Niwa Mitsushige
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Niwa Mitsushige
was an Edo period Japanese samurai, 2nd Niwa ''daimyō'' of Shirakawa Domain and the 1st Niwa ''daimyō'' of Nihonmatsu Domain in the Tōhoku region of Japan. He was the 2nd hereditary chieftain of the Niwa clan. His courtesy title was ''Saikyō-no-daifu'', and his Court rank was Junior Fourth Rank, Lower Grade. Biography Mitsushige was the third son of Niwa Nagashige, ''daimyō'' of Shirakawa Domain. His childhood name of Miyamatsu-maru (鍋太郎). As both of his older brothers died in childhood, he was named heir in 1628. In 1634, he was received in formal audience by Shōgun Tokugawa Iemitsu, and received a ''kanji'' from Iemitsu's name, becoming Niwa Mitsushige, along with the courtesy title of ''Saikyō-no-suke'' and Junior Fifth Rank, Lower Grade. On his father's death in 1637, he became ''daimyō'' of Shirakawa Domain. Five years later, in 1642, his court rank was raised to Junior Fourth Rank, Lower Grade. In 1643, the Tokugawa shogunate ordered the Niwa clan to relo ...
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Daimyō
were powerful Japanese magnates, feudal lords who, from the 10th century to the early Meiji era, Meiji period in the middle 19th century, ruled most of Japan from their vast, hereditary land holdings. They were subordinate to the shogun and nominally to the Emperor of Japan, emperor and the ''kuge''. In the term, means 'large', and stands for , meaning 'private land'. From the ''shugo'' of the Muromachi period through the Sengoku period, Sengoku to the ''daimyo'' of the Edo period, the rank had a long and varied history. The backgrounds of ''daimyo'' also varied considerably; while some ''daimyo'' clans, notably the Mōri clan, Mōri, Shimazu clan, Shimazu and Hosokawa clan, Hosokawa, were cadet branches of the Imperial family or were descended from the ''kuge'', other ''daimyo'' were promoted from the ranks of the samurai, notably during the Edo period. ''Daimyo'' often hired samurai to guard their land, and they paid the samurai in land or food as relatively few could aff ...
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Kanji
are the logographic Chinese characters taken from the Chinese family of scripts, Chinese script and used in the writing of Japanese language, Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived syllabic scripts of ''hiragana'' and ''katakana''. The characters have Japanese pronunciation, pronunciations; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After World War II, Japan made its own efforts to simplify the characters, now known as shinjitai, by a process similar to China's simplified Chinese characters, simplification efforts, with the intention to increase literacy among the common folk. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characte ...
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1622 Births
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * '' Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir * 16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", ...
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Mon Niwa
Mon, MON or Mon. may refer to: Places * Mon State, a subdivision of Myanmar * Mon, India, a town in Nagaland * Mon district, Nagaland * Mon, Raebareli, a village in Uttar Pradesh, India * Mon, Switzerland, a village in the Canton of Grisons * Anglesey, cy, Môn, links=no, an island and county of Wales * Møn, an island of Denmark * Monongahela River, US or "The Mon" Peoples and languages * Mon people, an ethnic group from Burma * Mon language, spoken in Burma and Thailand * Mon–Khmer languages, a large language family of Mainland Southeast Asia * Mongolian language (ISO 639 code), official language of Mongolia * Alisa Mon, Russian singer Other uses * Mon (emblem), Japanese family heraldic symbols * Mon (architecture), gates at Buddhist temples, Shinto shrines and castles in Japan * Mon (boat), a traditional war canoe of the North Solomons * Mon (currency), a currency used in Japan until 1870 * Môn FM, a radio station serving Anglesey, Wales * ''The Gate'' (novel) (), a 191 ...
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Buddhist Temple
A Buddhist temple or Buddhist monastery is the place of worship for Buddhists, the followers of Buddhism. They include the structures called vihara, chaitya, stupa, wat and pagoda in different regions and languages. Temples in Buddhism represent the pure land or pure environment of a Buddha. Traditional Buddhist temples are designed to inspire inner and outer peace. Architecture Its architecture and structure varies from region to region. Usually, the temple consists not only of its buildings, but also the surrounding environment. The Buddhist temples are designed to symbolize five elements: fire, air, water, earth and wisdom. India The design of temples in India was influenced by the idea of a place of worship as a representation of the universe. For Buddhist temple complexes one tall temple is often centrally located and surrounded by smaller temples and walls. This center surrounded by oceans, lesser mountains and a huge wall. A Chaitya, Chaitya hall or Chaitya-griha ...
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Manpuku-ji
is a Buddhist temple located in Uji, Kyoto. It is the head temple of the Japanese Ōbaku Zen sect, named after Wanfu Temple in Fujian, China. The mountain is likewise named after Mount Huangbo, where the Chinese temple is situated. History The temple was founded in 1661 by the Chinese monk Yinyuan Longqi (Ingen) and his disciple Muyan. In 1664, control of the temple passed to Muyan, after many Chinese monks followed as head priests. Only the fourteenth priest and his successors are Japanese. On May 21, 1673 (''Enpō 1, 5th day of the 4th month'') Yinyuan (Ingen) dies here. The art of ''Senchadō'' is closely tied to the temple due to its founder. Architecture The temple structures were constructed in Ming China's architectural style. The arrangement of buildings also follows Ming Dynasty architectural style, representing an image of a dragon. The temple features an exemplary ''gyoban'' (fish board, used to toll the hours). Art The temple treasure house contains a complet ...
