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National Museum (Naypyidaw)
The National Museum of Myanmar (Naypyidaw) ( my, အမျိုးသားပြတိုက် (နေပြည်တော်)) is a modern museum located near the Kumudra circle, in Ottarathiri Township, Naypyidaw, Myanmar (Burma). Besides the older National Museum of Myanmar in Yangon, it is the second of the two national museums for Burmese art, history and culture in Myanmar. The construction of the museum was started on 3 June 2010, and the museum was opened on 15 July 2015. - The museum is open from 9:30 am to 4:30 pm, except on Mondays and public holidays. Objectives and major tasks The objectives of the National Museum (Naypyidaw) are: #To elucidate the country's rich and advanced cultural heritage; #To showcase a high standing of national honor; #To elaborate natural soft power achievement; #To show systematic and competent management with a spectacular modern touch, reflecting the national pride and prestige of the country Moreover, the National Museum's major ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottarathiri Township
Ottarathiri Township ( my, ဥတ္တရသီရိမြို့နယ်) is one of Naypyidaw Union Territory's eight townships, located south of Mandalay Region in Burma. History Ottarathiri Township formerly part of Mandalay Division. The township was designated as one of the original townships constituting the new capital region of Naypyidaw on 26 March 2006 by the Ministry of Home Affairs (MOHA). 7 village tracts, consisting of 39 villages from Pyinmana Township, and 3 village tracts, consisting of 9 villages from Tatkon Township were separated to form Ottarathiri Township. ''Ottarathiri'' is derived from Pali , and literally means "splendor of the north." Demographics 2014 The 2014 Myanmar Census reported that Ottarathiri Township had a population of 81,620. The population density Population density (in agriculture: standing stock or plant density) is a measurement of population per unit land area. It is mostly applied to humans, but sometimes to other living ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beikthano
Beikthano ( my, ဗိဿနိုး, , also known as Panhtwa city), is situated in the irrigated Magway Region, near present-day Taungdwingyi. In the era of the Pyu city-states it was a city of considerable significance, possibly a local capital replacing Sri Ksetra. Today the modest village is noted for its hot springs and archaeological sites. Beikthano, Hanlin, and Sri Ksetra, the ancient cities of the Pyu Kingdom were built on the irrigated fields of the dry zone of the Ayeyawady River basin. They were inscribed by UNESCO on its List of World Heritage Sites in Southeast Asia in May 2014 for their archaeological heritage traced back more than 1,000 years to between 200 BC and 900 AD. Beikthano, with direct land access to the well-watered Kyaukse plains to its northeast, is the oldest urban site so far discovered and scientifically excavated site. Its remains—the structures, pottery, artefacts, and human skeletons—date from 200 BCE to 100 CE. Named after the Hindu god ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lost-wax Casting
Lost-wax casting (also called "investment casting", "precision casting", or ''cire perdue'' which has been adopted into English from the French, ) is the process by which a duplicate metal sculpture (often silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method. The oldest known examples of this technique are approximately 6,500-year-old (4550–4450 BC) and attributed to gold artefacts found at Bulgaria's Varna Necropolis. A copper amulet from Mehrgarh, Indus Valley civilization, in Pakistan, is dated to circa 4,000 BC. Cast copper objects, found in the Nahal Mishmar hoard in southern Israel, which belong to the Chalcolithic period (4500–3500 BC), are estimated, from carbon-14 dating, to date to circa 3500 BC. In Other examples from somewhat later periods are from Mesopotamia in the third millennium BC. Lost-wax casting was widespread in Europe until the 18th century, when a piece-moulding process came to p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goldsmith
A goldsmith is a metalworker who specializes in working with gold and other precious metals. Nowadays they mainly specialize in jewelry-making but historically, goldsmiths have also made silverware, platters, goblets, decorative and serviceable utensils, and ceremonial or religious items. Goldsmiths must be skilled in forming metal through filing, soldering, sawing, forging, casting, and polishing. The trade has very often included jewelry-making skills, as well as the very similar skills of the silversmith. Traditionally, these skills had been passed along through apprenticeships; more recently jewelry arts schools, specializing in teaching goldsmithing and a multitude of skills falling under the jewelry arts umbrella, are available. Many universities and junior colleges also offer goldsmithing, silversmithing, and metal arts fabrication as a part of their fine arts curriculum. Gold Compared to other metals, gold is malleable, ductile, rare, and it is the only soli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puppeteers Of Burmese Marionette Theatre
