Nekromantik
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Nekromantik
''Nekromantik'' (stylized as ''NEKRomantik'') is a 1988 West German horror exploitation film co-written and directed by Jörg Buttgereit. It is known to be frequently controversial, banned in a number of countries, and has become a cult film over the years due to its transgressive subject matter (including necrophilia) and audacious imagery. Plot The film opens at night, as a woman urinates on the grass by the side of the road. She pulls up her underwear, gets into a car driven by her husband, and they drive away. The couple lose their way in the dark and subsequently run off the road. The next day their corpses are discovered, the man inside the vehicle, the woman thrown from it and her body cut in two.Kerekes (1998), p. 35-50 The film centers on Rob Schmadtke, the tragic hero, who works for "Joe's Cleaning Agency", a company that removes bodies from public areas and cleans up after traffic accidents. Their emblem is the Totenkopf symbol (skull and crossbones variant) within a ...
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Jörg Buttgereit
Jörg Buttgereit (born 20 December 1963) is a German writer/director known for his controversial films. He was born in Berlin, Germany, and has lived there his entire life. He is best known for his horror films ''Nekromantik'' (1987), ''Der Todesking'' (1990), ''Nekromantik 2'' (1991) and '' Schramm'' (1993). In 1999, he directed an episode of the television series ''Lexx'', after a six-year absence from the entertainment industry. In 2013, Buttgereit announced that he would be teaming up with fellow horror directors Andreas Marschall and Michal Kosakowski to work on an anthology film called ''German Angst'', in which each director would do one short. The film was released on May 7, 2015. Buttgereit's superhero character, Captain Berlin, was adapted into a comic book series in 2013. There is also a comic book version of ''Nekromantik''. Early life Buttgereit was raised in West Berlin while the Berlin Wall was still standing and the Allied Forces – Britain, France and th ...
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Hermann Kopp
Hermann Kopp (born 21 August 1954, in Stuttgart) is a German composer and musician, presently living in Barcelona, Spain. Biography In the early eighties, Kopp released two vinyl records with a sound that can be vaguely classified as electronic minimalism and then became a member of the German electro-industrial band Keine Ahnung with which he played live in Mannheim and Berlin. In 1987 he participated in the soundtrack of the German horror film ''Nekromantik'', followed in 1989 by music to the movie ''Der Todesking'' and in 1990 to ''Nekromantik 2''. Unlike the early song material that tends to be intimist and voluntarily drawing on the kitsch side, his film scores create uneasy and haunting atmospheres, weaving atonal strings, slow motion rhythms, moog synthesizers and plain noise into soundtrack form. In 2007, Hermann Kopp released “Psicofonico”, abstract violin soundscapes influenced by a Spanish documentary on the Electronic Voice Phenomena. In 2007 he got signed to t ...
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No Budget Film
A no-budget film is a film made with very little or no money. Actors and technicians are often employed in these films without remuneration. A no-budget film is typically made at the beginning of a filmmaker's career, with the intention of either exploring creative ideas, testing their filmmaking abilities, or for use as a professional "calling card" when seeking creative employment. No-budget films are commonly submitted to film festivals, the intention being to raise widespread interest in the film. No-budget films are financed out-of-pocket by the director, who typically takes on multiple roles, or else uses a crew of volunteers. Examples In 1960, Ron Rice released '' The Flower Thief'', starring Taylor Mead, to positive reception. The film was produced for less than $1,000 using black-and-white 16 mm 50' film cartridges left over from aerial gunnery equipment used during World War II. In the early 1960s, filmmaker Jack Smith used discarded color-reversal film stock to film ' ...
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Horror Film
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apocalyptic events, and religious or folk beliefs. Cinematic techniques used in horror films have been shown to provoke psychological reactions in an audience. Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of ''Dracula'' (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been produ ...
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Amateur Film
Amateur film is the low-budget hobbyist art of film practised for passion and enjoyment and not for business purposes. Organizations The international organization for amateur film makers is UNICA ( Union International du Cinema Non Professionel); in the United States the American Motion Picture Society (AMPS), in Canada the Society of Canadian Cine Amateurs (SCCA), in the UK it is the Institute of Amateur Cinematographers. These organizations arrange annual festivals and conventions. There are several amateur film festivals held annually in the United States, Canada and Europe. The Cinema Museum in London holds a large collection of amateur films whose details can be accessed on-lin Creation Amateur films were usually shot on 16 mm film or on 8 mm film (either Double-8 or Super-8) until the advent of cheap video cameras or digital equipment. The advent of digital video and computer based editing programs greatly expanded the technical quality achievable by the amateur and ...
