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Natoma (opera)
''Natoma'' is a 1911 opera with music by Victor Herbert, famous for his operettas, and libretto by Joseph D. Redding. It is a serious full-scale grand opera set in Santa Barbara, California in the "Spanish days" of 1820; the story and music are colored by "Indian" (Native American) and Spanish themes. It premiered in Philadelphia at the Metropolitan Opera House on February 25, 1911 "American Opera, 'Natoma', Produced. Victor Herbert and Joseph D. Redding's Work Greeted by Big Audience in Philadelphia. Furore after First Act. Highly Colored Climaxes, but Opera Suffers from Amateurish Libretto—Conclusion is Conventional" ''The New York Times,'' February 26, 1911, p. 8 and was later mounted at the New York Metropolitan Opera House on February 28, 1911. "'Natoma' Greeted By Great Audience," ''The New York Times,'' March 1, 1911, p. 8 Herbert stated that "I have tried to imitate Indian music. But I have used no special Indian theme. Indian themes are all very short and unharm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Garden In Victor Herbert's Natoma
Mary may refer to: People * Mary (name), a feminine given name (includes a list of people with the name) Religious contexts * New Testament people named Mary, overview article linking to many of those below * Mary, mother of Jesus, also called the Blessed Virgin Mary * Mary Magdalene, devoted follower of Jesus * Mary of Bethany, follower of Jesus, considered by Western medieval tradition to be the same person as Mary Magdalene * Mary, mother of James * Mary of Clopas, follower of Jesus * Mary, mother of John Mark * Mary of Egypt, patron saint of penitents * Mary of Rome, a New Testament woman * Mary, mother of Zechariah and sister of Moses and Aaron; mostly known by the Hebrew name: Miriam * Mary the Jewess one of the reputed founders of alchemy, referred to by Zosimus. * Mary 2.0, Roman Catholic women's movement * Maryam (surah) "Mary", 19th surah (chapter) of the Qur'an Royalty * Mary, Countess of Blois (1200–1241), daughter of Walter of Avesnes and Margaret of Blois ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manitou
Manitou (), akin to the Iroquois ''orenda'', is the spiritual and fundamental life force among Algonquian groups in the Native American theology. It is omnipresent and manifests everywhere: organisms, the environment, events, etc. ''Aashaa monetoo'' means "good spirit," while ''otshee monetoo'' means "bad spirit." When the world was created, the Great Spirit, ''Aasha Monetoo'', gave the land to the indigenous peoples, the Shawnee in particular. Overview The term ''manitou'' was already in widespread use at the time of early European contact. In 1585, when Thomas Harriot recorded the first glossary of an Algonquian language, Roanoke (Pamlico), he included the word ''mantóac'', meaning "gods" (plural). Similar terms are found in nearly all of the Algonquian languages. In some Algonquian traditions, ''Gitche Manitou'' refers to a "great spirit" or supreme being. The term has analogues dating to before European contact, and the word uses of ''gitche'' and ''manitou'' themse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1911 Operas
A notable ongoing event was the race for the South Pole. Events January * January 1 – A decade after federation, the Northern Territory and the Australian Capital Territory are added to the Commonwealth of Australia. * January 3 ** 1911 Kebin earthquake: An earthquake of 7.7 moment magnitude strikes near Almaty in Russian Turkestan, killing 450 or more people. ** Siege of Sidney Street in London: Two Latvian anarchists die, after a seven-hour siege against a combined police and military force. Home Secretary Winston Churchill arrives to oversee events. * January 5 – Egypt's Zamalek SC is founded as a general sports and Association football club by Belgian lawyer George Merzbach as Qasr El Nile Club. * January 14 – Roald Amundsen's South Pole expedition makes landfall, on the eastern edge of the Ross Ice Shelf. * January 18 – Eugene B. Ely lands on the deck of the USS ''Pennsylvania'' stationed in San Francisco harbor, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minnie Egener
