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Minnie Egener
Minnie Egener (1881–1938) was an American operatic mezzo-soprano. Biography She made her professional opera debut in 1904 at the Metropolitan Opera as one of the flower maidens in Richard Wagner's ''Parsifal''. In 1906 she moved to Italy and spent the next several years performing in operas with various theaters throughout that nation. In 1910 she performed the role of Alissa in Donizetti's ''Lucia di Lammermoor'' with Luisa Tetrazzini at the Teatro Regio di Parma; she also appeared in small roles at Covent Garden and at the Manhattan Center. Over the next four years she performed in several operas with the Philadelphia Grand Opera Company and the Chicago Grand Opera Company. In 1914 she returned to the Metropolitan Opera, where she performed mostly comprimario roles for the next eighteen years. Most notably, Egener performed in the original productions of Frederick Delius's ''A Village Romeo and Juliet'' in 1907, Reginald De Koven's ''The Canterbury Pilgrims'' in 1917, Pucci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minnie Egener At The Metropolitan Opera In 1915
As a first name, Minnie is a feminine given name. It can be a diminutive (hypocorism) of Minerva, Winifred, Wilhelmina, Hermione, Mary, Miriam, Maria, Marie, Naomi, Miranda, Clementine or Amelia. It may refer to: People with the given name * Minnie Tittell Brune (1875–1974), American stage actress * Minnie Campbell (1862–1952), Canadian clubwoman, lecturer, and editor * Minnie D. Craig (1883–1966), American legislator and the first female speaker of a state House of Representatives (North Dakota) in the United States * Minnie Fisher Cunningham (1882–1964), suffrage politician and first executive secretary of the League of Women Voters * Minnie Devereaux (1891–1984), Canadian Cheyenne silent film actress * Minnie Dupree (1873–1947), American stage and film actress * Minnie Egener (1881–1938), American operatic mezzo-soprano * Minnie Evans (1892–1987), African-American folk artist * Minnie Maddern Fiske (1865–1932), leading American actress * Minnie Gentry (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Village Romeo And Juliet
''A Village Romeo and Juliet'' is an opera by Frederick Delius, the fourth of his six operas. The composer himself, with his wife Jelka, wrote the English-language libretto based on the short story "''Romeo und Julia auf dem Dorfe''" by the Swiss author Gottfried Keller. The first performance was at the Komische Oper Berlin on 21 February 1907, as ''Romeo und Julia auf dem Dorfe''. Thomas Beecham conducted the British premiere at the Royal Opera House, Covent Garden in London on 22 February 1910. The US premiere was on 26 April 1972 in Washington, D.C. The New York City Opera (NYCO) staged the work in 1973 for the opera's New York City premiere with Richard T. Gill as Marti, June Angela as the child Vreli, Patricia Wells as the adult Vreli, John Stewart as Sali, David Holloway as the Dark Fiddler, and Thomas Jamerson as the Three Barge Men. In his review of the NYCO production, music critic Allen Hughes wrote, "This piece has had few productions in the 72 years of its existen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Hasselmans
Louis Hasselmans (25 July 1878 – 27 December 1957) was a French cellist and conductor. Biography The son of harpist Alphonse Hasselmans, Louis Hasselmans studied the cello with Jules Desart at the Conservatoire de Paris. He obtained a First prize in 1893. He worked with Albert Lavignac, Benjamin Godard and Jules Massenet. Between 1904 and 1909, he was a member of the Capet Quartet. He made his debut as a conductor with the Orchestre Lamoureux. He latter conducted the Opéra-Comique (1909–1911 - 1919–1922), the Montreal orchestra, the "Concerts classiques de Marseille" (1911–1913) and the Civic Opera House of Chicago (1918–1919). Called by Castelbon de Beauxhostes, under the advice of Camille Saint-Saëns, he conducted ''Parysatis'' and ''Héliogabale'' at the in Béziers in 1902 and 1910. From 1921 to 1936, he conducted the Metropolitan Opera of New York. From 1936 to 1948, he taught at the School of Music at Louisiana State University. Louis Hasselmans wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Ibbetson
''Peter Ibbetson'' is a 1935 American black-and-white drama/fantasy film directed by Henry Hathaway and starring Gary Cooper and Ann Harding. The film is loosely based on the 1891 novel of the same name by George du Maurier. A tale of a love that transcends all obstacles, it relates the story of two youngsters who are separated in childhood and then drawn together by destiny years later. Even though they are separated in real life because Peter is unjustly convicted of murder (it was actually self-defense), they discover they can dream themselves into each other's consciousness while asleep. In this way, they live out their lives together. The transitions between reality and fantasy are captured by the cinematography of Charles Lang, as discussed in the documentary ''Visions of Light'' (1992). Plot Gogo is a young boy of English extraction growing up in Paris. He shares a friendly but often combative relationship with the neighbor girl, Mimsey. After his mother dies, Gogo is take ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The King's Henchman
