News From Nowhere (Darkstar Album)
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News From Nowhere (Darkstar Album)
''News from Nowhere'' is the second album by the UK electronic music band Darkstar. It was released in February 2013 by Warp Records. The album was produced and recorded at Richard Formby's studio in Leeds, using Formby's vintage analogue synthesizers and classic tape machines. Darkstar members Aiden Whalley, James Young and new member James Buttery returned from touring to promote their debut album ''North North is one of the four compass points or cardinal directions. It is the opposite of south and is perpendicular to east and west. ''North'' is a noun, adjective, or adverb indicating Direction (geometry), direction or geography. Etymology T ...'', and began writing and recording the album in rural Yorkshire. The album is named after William Morris' classic book whose subject matter combined utopian socialism and science fiction. This album differs from their earlier album ''North'' by the addition of vocal work from Buttery. Reception ''News from Nowhere'' recei ...
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Darkstar (band)
Darkstar are a British electronic music duo. Since 2007, they have released music on Hyperdub, Warp and 2010 Records. History Early singles James Young & Aiden Whalley began making music together in London in 2007(?), releasing their first compositions "Dead 2 Me" & "Break" under the name Darkstar on their own label - 2010 Records. This release was followed later the same year by "Lilyliver/Out of Touch" and "Memories (Remix)/Sayter" a split single with London producer Zomby, issued on the MG77 label. London musician and Hyperdub label head Kode9 released "Need You/Squeeze My Lime" in 2008. The "Round Ours" EP was also released in 2008 on Clandestine Cultivations. ''Aidy's Girl Is a Computer'' EP Over the course of these releases Darkstar steadily developed a unique sound that drew sonically from grime, dubstep, electro and synth-pop - culminating in 2009 with the release of the single "Aidy's Girl Is A Computer" via Hyperdub. It was named by The Guardian as "one of th ...
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Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ...
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Art Pop
Art pop (also typeset art-pop or artpop) is a loosely defined style of pop music influenced by art theories as well as ideas from other art mediums, such as fashion, fine art, cinema, and avant-garde literature. The genre draws on pop art's integration of high and low culture, and emphasizes signs, style, and gesture over personal expression. Art pop musicians may deviate from traditional pop audiences and rock music conventions, instead exploring postmodern approaches and ideas such as pop's status as commercial art, notions of artifice and the self, and questions of historical authenticity. Starting in the mid-1960s, British and American pop musicians such as Brian Wilson, Phil Spector, and the Beatles began incorporating the ideas of the pop art movement into their recordings. English art pop musicians drew from their art school studies, while in America the style drew on the influence of pop artist Andy Warhol and affiliated band the Velvet Underground. The style woul ...
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Psychedelic Pop
Psychedelic pop (or acid pop) is pop music that contains musical characteristics associated with psychedelic music. Developing in the late 1960s, elements included " trippy" features such as fuzz guitars, tape manipulation, backwards recording, sitars, and Beach Boys-style harmonies, wedded to melodic songs with tight song structures. The style lasted into the early 1970s. It has seen revivals in subsequent decades by neo-psychedelic artists. Characteristics According to AllMusic, psychedelic pop was not too "freaky", but also not very "bubblegum" either. It appropriated the effects associated with straight psychedelic music, applying their innovations to concise pop songs. The music was occasionally confined to the studio, but there existed more organic exceptions whose psychedelia was bright and melodic. AllMusic adds: "What's trangeis that some psychedelic pop is more interesting than average psychedelia, since it had weird, occasionally awkward blends of psychedelia and po ...
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Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ...
