Spanish language, Spanish term used in Venezuelan baseball slang to describe an All-star, All-Star selection of players. So, El Trabuco Venezolano means "The Venezuelan All-Star Band", in the best sense of the phrase. Naranjo (Caracas, 1941) is one of Venezuela's icons of contemporary music, establishing his prestige as an arranger, conductor, composer and drummer. In 1992 Naranjo produced ''Imagen Latina''. Soloists with an already established career in Venezuela participated in this project; renowned salsa (music), salseros as Canelita Medina, Carlos Espósito, Vladimir Lozano, Trina Medina, Carlos Daniel Palacios and Mauricio Silva; noted folklore, folklorists as Simón Díaz ...
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Swing Con Son
''Swing con Son'' is a 1996 album by Venezuelan musician Alberto Naranjo. Track listing Alberto Naranjo & Latin Jazz Big Band personnel *Alberto Naranjo – leader, arrangements, drums, timbales *Alberto Lazo – acoustic piano *Jorge Del Pino – acoustic bass *Julio Flores – soprano and alto saxophones; flute *Evencio Villamizar – alto saxophone, flute *Hernando Bonilla – tenor saxophone, flute *Bautista Chacón – tenor saxophone, clarinet *Horacio Mogollón – baritone saxophone, clarinet *José Rodríguez, Agustin Valdés, Nelson Contreras, Figueredo Zerpa – trumpets, flugelhorns *Domingo Pagliuca, Alberto Benedetti – tenor trombones *Oscar Mendoza, Antonio Ponte – bass trombones *Vladimir Quintero – congas *Enrique Mata – bongos, Dominican tambora *José Hernández – maracas, güiro Lead vocals *Carlos Espósito (tracks 3, 5, 7, 10, 11) *Arturo Guaramato (tracks 6, 7, 11) *Juan José Capella (tracks 7, 12) Special guests * Billo's Happy Boys Orches ...
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Alberto Naranjo
Alberto Naranjo ah-rahn'-ho(September 14, 1941 – January 27, 2020) was a Venezuelan musician. His mother, the singer Graciela Naranjo, was a radio, film and television pioneer in her homeland. Largely self-taught, Naranjo embarked on a similar musical course, becoming – like his mother – one of Venezuela's icons of contemporary popular music.''Enciclopedia de la Música en Venezuela'' / Directores José Peñín y Walter Guido, Tomo 1, pag. 706–710. Publisher: Caracas, Fundación Bigott, 1998. Career In his early years, Naranjo was influenced by diverse music genres such as jazz and classical, from Louis Armstrong to Duke Ellington and Oliver Nelson; from Bud Powell to Thad Jones and Mel Lewis; from Béla Bartók to Claude Debussy, and specially, the music created by Tito Puente, one of the greatest all-time Latin jazz leaders. Puente revolutionised the role of the drums in stage performance, when he moved the drum kit and timbales from the back to the front of stage, hi ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Irving Mills
Irving Harold Mills (born Isadore Minsky; January 16, 1894 – April 21, 1985) was an American music publisher, musician, lyricist, and jazz artist promoter. He sometimes used the pseudonyms Goody Goodwin and Joe Primrose. Personal Mills was born to a Jewish family in Odessa, Russian Empire, although some biographies state that he was born on the Lower East Side of Manhattan in New York City. His father, Hyman Minsky (1868–1905), was a hat maker who had immigrated from Odessa to the United States with his wife Sofia ''(née'' Sophia Dudis; born 1870). Hyman died in 1905, forcing Irving and his brother, Jacob ''(aka'' "Jack"; 1891–1979), to work odd jobs including bussing at restaurants, selling wallpaper, and working in the garment industry. By 1910, Mills was listed as a telephone operator. Mills married Beatrice ("Bessie") Wilensky (1896–1976) in 1911 and they subsequently moved to Philadelphia. By 1918, Mills was working for publisher Leo Feist. His brother, Jack, was ...
