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Oberheim Two-Voice Pro
The Oberheim Two-Voice Pro is an analog music synthesizer that was produced from 2015-2018 under the Tom Oberheim brand. It is an updated version of the original Oberheim Two-Voice, which was produced from 1975-1979. This instrument was designed around coupling two SEM (Synthesizer Expander Module) modules. Each voice is individually programmed and has its own multiband filter. The modern Pro version contains a digital sequencer, MIDI, and a comprehensive patch panel to allow the instrument to interface with modular setups. In March 2021, Tom Oberheim released a "Special Edition" version of the Two-Voice Pro in limited numbers. This was the first instrument designed by Tom Oberheim released under the Oberheim brand name since 1985; the Oberheim brand had been returned to him by Gibson in 2019. Notable users * Vince Clarke * Vangelis * J3PO * Kaitlyn Aurelia Smith See also * Polyphonic synthesizer Polyphony is a property of musical instruments that means that they can pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim
Oberheim is an American synthesizer manufacturer founded in 1969 by Tom Oberheim. History and products Tom Oberheim founded the company in 1969, originally as a designer and contract manufacturer of electronic effects devices for Maestro (most notably the Maestro PS-1A Phase Shifter),, and briefly a retail dealer for ARP Instruments, eventually designing the company's first Oberheim-branded product, the Oberheim DS-2, one of the first digital music sequencers. In 1975 Oberheim introduced the Synthesizer Expander Module (SEM) to complement the DS-2 sequencer and enable a user to play one synthesizer while the DS-2 played a sequence on another. The SEM featured a two-pole filter that could operate as a low-pass, high-pass, band-pass, or band-reject filter, giving it a different sound than the Moog and ARP filters popular at the time. The company later combined multiple SEM modules with a digitally-scanned keyboard and a 2-channel voltage-controlled sequencer to create a series o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Low-pass Filter
A low-pass filter is a filter that passes signals with a frequency lower than a selected cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency. The exact frequency response of the filter depends on the filter design. The filter is sometimes called a high-cut filter, or treble-cut filter in audio applications. A low-pass filter is the complement of a high-pass filter. In optics, high-pass and low-pass may have different meanings, depending on whether referring to frequency or wavelength of light, since these variables are inversely related. High-pass frequency filters would act as low-pass wavelength filters, and vice versa. For this reason it is a good practice to refer to wavelength filters as ''short-pass'' and ''long-pass'' to avoid confusion, which would correspond to ''high-pass'' and ''low-pass'' frequencies. Low-pass filters exist in many different forms, including electronic circuits such as a hiss filter used in audio, anti-aliasing fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CV/gate
CV/gate (an abbreviation of ''control voltage/gate'') is an analog method of controlling synthesizers, drum machines, and similar equipment with external sequencers. The control voltage typically controls pitch and the gate signal controls note on-off. This method was widely used in the epoch of analog modular synthesizers and CV/Gate music sequencers, since the introduction of the Roland MC-8 Microcomposer in 1977 through to the 1980s, when it was eventually superseded by the MIDI protocol (introduced in 1983), which is more feature-rich, easier to configure reliably, and more readily supports polyphony. The advent of digital synthesizers also made it possible to store and retrieve voice "patches" – eliminating patch cables and (for the most part) control voltages. However, numerous companies – including Doepfer, who designed a modular system for Kraftwerk in 1992, Buchla, MOTM, Analogue Systems, and others continue to manufacture modular synthesizers that are incre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog Circuit
Analogue electronics ( en-US, analog electronics) are electronic systems with a continuously variable signal, in contrast to digital electronics where signals usually take only two levels. The term "analogue" describes the proportional relationship between a signal and a voltage or current that represents the signal. The word analogue is derived from the el, word ανάλογος (analogos) meaning "proportional". Analogue signals An analogue signal uses some attribute of the medium to convey the signal's information. For example, an aneroid barometer uses the angular position of a needle as the signal to convey the information of changes in atmospheric pressure. Electrical signals may represent information by changing their voltage, current, frequency, or total charge. Information is converted from some other physical form (such as sound, light, temperature, pressure, position) to an electrical signal by a transducer which converts one type of energy into another (e.g. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim TVS-1A