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Warp (record Label)
Warp Records (or simply Warp) is a British independent record label founded in Sheffield in 1989 by record store employees Steve Beckett and Rob Mitchell and record producer Robert Gordon.Southern, Richard (2003) "Label of Love: WARP", X-RAY, April 2003, Swinstead Publishing It is currently based in London. In the early 1990s, the label initially became associated with the UK's northern bleep techno scene, including acts such as LFO, Sweet Exorcist, Forgemasters and Nightmares on Wax. The 1992 label compilation ''Artificial Intelligence'' helped establish the electronic subgenre known as intelligent dance music (IDM). Subsequently, Warp became the home of influential acts such as Aphex Twin, Autechre, Squarepusher, and Boards of Canada. Current artists signed to the label include Flying Lotus, Oneohtrix Point Never, Danny Brown, Brian Eno, Hudson Mohawke, Kelela and Yves Tumor. In 2004, Warp opened the online store Bleep.com, which sells downloadable music free of digital ...
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Richard Formby
Richard Formby is a British musician, engineer and producer. As well as releasing his own solo music, he has been a member of various bands. Formby produced the albums ''Two Dancers'' (2009) and ''Smother'' (2011) by Wild Beasts, as well as ''Some Say I So I Say Light'' (2013) by Ghostpoet and ''News from Nowhere'' (2013) by Darkstar. Biography Formby has released his own solo electronic experimental music as well as being a member of The Jazz Butcher and In Embrace.Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, , p. 323, 376, 381, 518 He was part of Peter Kember's post-Spaceman 3 project Spectrum, for the album ''Soul Kiss (Glide Divine)'' (1992). He owns a studio in Leeds. Discography Solo albums by Formby *''Outside the Angular Colony'' (Glass, 1981) *''The Machine Room'' (Bruton, 1999) *''I Was a Sleep But Now I Am a Wake'' (Golden Lab, 2005) *''Volume One'' (Mind Expansion, 2007) *''Sine'' (Preserved Sound, 2013) Albums produced by Formby *''Taste'' ...
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North (Darkstar Album)
''North'' is the debut album of Darkstar. The album was released on October 18, 2010 Track listing # "In the Wings" – 2:53 # "Gold" – 4:20 # "Deadness" – 4:39 # "Aidys Girl Is a Computer" – 5:11 # "Under One Roof" – 4:31 # "Two Chords" – 3:58 # "North" – 3:53 # "Ostkreuz" – 2:30 # "Dear Heartbeat" - 3:43 # "When It's Gone" - 3:58 References {{Authority control Darkstar (band) albums 2010 debut albums Hyperdub albums ...
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Foam Island (Darkstar Album)
''Foam Island'' is the third studio album by British electronic music duo Darkstar. It was released on 25 September 2015 under Warp Warp, warped or warping may refer to: Arts and entertainment Books and comics * WaRP Graphics, an alternative comics publisher * ''Warp'' (First Comics), comic book series published by First Comics based on the play ''Warp!'' * Warp (comics), a .... Critical reception ''Foam Island'' was met with "generally favorable" reviews from critics. At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an average score of 71, based on 8 reviews. Accolades Track listing Charts References 2015 albums Darkstar (band) albums Warp (record label) albums {{2010s-album-stub ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ...
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Mixmag
''Mixmag'' is a British electronic dance and clubbing magazine published in London. Launched in 1983 as a print magazine, it has branched into dance events, including festivals and club nights. History The first issue of ''Mixmag'' was printed on 1 February 1983 as a 16-page black-and-white magazine published by Disco Mix Club, a DJ mailout service. The first cover featured American music group Shalamar. When house music began in the 1980s, editor and DJ Dave Seaman turned the magazine from a newsletter for DJs into a magazine covering all dance music and club culture. ''Mixmag'', in association with its original publishing company, DMC Publishing, released a series of CDs under the "Mixmag Live" heading. The magazine, which reached a circulation of up to 70,000 copies, was later sold to EMAP Ltd. in the mid-1990s. In 1996, an American version titled ''Mixmag USA'' was launched. It was renamed Mixer after the UK edition of Mixmag was sold to EMAP. It ceased publication alto ...
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Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously reviewed ...
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