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Nessun Dorma
"" (; English: "Let no one sleep") is an aria from the final act of Giacomo Puccini's opera ''Turandot'' (text by Giuseppe Adami and Renato Simoni) and one of the best-known tenor arias in all opera. It is sung by Calaf, (the unknown prince), who falls in love at first sight with the beautiful but cold Princess Turandot. Any man who wishes to wed Turandot must first answer her three riddles; if he fails, he will be beheaded. In the aria, Calaf expresses his triumphant assurance that he will win the princess. Although "Nessun dorma" had long been a staple of operatic recitals, Luciano Pavarotti popularised the piece beyond the opera world in the 1990s following his performance of it for the 1990 FIFA World Cup, which captivated a global audience. Both Pavarotti and Plácido Domingo released singles of the aria, with Pavarotti's reaching number 2 in the UK, and it appeared on the best selling classical album of all time, ''The Three Tenors in Concert''.''Classical Music Magazine'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Adami
Giuseppe Adami (4 February 187812 October 1946) was an Italian librettist, playwright and music critic, he was best known for his collaboration with Giacomo Puccini on the operas ''La rondine'' (1917), ''Il tabarro'' (1918) and ''Turandot'' (1926). Works of plays Adami also wrote several plays, such as ''I fioi di Goldoni'', ''Una capanna e il tuo cuore'' (1913), ''Capelli bianchi'' (1915), ''Felicità Colombo'' (1935) and ''Nonna Felicità'' (1936). The latter was adapted into a film in 1938 by director Mario Mattoli. Early life, training and biography Adami was born in Verona. He graduated at the University of Padua in Law but dedicated his career as a writer, theatre playwright, and then music critic. After the death of Puccini, Adami published a collection of the composer's letters in ''Epistolario'' (1928). He also published his personal recollections; ''Giulio Ricordi e i suoi musicisti'' (1933); ''Giacomo Puccini'' (1935) (this was one of the earliest biographies of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Ghione
Franco Ghione (1886–1964) was an Italian conductor and violinist. He graduated from the Parma Conservatory and became a violinist for the Parma Theatre and the Augusteo in Rome. He began a conducting career in 1913 and conducted in many opera houses, including La Scala. He conducted the Detroit Symphony Orchestra from 1936 to 1940, where it was said that, because he could not speak English, he "would explode in frustration" when his instructions were not understood. After graduating in composition and violin at the Parma Conservatory, Ghione began his musical career as a violinist in the orchestras of the Parma Theatre and of the Augusteo in Rome, and then he made his debut as a conductor in 1913. His first appearance at La Scala was in the 1922–23 season with successful performances of Massenet's ''Manon'' and Donizetti's ''Lucia di Lammermoor''. From then on, he was regularly invited to conduct in major opera houses and worked with the finest voices of the period. He h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Merli
Francesco Merli (28 January 188711 December 1976) was an Italian opera singer, particularly associated with heavy roles such as Otello, Canio and Calaf. He ranks as one of the finest dramatic tenors of the inter-war period. Life and career Francesco Merli was born Francesco Cova in Corsico (Milan), son of Luigi and Emilia Cova. and studied in Milan, with Carlo Negrini and Adelaide Borghi. In 1914, he won second prize at a singing competition in Parma, being edged out of first place by the great Beniamino Gigli. He made his debut at La Scala, Milan, in 1916, as Alvaro in Spontini's ''Fernand Cortez''. Merli would sing widely in Italy and South America during the next decade, and also toured Australia in 1928 with an opera company composed of leading La Scala singers and sponsored by Dame Nellie Melba (who also sang during that tour, in roles such as Mimi in ''La bohème'', despite being 67 years old). The tour included Merli singing Calaf in the Australian premiere of Puccini's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gina Cigna
Gina Cigna (6 March 1900 – 26 June 2001) was a French-Italian dramatic soprano. Biography Gina Cigna was born in Angers, department of Maine-et-Loire, to parents of Italian origin. She trained as a pianist at the Paris Conservatory studying with Alfred Cortot and graduated with a gold medal. She then started a career as a recitalist. She met French tenor Maurice Sens, whom she married in 1921, and following his advice turned to singing. She took private lessons with Emma Calvé, Hariclea Darclée and Rosina Storchio, but was mostly self-taught. She made her debut as Geneviève Sens in 1927 at the Teatro alla Scala, in Milan, as Freia in ''Das Rheingold'', and sang minor roles in ''Boris Godunov'' and '' Ariane et Barbe-Bleue'' under Arturo Toscanini, without much success. Two years later, still at La Scala, but this time under the name Gina Cigna, she sang the role of Donna Elvira in ''Don Giovanni'', and this time it was a triumph. A few weeks later she appeared as Elisabeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Range
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of study within linguistics, phonetics, and speech-language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders, although it has little practical application in terms of speech. Singing and the definition of vocal range While the broadest definition of "vocal range" is simply the span from the lowest to the highest note a particular voice can produce, this broad definition is often not what is meant when "vocal range" is discussed in the context of singing. Vocal pedagogists tend to define the vocal range as the total span of "musically useful" pitches that a singer can produce. This is because some of the notes a voice can produce may not be considered usable by the singer within performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Review
