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Nomeda Kazlaus
Nomeda Kazlaus (born as Nomeda Kazlauskaitė in Vilnius, Lithuania) is one of the most outstanding Lithuanian operatic sopranos of the contemporary generation of singers, an international opera diva who has appeared in leading roles in many European opera houses including the Gran Teatre del Liceu in Barcelona, the Mariinsky Theatre in Saint Petersburg, the Bolshoi Theatre in Moscow, the Teatro Malibran in Venice etc. Nomeda Kazlaus is also TV host, producer, vocal professor, jury chair and member of many international competitions, laureate of four international singing competitions, winner of the Lithuanian Ministry of Culture Young Artist 2007 award. Biography Born in Vilnius, Lithuania, on 13 February Kazlaus is as frequent a guest on some of the most prestigious European theatre and concert stages, international festivals as she stars in international productions at such venues as the St. John's Smith Square in London, the Grand Hall of the Kremlin’s Gostiny Dvor in Mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vilnius
Vilnius ( , ; see also other names) is the capital and largest city of Lithuania, with a population of 592,389 (according to the state register) or 625,107 (according to the municipality of Vilnius). The population of Vilnius's functional urban area, which stretches beyond the city limits, is estimated at 718,507 (as of 2020), while according to the Vilnius territorial health insurance fund, there were 753,875 permanent inhabitants as of November 2022 in Vilnius city and Vilnius district municipalities combined. Vilnius is situated in southeastern Lithuania and is the second-largest city in the Baltic states, but according to the Bank of Latvia is expected to become the largest before 2025. It is the seat of Lithuania's national government and the Vilnius District Municipality. Vilnius is known for the architecture in its Old Town, declared a UNESCO World Heritage Site in 1994. The city was noted for its multicultural population already in the time of the Polish–Lithuanian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lithuanian Academy Of Music And Theatre
The Lithuanian Academy of Music and Theatre in Vilnius, Lithuania, is a state-supported conservatory that trains students in music, theatre, and multimedia arts. History Composer Juozas Naujalis founded a music school in 1919 in Kaunas. This school was reorganised into the Kaunas Conservatory in 1933. In 1949 the ''Kaunas Conservatory'' and the ''Vilnius Conservatory'', founded in 1945, were merged into the ''Lithuanian State Conservatory''. The State Conservatory was renamed the ''Music Academy of Lithuania'' (LMA) in 1992, and in 2004 it became the ''Lithuanian Academy of Music and Theatre'' (LMTA). Current operations As of January 2005 there were 1,167 students at the Academy, taught by a staff of 274. Its rector in 2011, Professor Zbignevas Ibelgauptas. The Academy's headquarters are located on Gediminas Avenue. The Academy awards the following degrees: Bachelor of Arts in Music, BA in Theatre, BA in Multimedia Arts, Master of Arts in Music, MA in Theatre, MA in Multim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry VIII (opera)
''Henry VIII'' is an opera in four acts by Camille Saint-Saëns, from a libretto by Léonce Détroyat and Armand Silvestre, based on ''El cisma en Inglaterra'' (''The Schism in England'') (1627) by Pedro Calderón de la Barca. Composition history The action covers the period in Henry VIII's life when the king was attempting to divorce Queen Catherine of Aragon in favour of marrying Anne Boleyn, a move rejected by the Church. In an effort to evoke the historical context, Saint-Saëns researched English music from the period and incorporated several English, Scottish, and Irish folk melodies into his score, as well as two airs by William Byrd (c. 1540–1623), contained in ''The Will Forster Virginal Book'' (1624), the "Carman's Whistle" and a section of a tune called "The New Medley". He also sampled from the Benjamin Cosyn's ''Virginal Book'' (1620), using the opening from the tune "Mr Beauins Service", along with "Te Deum". Henry VIII died in 1547, about 70 years before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arte
Arte (; (), sometimes stylized in lowercase or uppercase in its logo) is a European public service channel dedicated to culture. It is made up of three separate companies: the Strasbourg-based European Economic Interest Grouping ARTE, plus two member companies acting as editorial and programme production centres, ARTE France in Paris (formerly known as La Sept) and ARTE Deutschland in Baden-Baden (a subsidiary of the two main public German TV networks ARD and ZDF). As an international joint venture (an EEIG), its programmes focus on audiences in both countries. Because of this, the channel has two audio tracks and two subtitle tracks, one each in French and German. 80% of Arte's programming is provided by its French and German subsidiaries, each making half of the programmes. The remainder is provided by the European subsidiary and the channel's European partners. Selected programmes are available with English, Spanish, Polish and Italian subtitles online. In January ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montserrat Caballé