''The King's Henchman'' is an opera in three acts composed by Deems Taylor to an English language libretto by Edna St. Vincent Millay. The libretto is based on both legend and historical figures documented in the '' Anglo-Saxon Chronicle'' including Edgar the Peaceful, Elfrida of Devon, and Dunstan. It tells the story of a love triangle between King Eadgar, his henchman Aethelwold, and Aelfrida, daughter of the Thane of Devon. It premiered on 17 February 1927 at the Metropolitan Opera in New York City in a performance conducted by Tullio Serafin. Background and premiere Shortly after becoming General Manager of the Metropolitan Opera in 1908, Giulio Gatti-Casazza had set a goal of producing at least one new English-language opera by an American composer each season. These were often selected via a competition from works that had already been completed or partially composed. However, the competition for the 1927 season had thrown up no winner, and Otto Kahn, chairman of the boa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deems Taylor
Joseph Deems Taylor (December 22, 1885 – July 3, 1966) was an American music critic, composer, and promoter of classical music. Nat Benchley, co-editor of ''The Lost Algonquin Roundtable'', referred to him as "the dean of American music." Early life and family Deems Taylor was born in New York City to JoJo and Katherine Taylor. He attended Ethical Culture Elementary School, followed by New York University. Taylor married three times. His first wife was Jane Anderson. They were married in 1910, but divorced in 1918. In 1921, he married Mary Kennedy, who was an actress and a writer. They had a daughter, Joan Kennedy Taylor, in 1926, and divorced in 1934. He was involved romantically with soprano Colette D'Arville after his divorce. Taylor married a third and last time in 1945, to costume designer Lucille Watson-Little. They were divorced eight years later. Taylor died on July 3, 1966 of leukemia at the age of 80. He is interred at Kensico Cemetery in Valhalla, New York. Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'oiseau Bleu (opera)
''L'oiseau bleu'' (''The Blue Bird'') is an opera in four acts (eight tableaux) by the French composer and conductor Albert Wolff. The libretto by Maurice Maeterlinck is based on his 1908 play of the same name. Boris Anisfeld designed the sets. Performance history It was first performed at the Metropolitan Opera House, New York City on 27 December 1919. Maeterlinck, the playwright and Nobel laureate, was present at the premiere, which, in the immediate aftermath of World War I, was a benefit for four charities: the Queen of the Belgians Fund, the Millerand Fund for French Orphans, the Three Big Sister Organizations (Catholic, Protestant, Jewish), and the Milk for the Children of America Fund. The first Belgian performance was on 21 April 1920, and it was revived at the Théâtre de la Monnaie The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Wolff (conductor)
Albert Louis Wolff (19 January 1884 – 20 February 1970) was a French conductor and composer of Dutch descent. Most of his career was spent in European venues, with the exception of two years that he spent as a conductor at the Metropolitan Opera and a few years in Buenos Aires during the Second World War. He is most known for holding the position of principal conductor with the Opéra-Comique in Paris for several years. He was married to the French mezzo-soprano Simone Ballard. Biography Early life and education Wolff was born in Paris, of Dutch parents, though he was a French citizen from birth, never lived in the Netherlands, and never had a Dutch passport. When only 12 years old, he began his musical education at the Paris Conservatoire. There, he studied with such teachers as André Gedalge, Xavier Leroux, and Paul Antonin Vidal. At the same time he played the piano in cabarets and was organist at the Église Saint-Thomas-d'Aquin (Paris) for four years. Upon graduatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suor Angelica
''Suor Angelica'' (''Sister Angelica'') is an opera in one act by Giacomo Puccini to an original Italian libretto by Giovacchino Forzano. It is the second opera of the trio of operas known as ''Il trittico'' (''The Triptych''). It received its world premiere at the Metropolitan Opera on December 14, 1918. Roles Synopsis :Place: A convent in Italy :Time: The latter part of the 17th century The opera opens with scenes showing typical aspects of life in the convent – all the sisters sing hymns, the Monitor scolds two lay-sisters, everyone gathers for recreation in the courtyard. The sisters rejoice because, as the mistress of novices explains, this is the first of three evenings that occur each year when the setting sun strikes the fountain so as to turn its water golden. This event causes the sisters to remember Bianca Rosa, a sister who has died. Sister Genevieve suggests they pour some of the "golden" water onto her tomb. The nuns discuss their desires. While the Moni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
