Gina Cigna
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Gina Cigna
Gina Cigna (6 March 1900 – 26 June 2001) was a French-Italian dramatic soprano. Biography Gina Cigna was born in Angers, department of Maine-et-Loire, to parents of Italian origin. She trained as a pianist at the Paris Conservatory studying with Alfred Cortot and graduated with a gold medal. She then started a career as a recitalist. She met French tenor Maurice Sens, whom she married in 1921, and following his advice turned to singing. She took private lessons with Emma Calvé, Hariclea Darclée and Rosina Storchio, but was mostly self-taught. She made her debut as Geneviève Sens in 1927 at the Teatro alla Scala, in Milan, as Freia in ''Das Rheingold'', and sang minor roles in ''Boris Godunov'' and '' Ariane et Barbe-Bleue'' under Arturo Toscanini, without much success. Two years later, still at La Scala, but this time under the name Gina Cigna, she sang the role of Donna Elvira in ''Don Giovanni'', and this time it was a triumph. A few weeks later she appeared as Elisabeth ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Stockho ...
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Jan Schmidt-Garre
Jan Schmidt-Garre (born 18 June 1962 in Munich), German film director and producer. Life Jan Schmidt-Garre studied philosophy at the Hochschule für Philosophie der Jesuiten in Munich from 1982 to 1986 (M. A. with a semiotic thesis on Wagner's “Ring of the Nibelung”). He also studied feature film direction at Munich's Hochschule für Fernsehen und Film from 1984 to 1988. His mother is famous German critic Beate Kayser. During this time he worked as a trainee and assistant director for, among others, Rudolf Noelte, Jean-Pierre Ponnelle, David Esrig, Joachim Herz and Harry Kupfer (at the Salzburg Festival, the Bayreuth Festival, the Metropolitan Opera in New York and at the Dresden Opera). He studied conducting and musical theory with Sergiu Celibidache in Mainz, Munich and Paris. In 1988 he founded PARS MEDIA, a production company whose films have received international acclaim for its documentary and feature films focusing on music and the arts. PARS MEDIA productions have ...
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New York Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ...
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San Francisco Opera
San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California. History Gaetano Merola (1923–1953) Merola's road to prominence in the Bay Area began in 1906 when he first visited the city. In 1909, he returned as the conductor of the International Opera Company of Montreal, one of the many visiting troupes that frequented the bustling city. Continued visits for the next decade convinced him that a San Francisco company was viable. In 1921, Merola returned to live in the city under the patronage of Mrs. Oliver Stine. During this time, Merola conceived of branching away from the area's reliance on visiting troupes for entertainment that had been common place since the Gold Rush era. By the fall, he was planning his first season, and the very next year, Merola organized a trial season at Stanford University. The first performance occurred in the Stanford Cardinal's football stadium on June 3rd, 1922 wi ...
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Lyric Opera Of Chicago
Lyric Opera of Chicago is one of the leading opera companies in the United States. It was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicola Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in ''Norma''. The company was re-organized by Fox in 1956 under its present name and, after her 1981 departure, it has continued to be of one of the major opera companies in the United States. The Lyric is housed in a theater and related spaces in the Civic Opera Building. These spaces are now owned by the Lyric. Opera in Chicago 1850–1954 The first opera to be performed in Chicago was Bellini's ''La sonnambula'', presented by a traveling opera company on 29 July 1850. Chicago's first opera house opened in 1865 but was destroyed in the Great Fire of Chicago in 1871. The second opera house, the Chicago Auditorium, opened in 1889. In 1929 the current Civic Opera House on 20 North Wacker Drive was opened, though ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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Palais Garnier
The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a ''monument historique'' of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like No ...
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Cetra Records
Cetra was an Italian record company, active between 1933 and 1957, the year in which, by merging with Fonit (Fonodisco Italiano Trevisan), it gave birth to Fonit Cetra. Its roster of artists included Maria Callas, Renata Tebaldi, Lina Pagliughi, Ebe Stignani, Carlo Bergonzi (tenor), Carlo Bergonzi, Galliano Masini, Giovanni Malipiero, Ferruccio Tagliavini, Carlo Tagliabue, Rolando Panerai, Italo Tajo, Giuseppe Taddei, Tancredi Pasero and Cesare Siepi, among other leading Italian opera singers. The company was notable for issuing many recordings of obscure or seldom heard operas and the more obscure operas of Giuseppe Verdi to coincide with the 50th anniversary of the composer's 1901 death in 1951. Cetra recordings are often now reissued by the company Fonit Cetra. Cetra opera albums were first distributed in the United States on the Cetra-Soria label (founded by Dario and Dorle Soria, who later founded Angel Records). Beginning in 1966, several Cetra opera recordings were distribut ...
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Magda Olivero
Magda Olivero (née Maria Maddalena Olivero) (25 March 1910 – 8 September 2014), was an Italian operatic soprano. Her career started in 1932 when she was 22, and spanned five decades, establishing her "as an important link between the era of the verismo composers and the modern opera stage". She has been regarded as "one of the greatest singers of the twentieth century". Life and career Born as Maria Maddalena Olivero in Saluzzo, Italy, she followed complete musical studies (piano, harmony and composition), graduating in piano at the Giuseppe Verdi Conservatory in Turin. She later studied singing outside the Conservatory and made her singing debut in 1932 on radio performing Nino Cattozzo's (1886–1961) oratorio, ''I Misteri Dolorosi''. Landini, Giancarlo Olivero, Maria Maddalena, detta Magda', in ''Dizionario Biografico degli Italiani (2017)''. Olivero performed widely and increasingly successfully until 1941, when she married the industrialist Aldo Busch and retired from t ...
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Francesco Merli
Francesco Merli (28 January 188711 December 1976) was an Italian opera singer, particularly associated with heavy roles such as Otello, Canio and Calaf. He ranks as one of the finest dramatic tenors of the inter-war period. Life and career Francesco Merli was born Francesco Cova in Corsico (Milan), son of Luigi and Emilia Cova. and studied in Milan, with Carlo Negrini and Adelaide Borghi. In 1914, he won second prize at a singing competition in Parma, being edged out of first place by the great Beniamino Gigli. He made his debut at La Scala, Milan, in 1916, as Alvaro in Spontini's ''Fernand Cortez''. Merli would sing widely in Italy and South America during the next decade, and also toured Australia in 1928 with an opera company composed of leading La Scala singers and sponsored by Dame Nellie Melba (who also sang during that tour, in roles such as Mimi in ''La bohème'', despite being 67 years old). The tour included Merli singing Calaf in the Australian premiere of Puccini's ...
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Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ...
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