Montserrat Caballé i Folch or Folc (full name: María de Montserrat Bibiana Concepción Caballé i Folch (, , ; (12 April 1933 – 6 October 2018), known simply as Montserrat Caballé, was a Catalan Spanish operatic soprano. She sang a wide variety of roles, but is best known as an exponent of the works of Verdi and of the bel canto repertoire, notably the works of Rossini, Bellini, and Donizetti. She was noticed internationally when she stepped in for a performance of Donizetti's ''Lucrezia Borgia'' at Carnegie Hall in 1965, and then appeared at leading opera houses. Her voice was described as pure but powerful, with superb control of vocal shadings and exquisite pianissimo. Caballé became popular to non-classical music audiences in 1987, when she recorded, at the request of the International Olympic Committee, "Barcelona", a duet with Freddie Mercury, which became an official theme song for the 1992 Olympic Games. She received several international awards and also Grammy A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andorra
, image_flag = Flag of Andorra.svg , image_coat = Coat of arms of Andorra.svg , symbol_type = Coat of arms , national_motto = la, Virtus Unita Fortior, label=none (Latin)"United virtue is stronger" , national_anthem = "The Great Charlemagne" , image_map = Location Andorra Europe.png , map_caption = , image_map2 = , capital = Andorra la Vella , coordinates = , largest_city = capital , official_languages = Catalan , ethnic_groups = , ethnic_groups_year = 2017 , religion = Christianity (Catholicism) , religion_ref = , demonym = Andorran , government_type = constitutional elective diarchy , leader_title1 = Co-Princes , leader_name1 = , leader_title2 = Representatives , leader_name2 = , leader_title3 = Prime Minister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramatic Soprano
A dramatic soprano is a type of operatic soprano with a powerful, rich, emotive voice that can sing over, or cut through, a full orchestra. Thicker vocal folds in dramatic voices usually (but not always) mean less agility than lighter voices but a sustained, fuller sound. Usually this voice has a lower tessitura than other sopranos, and a darker timbre. They are often used for heroic, often long- suffering, tragic women of opera. Dramatic sopranos have a range from approximately low A ( A3) to "high C" (C6).Coffin (1960) Some dramatic sopranos, known as Wagnerian sopranos, have an exceptionally big voice that can assert itself over a large orchestra (of more than 80 or even 100 pieces). These voices are substantial, often denser in tone, extremely powerful and, ideally, evenly balanced throughout the vocal registers. Wagnerian sopranos usually play mythic heroines. Successful Wagnerian sopranos are rare and often Wagnerian roles are performed by Italianate dramatic sopranos. Drama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 ''Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It wasn't until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late 1885. When it finally premiere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Carlo
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and ''auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra (Paris Opera) and given its premiere at the Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Forza Del Destino
' (; ''The Power of Fate'', often translated ''The Force of Destiny'') is an Italian opera by Giuseppe Verdi. The libretto was written by Francesco Maria Piave based on a Spanish drama, ' (1835), by Ángel de Saavedra, 3rd Duke of Rivas, with a scene adapted from Friedrich Schiller's '' Wallensteins Lager'' (''Wallenstein's Camp''). It was first performed in the Bolshoi Kamenny Theatre of Saint Petersburg, Russia, on 29 November 1862 O.S. (N.S. 10 November). ' is frequently performed, and there have been a number of complete recordings. In addition, the overture (to the revised version of the opera) is part of the standard repertoire for orchestras, often played as the opening piece at concerts. Performance history Revisions After its premiere in Russia, ''La forza'' underwent some revisions and made its debut abroad with performances in Rome in 1863 under the title ''Don Alvaro''. Performances followed in Madrid (with the Duke of Rivas, the play's author, in attend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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