Minnie Egener (1881–1938) was an American operatic mezzo-soprano. Biography She made her professional opera debut in 1904 at the Metropolitan Opera as one of the flower maidens in Richard Wagner's ''Parsifal''. In 1906 she moved to Italy and spent the next several years performing in operas with various theaters throughout that nation. In 1910 she performed the role of Alissa in Donizetti's ''Lucia di Lammermoor'' with Luisa Tetrazzini at the Teatro Regio di Parma; she also appeared in small roles at Covent Garden and at the Manhattan Center. Over the next four years she performed in several operas with the Philadelphia Grand Opera Company and the Chicago Grand Opera Company. In 1914 she returned to the Metropolitan Opera, where she performed mostly comprimario roles for the next eighteen years. Most notably, Egener performed in the original productions of Frederick Delius's ''A Village Romeo and Juliet'' in 1907, Reginald De Koven's ''The Canterbury Pilgrims'' in 1917, Pucci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armand Crabbé
Charles Armand Crabbé (23 April 1883, Brussels – 24 July 1947, Brussels) was a Belgian operatic baritone. He studied at the Brussels Conservatory with Désiré Demest. In 1904 he made his professional opera debut at La Monnaie as the Nightwatchman in Richard Wagner's '' Die Meistersinger von Nürnberg''. He was a leading performer at the Royal Opera House in London from 1906 to 1914 and again in 1937. He performed with the Manhattan Opera House from 1907 to 1910 and with the Chicago Grand Opera Company from 1910 to 1914. He made several appearances with the Teatro Colón and La Scala during the 1920s. He was active at the Vlaamse Opera The Vlaamse Opera (Flemish Opera) is an opera company in Belgium directed by Jan Vandenhouwe which operates in two different opera houses in two Flemish cities, the Vlaamse Opera Antwerp at Van Ertbornstraat 8 and the Vlaamse Opera Ghent at Schouwbu ... up until his retirement in the early 1940s. From 1910, Crabbé used the pseudonym Charles Mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hector Dufranne
Hector Dufranne (25 October 1870 – 4 May 1951) was a Belgian operatic bass-baritone who enjoyed a long career that took him to opera houses throughout Europe and the United States for more than four decades. Admired for both his singing and his acting, Dufranne appeared in a large number of world premieres, most notably the role Golaud in the original Opéra-Comique production of Claude Debussy's '' Pelléas et Mélisande'' at the Salle Favart in Paris in 1902, which he went on to sing 120 times at that house.Pelléas et Mélisande. L’Avant-Scène Opera. 9, March–April 1977. He had an excellent singing technique which maintained the quality of his voice even into the latter part of his career. His wide vocal range and rich resonant voice enabled him to sing a variety of roles which encompassed French, German, and Italian opera. J.B. Steane: "Hector Dufranne", ''Grove Music Online'' ed. L. Macy (Accessed 5 February 2009)(subscription access) Biography Dufranne was born in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Sammarco
(Giuseppe) Mario Sammarco (13 December 1868, although some sources say 1867 – 24 January 1930) was an Italian operatic baritone noted for his acting ability. Biography Sammarco was born in Palermo, Sicily, and studied locally with Antonio Cantelli. He made his operatic début in Palermo as Valentine in ''Faust'' in 1888. He subsequently sang to acclaim in Milan (at La Scala, Italy's most celebrated theatre), Buenos Aires and London. Between 1904 and 1919 he appeared intermittently, in 26 different roles, at the Royal Opera House, Covent Garden. In New York City, he was hired by Oscar Hammerstein I for his Manhattan Opera Company as a replacement for the great French singing-actor Maurice Renaud. He sang with the Manhattan company in 1908–1910, becoming its principal Italian baritone, but he never 'graduated' to the rival Metropolitan Opera. Sammarco next joined the Chicago–Philadelphia opera company. His career there continued smoothly enough until 1913 when he encou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Huberdeau
Gustave Huberdeau (10 May 1874 – 31 May 1945) was a French operatic bass-baritone who had a prolific career in Europe and the United States during the first quarter of the twentieth century. He sang a wide repertoire encompassing material from French composers like Gounod and Massenet to the Italian grand operas of Verdi, the verismo operas of Mascagni, and the German operas of Richard Wagner and Richard Strauss. He sang in numerous premieres during his 30-year career, including the original production of Puccini's ''La rondine'' in 1917. Although possessing a rich and warm voice, Huberdeau had a talent for comedic portrayals which made him a favorite casting choice in secondary comedic roles as well as leading roles.J.B. Steane, ''Grove Music Online'' After retiring from opera in 1927, Huberdeau remained active as a performer in stage plays and in French cinema throughout the 1930s. Opera career Huberdeau was born in Paris, studied at the Paris Conservatoire and then made hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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