The Oberheim TVS-1A is a polyphonic analogue synthesizer manufactured in the United States and released to the market in 1975. Its two voice digital keyboard can be operated in either polyphonic or monophonic mode. The TVS-1A also featured sample and hold and an onboard 16-step sequencer. Famous Users *Jean Michel Jarre *Vince Clarke *Vangelis Evangelos Odysseas Papathanassiou ( el, Ευάγγελος Οδυσσέας Παπαθανασίου ; 29 March 1943 – 17 May 2022), known professionally as Vangelis ( ; el, Βαγγέλης, links=no ), was a Greek composer and arranger of ... References {{Reflist Polyphonic synthesizers Analog synthesizers Products introduced in 1975 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vince Clarke
Vincent John Martin (born 3 July 1960), known professionally as Vince Clarke, is an English synth-pop musician and songwriter. Clarke has been the main composer and musician of the band Erasure since its inception in 1985, and was previously the main songwriter of several groups, including Depeche Mode, Yazoo (band), Yazoo, and the Assembly. In Erasure he is known for his deadpan and low-key onstage demeanour, often remaining motionless over his keyboard, in sharp contrast to lead vocalist Andy Bell (singer), Andy Bell's animated and hyperactive frontman antics. Erasure have recorded over 200 songs and have sold over 28 million albums worldwide. Vince Clarke was inducted into the Rock and Roll Hall of Fame in 2020 as a member of Depeche Mode. Early life Vincent John Martin was born on 3 July 1960 in South Woodford, Essex; he later moved to Basildon, Essex. He initially studied the violin and then the piano, but he was inspired to make electronic music upon hearing Metropolit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vangelis
Evangelos Odysseas Papathanassiou ( el, Ευάγγελος Οδυσσέας Παπαθανασίου ; 29 March 1943 – 17 May 2022), known professionally as Vangelis ( ; el, Βαγγέλης, links=no ), was a Greek composer and arranger of electronic, progressive, ambient, and classical orchestral music. He was best known for his Academy Award-winning score to ''Chariots of Fire'' (1981), as well as for composing scores to the films ''Blade Runner'' (1982), ''Missing'' (1982), ''Antarctica'' (1983), '' The Bounty'' (1984), '' 1492: Conquest of Paradise'' (1992), and ''Alexander'' (2004), and for the use of his music in the 1980 PBS documentary series '' Cosmos: A Personal Voyage'' by Carl Sagan. Born in Agria and raised in Athens, Vangelis began his career in the 1960s as a member of the rock bands The Forminx and Aphrodite's Child; the latter's album ''666'' (1972) is now recognised as a progressive-psychedelic rock classic. Vangelis first settled in Paris, and gained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Waterfall Pollack
Julian Waterfall Pollack / J3PO (born June 28, 1988) is an American pianist, keyboardist, composer, and producer associated with jazz, classical, and hip hop music. Biography Early life Raised in Berkeley, California, Pollack was introduced to music through his parents, Susan Waterfall (an accomplished concert pianist), and Allan Pollack (a conductor, saxophonist, and music professor at University of California, Berkeley). He began formal study of the piano at age of five with his mother, and was called a child prodigy, able to play difficult pieces of classical music well beyond his years. He attended The Crowden School in Berkeley, California, for his middle school years, where he received training in orchestral playing, chamber music, harmony, and counterpoint, as well as a courses in the liberal arts. He later attended Berkeley High School where he developed his love for jazz, playing as principal pianist for four years in their award-winning jazz ensemble. He released his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaitlyn Aurelia Smith
Kaitlyn Aurelia Smith is an American composer, performer and producer, originally from the Pacific Northwest and currently based in Los Angeles. Her work prominently employs Buchla modular synthesizers. She received acclaim for her albums ''Ears'' (2016) and ''The Kid'' (2017). She has collaborated with Suzanne Ciani and Emile Mosseri. Early life and education Smith grew up and was home-educated on Orcas Island, Northwestern Washington. She left the island to study composition and sound engineering at Berklee College of Music in Boston, before returning to the island after her graduation. Smith performed in the indie folk duo Ever Isles while still at Berklee. It was after returning home that Smith discovered synthesizers, when a neighbor who shared her interest in Terry Riley introduced her to the Buchla 100 Synthesizer. Having originally intended to use her voice as her primary instrument, and then moving to classical guitar and piano, Smith switched to the use of synthesiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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