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1994 Albums
This is a list of notable events in music that took place in the year 1994. Specific locations * 1994 in British music * 1994 in Norwegian music Specific genres *1994 in country music * 1994 in heavy metal music * 1994 in hip hop music * 1994 in Latin music * 1994 in jazz Events January–February *January 19 – Bryan Adams becomes the first major Western music star to perform in Vietnam since the end of the Vietnam War. *January 21–February 5 – The Big Day Out festival takes place, again expanding from the previous year's venues to include the Gold Coast, Queensland and Auckland in New Zealand. The festival is headlined by Soundgarden, Ramones and Björk. *January 25 – Alice in Chains release their ''Jar of Flies'' album which makes its US chart debut at No. 1 on the Billboard 200, becoming the first ever EP to do so. *January 29 – The Supremes' Mary Wilson is injured when her Jeep hits a freeway median and flips over just outside Los Angeles, USA. Wilson's 14-y ...
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Caracas
Caracas (, ), officially Santiago de León de Caracas, abbreviated as CCS, is the capital and largest city of Venezuela, and the center of the Metropolitan Region of Caracas (or Greater Caracas). Caracas is located along the Guaire River in the northern part of the country, within the Caracas Valley of the Venezuelan coastal mountain range (Cordillera de la Costa). The valley is close to the Caribbean Sea, separated from the coast by a steep 2,200-meter-high (7,200 ft) mountain range, Cerro El Ávila; to the south there are more hills and mountains. The Metropolitan Region of Caracas has an estimated population of almost 5 million inhabitants. The center of the city is still ''Catedral'', located near Bolívar Square, though some consider the center to be Plaza Venezuela, located in the Los Caobos area. Businesses in the city include service companies, banks, and malls. Caracas has a largely service-based economy, apart from some industrial activity in its metropolitan ar ...
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Oliver Nelson
Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. His 1961 Impulse! album '' The Blues and the Abstract Truth'' (1961) is regarded as one of the most significant recordings of its era. The centerpiece of the album is the definitive version of Nelson's composition, " Stolen Moments". Other important recordings from the early 1960s are '' More Blues and the Abstract Truth'' and ''Sound Pieces'', both also on Impulse!. Biography Early life and career Oliver Nelson was born into a musical family in St. Louis, Missouri, United States. His brother was a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six and started on the saxophone at eleven. Beginning in 1947 he played in "territory" bands in and around Saint Louis before joining the Louis Jordan band where he stayed from 1950 to 1951, playing alto ...
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Johnny Hodges
Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Biography Early life Ho ...
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Barney Bigard
Albany Leon "Barney" Bigard (March 3, 1906 – June 27, 1980) was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone. Biography Bigard was born in New Orleans to Creole parents, Alexander and Emanuella Bigard. He had two brothers, Alexander Jr. and Sidney. His uncle, Emile Bigard, was a jazz violinist. He attended local schools and studied music and clarinet with Lorenzo Tio. In the early 1920s, he moved to Chicago, where he worked with King Oliver and others. During this period, much of his recording, including with clarinetist Johnny Dodds, was on tenor saxophone, which he played often with great lyricism, as on Oliver's "Someday Sweetheart". In December 1927, Bigard joined Duke Ellington's orchestra in New York. He played with Ellington until 1942. They played primarily at the Cotton Club until 1931, then toured almost nonstop for over a decade. With Ellington, he was the featured clarinet soloist, while also d ...
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Mood Indigo
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills. Composition Although Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, Mitchell Parish claimed in a 1987 interview that he had written the lyrics. The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues". It was "the first tune I ever wrote specially for microphone transmission", Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo", it became a jazz standard." The main theme was provided by Bigard, who learned it in New Orleans, Louisiana from his clarinet teacher Lorenzo Tio, who called it a "Mexican Blues". Ellington's arrangement was first recorded by his band for Brunswick on October 17, 1930. It was recorded twice more in 1930. These recordings included Arthur Whetsel (trumpet), Tricky Sam Nanton (tr ...
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Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ...
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