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Mount Kōya
is a large temple settlement in Wakayama Prefecture, Japan to the south of Osaka. In the strictest sense, ''Mount Kōya'' is the mountain name ( sangō) of Kongōbu-ji Temple, the ecclesiastical headquarters of the Kōyasan sect of Shingon Buddhism. First settled in 819 by the monk Kūkai, Mount Kōya is primarily known as the world headquarters of the Kōyasan Shingon sect of Japanese Buddhism. Located on an 800-meter-high plain amid eight peaks of the mountain (which was the reason this location was selected, in that the terrain is supposed to resemble a lotus plant), the original monastery has grown into the town of Kōya, featuring a university dedicated to religious studies and 120 sub-temples, many of which offer lodging to pilgrims. Mount Kōya is also a common starting point to the associated with Kūkai. The mountain is home to the following famous sites: * , the head temple of the Kōyasan Shingon Buddhism. Located roughly in the middle of the sanctuary, Kongobuji ...
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Kanō School
The is one of the most famous schools of Japanese painting. The Kanō school of painting was the dominant style of painting from the late 15th century until the Meiji period which began in 1868, by which time the school had divided into many different branches. The Kanō family itself produced a string of major artists over several generations, to which large numbers of unrelated artists trained in workshops of the school can be added. Some artists married into the family and changed their names, and others were adopted. According to the historian of Japanese art Robert Treat Paine, "another family which in direct blood line produced so many men of genius ... would be hard to find". The school began by reflecting a renewed influence from Chinese painting, but developed a brightly coloured and firmly outlined style for large panels decorating the castles of the nobility which reflected distinctively Japanese traditions, while continuing to produce monochrome brush paintin ...
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Nihonmatsu Lantern Festival
Nihonmatsu Lantern Festival(二本松の提灯祭り Nihonmatsu-chochinmatsuri) is a Japanese traditional festival, located in Nihonmatsu, Fukushima, Japan. History Nihonmatsu Lantern Festival is one of Japan's three Lantern festivals along with Akita Kanto, Akita and Owari Tshima Tenno, Aichi. Niwa Mitsushige instituted the festival in 1664. See also * Lantern Festival, a Chinese festival celebrated on the fifteenth day of the Chinese New Year * Nihonmatsu, Fukushima * Nihonmatsu Castle is a Japanese castle located in what is now the city of Nihonmatsu, northern Fukushima Prefecture, Japan. Throughout most of the Edo period, Nihonmatsu Castle was home to the Niwa clan, ''daimyō'' of Nihonmatsu Domain. The castle was also known ... * Nihonmatsu Shonentai References {{Reflist External links Nihonmatsu Lantern Festival Nihonmatsu Lantern Festival(Japanese)Nihonmatsu Lantern Festival(Japan travel guide)Nihonamatsu Lantern Festival(rediscover Fukushima) Culture of ...
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Japanese Calligraphy
also called is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only, but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles. Styles The term shodō (書道, "way of writing") is of Chinese origin, and is widely used to describe the art of Chinese calligraphy during the medieval Tang dynasty. Early Japanese calligraphy was originated from Chinese calligraphy. Many of its principles and techniques are very similar, and it recognizes the same basic writing styles: * seal script (篆書 ''tensho'') (pinyin: ''zhuànshū''). The seal script (tensho) was commonly used throughout the Zhou dynasty (1046–256 BC) and the following Qin dynasty (221–206 BC) of China. After this time period, tensho style fell out of popularity in favor of reisho. However, tensho was still used for titles of published works or inscriptions. The c ...
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Ikebana
is the Japanese art of flower arrangement. It is also known as . The tradition dates back to Heian period, when floral offerings were made at altars. Later, flower arrangements were instead used to adorn the (alcove) of a traditional Japanese home. reached its first zenith in the 16thcentury under the influence of Buddhist tea masters and has grown over the centuries, with numerous distinct schools extant today. is counted as one of the three classical Japanese arts of refinement, along with for incense appreciation and for tea and the tea ceremony. Etymology is from the Japanese and . Possible translations include "giving life to flowers" and "arranging flowers". History The pastime of viewing plants and appreciating flowers throughout the four seasons was established in Japan early on through the aristocracy. poetry anthologies such as the and from the Heian period (794–1185) included many poems on the topic of flowers. With the introduction of Budd ...
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Japanese Tea Ceremony
The Japanese tea ceremony (known as or ) is a Japanese cultural activity involving the ceremonial preparation and presentation of , powdered green tea, the procedure of which is called . While in the West it is known as "tea ceremony", it is seldom ceremonial in practice. Most often tea is served to family, friends, and associates; religious and ceremonial connotations are overstated in western spaces. While in the West it is known as a form of tea ceremony, in Japan the art and philosophy of tea can be more accurately described as "Teaism" as opposed to focusing on the ceremonial aspect. Zen Buddhism was a primary influence in the development of the culture of Japanese tea. Much less commonly, Japanese tea practice uses leaf tea, primarily , a practice known as . Tea gatherings are classified as either an informal tea gathering () or a formal tea gathering (). A is a relatively simple course of hospitality that includes confections, thin tea, and perhaps a light meal. A is a ...
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