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Neo-Attic
Neo-Attic or Atticizing is a sculptural style, beginning in Hellenistic sculpture and vase-painting of the 2nd century BC and climaxing in Roman art of the 2nd century AD, copying, adapting or closely following the style shown in reliefs and statues of the Classical (5th–4th centuries BC) and Archaic (6th century BC) periods. It was first produced by a number of Neo-Attic workshops at Athens, which began to specialize in it, producing works for purchase by Roman connoisseurs, and was taken up in Rome, probably by Greek artisans. The Neo-Attic mode, a reaction against the baroque extravagances of Hellenistic art, was an early manifestation of Neoclassicism, which demonstrates how self-conscious the later Hellenistic art world had become. Neo-Attic style emphasises grace and charm, serenity and animation,Gisela Richter praised the serenity and animation of a neo-Attic marble vase, ca. first century BC-first century AD, purchased for the Metropolitan Museum of Art (Richter, "A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-Attic Sculptures
Neo-Attic or Atticizing is a sculptural style, beginning in Hellenistic sculpture and vase-painting of the 2nd century BC and climaxing in Roman art of the 2nd century AD, copying, adapting or closely following the style shown in reliefs and statues of the Classical (5th–4th centuries BC) and Archaic (6th century BC) periods. It was first produced by a number of Neo-Attic workshops at Athens, which began to specialize in it, producing works for purchase by Roman connoisseurs, and was taken up in Rome, probably by Greek artisans. The Neo-Attic mode, a reaction against the baroque extravagances of Hellenistic art, was an early manifestation of Neoclassicism, which demonstrates how self-conscious the later Hellenistic art world had become. Neo-Attic style emphasises grace and charm, serenity and animation,Gisela Richter praised the serenity and animation of a neo-Attic marble vase, ca. first century BC-first century AD, purchased for the Metropolitan Museum of Art (Richter, "A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellenistic Art
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aege ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Hauser
Friedrich Hauser ( Stuttgart 1859–Baden-Baden, 1917) was a German classical archaeologist and art historian. His most famous single publication is ''Die Neuattischen Reliefs'' (Stuttgart: Verlag von Konrad Wittwer, 1889) in which he identified a style-category he called "Neo-Attic" among sculpture that was being produced in later Hellenistic circles during the last century or so BCE and in early Imperial Rome; the corpus that Hauser called "Neo-Attic" consists of bas-reliefs molded on decorative vessels and plaques, employing a figural and drapery style that looked for its canon of "classic" models to late 5th and early 4th century Athens and Attica, an early form of Neoclassicism. John Beazley, who established the technique of identifying the artistic personalities of individuals and workshops in Attic vase-painting, to construct a history of workshops and artists in ancient Athens— much as Giovanni Morelli had recently done for the artists of the ''quattrocento''& ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stele Warrior BM GR1905
A stele ( ),Anglicized plural steles ( ); Greek plural stelai ( ), from Greek , ''stēlē''. The Greek plural is written , ''stēlai'', but this is only rarely encountered in English. or occasionally stela (plural ''stelas'' or ''stelæ''), when derived from Latin, is a stone or wooden slab, generally taller than it is wide, erected in the ancient world as a monument. The surface of the stele often has text, ornamentation, or both. These may be inscribed, carved in relief, or painted. Stelae were created for many reasons. Grave stelae were used for funerary or commemorative purposes. Stelae as slabs of stone would also be used as ancient Greek and Roman government notices or as boundary markers to mark borders or property lines. Stelae were occasionally erected as memorials to battles. For example, along with other memorials, there are more than half-a-dozen steles erected on the battlefield of Waterloo at the locations of notable actions by participants in battle. A traditi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Art
The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality. Ancient Roman pottery was not a luxury product, but a vast production of "fine wares" in '' terra sigillata'' were decorated with reliefs that reflected the latest taste, and provided a large group in society with stylish objects at what was evidently an affordable price. Roman coins were an important means o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Antiquity
Classical antiquity (also the classical era, classical period or classical age) is the period of cultural history between the 8th century BC and the 5th century AD centred on the Mediterranean Sea, comprising the interlocking civilizations of ancient Greece and ancient Rome known as the Greco-Roman world. It is the period in which both Greek and Roman societies flourished and wielded huge influence throughout much of Europe, North Africa, and Western Asia. Conventionally, it is taken to begin with the earliest-recorded Epic Greek poetry of Homer (8th–7th-century BC), and continues through the emergence of Christianity (1st century AD) and the fall of the Western Roman Empire (5th-century AD). It ends with the decline of classical culture during late antiquity (250–750), a period overlapping with the Early Middle Ages (600–1000). Such a wide span of history and territory covers many disparate cultures and periods. ''Classical antiquity'' may also refer to an idealized vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaic Period In Greece
Archaic Greece was the period in Greek history lasting from circa 800 BC to the second Persian invasion of Greece in 480 BC, following the Greek Dark Ages and succeeded by the Classical period. In the archaic period, Greeks settled across the Mediterranean and the Black Seas, as far as Marseille in the west and Trapezus (Trebizond) in the east; and by the end of the archaic period, they were part of a trade network that spanned the entire Mediterranean. The archaic period began with a massive increase in the Greek population and of significant changes that rendered the Greek world at the end of the 8th century entirely unrecognisable from its beginning. According to Anthony Snodgrass, the archaic period was bounded by two revolutions in the Greek world. It began with a "structural revolution" that "drew the political map of the Greek world" and established the '' poleis'', the distinctively Greek city-states, and it ended with the intellectual revolution of the Classical period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laocoön And His Sons
The statue of ''Laocoön and His Sons'', also called the Laocoön Group ( it, Gruppo del Laocoonte), has been one of the most famous ancient sculptures ever since it was excavated in Rome in 1506 and placed on public display in the Vatican Museums, where it remains. It is very likely the same statue that was praised in the highest terms by the main Roman writer on art, Pliny the Elder. The figures are near life-size and the group is a little over in height, showing the Trojan priest Laocoön and his sons Antiphantes and Thymbraeus being attacked by sea serpents. The group has been called "the prototypical icon of human agony" in Western art, and unlike the agony often depicted in Christian art showing the Passion of Jesus and martyrs, this suffering has no redemptive power or reward. The suffering is shown through the contorted expressions of the faces (Dr. Guillaume-Benjamin Duchenne pointed out to Charles Darwin that Laocoön's bulging eyebrows are physiologically impossible ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gisela Richter
Gisela Marie Augusta Richter (14 or 15 August 1882 – 24 December 1972) was a classical archaeologist and art historian. She was a prominent figure and an authority in her field. Early life Gisela Richter was born in London, England, the daughter of Jean Paul and Louise (Schwaab) Richter. Both of her parents and her sister, Irma, were art historians specialised in Italian Renaissance. She was educated at Maida Vale School, one of the finest schools for women at the time. She decided to become a classical archaeologist while attending Emmanuel Loewy's lectures at the University of Rome around 1896. In 1901, she began attending Girton College Girton College is one of the Colleges of the University of Cambridge, 31 constituent colleges of the University of Cambridge. The college was established in 1869 by Emily Davies and Barbara Bodichon as the first women's college in Cambridge. In 1 ... at the University of Cambridge. At Girton, Richter's six closest friends included Lady Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