''National Review'' is an American conservative editorial magazine, focusing on news and commentary pieces on political, social, and cultural affairs. The magazine was founded by the author William F. Buckley Jr. in 1955. Its editor-in-chief is Rich Lowry, while the editor is Ramesh Ponnuru. Since its founding, the magazine has played a significant role in the development of conservatism in the United States, helping to define its boundaries and promoting fusionism while establishing itself as a leading voice on the American right. The online version, ''National Review Online'', is edited by Philip Klein and includes free content and articles separate from the print edition. The free content is limited, but National Review Plus allows ad-free and unlimited access to both online and print articles. History Background Before ''National Review''s founding in 1955, the American right was a largely unorganized collection of people who shared intertwining philosophies but h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scientific Pitch Notation
Scientific pitch notation (SPN), also known as American standard pitch notation (ASPN) and international pitch notation (IPN), is a method of specifying musical Pitch (music), pitch by combining a musical Note (music), note name (with accidental (music), accidental if needed) and a number identifying the pitch's octave. Although scientific pitch notation was originally designed as a companion to scientific pitch (see below), the two are not synonymous. Scientific pitch is a pitch standard—a system that defines the specific frequencies of particular pitches (see below). Scientific pitch notation concerns only how pitch names are notated, that is, how they are designated in printed and written text, and does not inherently specify actual frequencies. Thus, the use of scientific pitch notation to distinguish octaves does not depend on the pitch standard used. Nomenclature The notation makes use of the traditional tone names (A to G) which are followed by numbers showing which octa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Salvarezza
Antonio Salvarezza (Bosco Marengo, 14 May 1902 - Bosco Marengo, 24 July 1985) was an Italian tenor. Biography The lyric tenor, noted for his voice "of full timbre with ease and strength in the higher register", studied singing with the maestro Filippo Florio. Florio made his debut on 6 April 1937 at the Teatro Municipal in Rio de Janeiro, as the Duke of Mantua in ''Rigoletto''. During his career, he performed at many of world's important theaters, notably those in North and South America, ''806 performances in total.''Giovanni Martini, '' Biography on the tenor Antonio Salvarezza '', Pro Loco editions of Bosco Marengo. His repertoire included thirty or so roles, ranging from classicism to Verismo. Salvarezza achieved high critical and public acclaim for his work with Puccini, especially as Mario Cavaradossi in ''Tosca ''. He worked alongside many great singers such as Maria Callas, Renata Tebaldi, Tito Gobbi, Rolando Panerai, Virginia Zeani, Toti Dal Monte, Mario Basiola, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crossover Music
Crossover is a term applied to musical works or performers who appeal to different types of audience. This can be seen, for example, (especially in the United States) when a song appears on two or more of the record charts which track differing musical styles or genres. If the second chart combines genres, such as a "Hot 100" list, the work is not a ''crossover''. In some contexts the term "crossover" can have negative connotations associated with cultural appropriation, implying the dilution of a music's distinctive qualities to appeal to mass tastes. For example, in the early years of rock and roll, many songs originally recorded by African-American musicians were re-recorded by white artists such as Pat Boone in a more toned-down style, often with changed lyrics, that lacked the hard edge of the original versions. These covers were popular with a much broader audience. Crossover frequently results from the appearance of the music in a film soundtrack. For instance, Sacre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yokohama
is the second-largest city in Japan by population and the most populous municipality of Japan. It is the capital city and the most populous city in Kanagawa Prefecture, with a 2020 population of 3.8 million. It lies on Tokyo Bay, south of Tokyo, in the Kantō region of the main island of Honshu. Yokohama is also the major economic, cultural, and commercial hub of the Greater Tokyo Area along the Keihin region, Keihin Industrial Zone. Yokohama was one of the cities to open for trade with the Western world, West following the 1859 end of the Sakoku, policy of seclusion and has since been known as a cosmopolitan port city, after Kobe opened in 1853. Yokohama is the home of many Japan's firsts in the Meiji (era), Meiji period, including the first foreign trading port and Chinatown (1859), European-style sport venues (1860s), English-language newspaper (1861), confectionery and beer manufacturing (1865), daily newspaper (1870), gas-powered street lamps (1870s), railway station (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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