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Mad Scientist
The mad scientist (also mad doctor or mad professor) is a stock character of a scientist who is perceived as " mad, bad and dangerous to know" or "insane" owing to a combination of unusual or unsettling personality traits and the unabashedly ambitious, taboo or hubristic nature of their experiments. As a motif in fiction, the mad scientist may be villainous (evil genius) or antagonistic, benign, or neutral; may be insane, eccentric, or clumsy; and often works with fictional technology or fails to recognise or value common human objections to attempting to play God. Some may have benevolent intentions, even if their actions are dangerous or questionable, which can make them accidental antagonists. History Prototypes The prototypical fictional mad scientist was Victor Frankenstein, creator of his eponymous monster, who made his first appearance in 1818, in the novel ''Frankenstein, or the Modern Prometheus'' by Mary Shelley. Though the novel's title character, Victor Frankenst ...
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Uncanny
The uncanny is the psychological experience of something as not simply mysterious, but creepy, often in a strangely familiar way. It may describe incidents where a familiar thing or event is encountered in an unsettling, eerie, or taboo context.D. Bate, ''Photography and Surrealism'' (2004) pp. 39–40. Ernst Jentsch set out the concept of the uncanny later elaborated on by Sigmund Freud in his 1919 essay ''Das Unheimliche'', which explores the eeriness of dolls and waxworks. For Freud, the uncanny locates the strangeness in the ordinary. Expanding on the idea, psychoanalytic theorist Jacques Lacan wrote that the uncanny places us "in the field where we do not know how to distinguish bad and good, pleasure from displeasure", resulting in an irreducible anxiety that gestures to the Real. The concept has since been taken up by a variety of thinkers and theorists such as roboticist Masahiro Mori's uncanny valley and Julia Kristeva's concept of abjection. History German idealism ...
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Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ...
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Fascism
Fascism is a far-right, authoritarian, ultra-nationalist political ideology and movement,: "extreme militaristic nationalism, contempt for electoral democracy and political and cultural liberalism, a belief in natural social hierarchy and the rule of elites, and the desire to create a (German: “people’s community”), in which individual interests would be subordinated to the good of the nation" characterized by a dictatorial leader, centralized autocracy, militarism, forcible suppression of opposition, belief in a natural social hierarchy, subordination of individual interests for the perceived good of the nation and race, and strong regimentation of society and the economy. Fascism rose to prominence in early 20th-century Europe. The first fascist movements emerged in Italy during World War I, before spreading to other European countries, most notably Germany. Fascism also had adherents outside of Europe. Opposed to anarchism, democracy, pluralism, liberalism ...
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Working Class
The working class (or labouring class) comprises those engaged in manual-labour occupations or industrial work, who are remunerated via waged or salaried contracts. Working-class occupations (see also " Designation of workers by collar colour") include blue-collar jobs, and most pink-collar jobs. Members of the working class rely exclusively upon earnings from wage labour; thus, according to more inclusive definitions, the category can include almost all of the working population of industrialized economies, as well as those employed in the urban areas (cities, towns, villages) of non-industrialized economies or in the rural workforce. Definitions As with many terms describing social class, ''working class'' is defined and used in many different ways. The most general definition, used by many socialists, is that the working class includes all those who have nothing to sell but their labour. These people used to be referred to as the proletariat, but that term has gone out of ...
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Bourgeoisie
The bourgeoisie ( , ) is a social class, equivalent to the middle or upper middle class. They are distinguished from, and traditionally contrasted with, the proletariat by their affluence, and their great cultural and financial capital. They are sometimes divided into a petty (), middle (), large (), upper (), and ancient () bourgeoisie and collectively designated as "the bourgeoisie". The bourgeoisie in its original sense is intimately linked to the existence of cities, recognized as such by their urban charters (e.g., municipal charters, town privileges, German town law), so there was no bourgeoisie apart from the citizenry of the cities. Rural peasants came under a different legal system. In Marxist philosophy, the bourgeoisie is the social class that came to own the means of production during modern industrialization and whose societal concerns are the value of property and the preservation of capital to ensure the perpetuation of their economic supremacy in society. ...
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Romance Film
Romance films or movies involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films. Romantic films often explore the essential themes of love at first sight young and mature love, unrequited love, obsession, sentimental love, spiritual love, forbidden love, platonic love, sexual and passionate love, sacrificial love, explosive and destructive love, a ...
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