A puppeteer is a person who manipulates an inanimate object, called a puppet, to create the illusion that the puppet is alive. The puppet is often shaped like a human, animal, or legendary creature. The puppeteer may be visible to or hidden from the audience. A puppeteer can operate a puppet indirectly by the use of strings, rods, wires, electronics or directly by his or her own hands placed inside the puppet or holding it externally or any other part of the body- such as the legs. Some puppet styles require two or more puppeteers to work together to create a single puppet character. The puppeteer's role is to manipulate the physical object in such a manner that the audience believes the object is imbued with life. In some instances, the persona of the puppeteer is also an important feature, as with ventriloquist's dummy performers, in which the puppeteer and the human figure-styled puppet appear onstage together, and in theatre shows like ''Avenue Q''. The puppeteer might speak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hsaing Waing
The ''hsaing waing'' ( my, ဆိုင်းဝိုင်း, ; also spelt ''saing waing''), commonly dubbed the Burmese traditional orchestra (မြန်မာ့ဆိုင်း), is a traditional Burmese folk musical ensemble that accompanies numerous forms of rituals, performances, and ceremonies in modern-day Myanmar (Burma). ''Hsaing waing'' musicians use a hemitonic and anhemitonic scale similar to the one used by Indonesian gamelan musicians. The ensemble's principal instruments, including the ''pat waing'', ''kyi waing'', and ''hne'', each play variations on a single melody (heterophony). Origins The ''hsaing waing'' is the product of indigenous musical traditions, enriched with contact with a diverse array of musical traditions in neighboring Southeast Asian societies. The ''hsaing waing'' ensemble's principal instrument, a drum circle called ''pat waing'', continues to use Indian drum-tuning methods, and is considered the last remaining vestige of Indian inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Myanmar
The culture of Myanmar (also known as Burma) ( my, မြန်မာ့ယဉ်ကျေးမှု) has been heavily influenced by Buddhism. Burmese culture has also been influenced by its neighbours. In more recent times, British colonial rule and easternisation have influenced aspects of Burmese culture, including language and education. Arts Historically, Burmese art was based on Buddhist or Hindu myths. There are several regional styles of Buddha images, each with certain distinctive characteristics. For example, the Mandalay style, which developed in the late 1800s, consists of an oval-shaped Buddha with realistic features, including naturally curved eyebrows, smaller but still prominent ears, and a draping robe. There are 10 traditional arts, called ''pan sè myo'' (), listed as follows: # Blacksmith ( ''ba-bè'') # Woodcarving ( ''ba-bu'') # Goldsmith ( ''ba-dein'') # Stucco relief ( ''pandaw'') # Masonry ( ''pa-yan'') # Stone carving ( ''pantamaw'') # Turnery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Musical Instruments Of Myanmar
The music of Myanmar (or Burma) ( my, မြန်မာ့ဂီတ) shares many similarities with other musical styles in the region. Traditional music is melodic, having its own unique form of harmony, often composed with a (''na-yi-se''), a (''wa-let-se'') or a () time signature. In Burmese, music segments are combined into patterns, and then into verses, making it a multi-level hierarchical system. Various levels are manipulated to create a song. Harmony in ''Mahagita'' (the Burmese body of music) is known as ''twe-lone,'' which is similar to a chord in western music. For example, C is combined with F or G. Musical instruments include the brass se (which is like a triangle), ''hne'' (a kind of oboe), the bamboo wa, as well as the well-known ''saung'', a boat-shaped harp. Traditionally, the instruments are classified into five groups called (). These instruments are played on a musical scale consisting of seven tones, each associated with an animal that is said to be th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jataka Tales
The Jātakas (meaning "Birth Story", "related to a birth") are a voluminous body of literature native to India which mainly concern the previous births of Gautama Buddha in both human and animal form. According to Peter Skilling, this genre is "one of the oldest classes of Buddhist literature."Skilling, Peter (2010). ''Buddhism and Buddhist Literature of South-East Asia,'' pp. 161-162. Some of these works are also considered great works of literature in their own right. In these stories, the future Buddha may appear as a king, an outcast, a deva, an animal—but, in whatever form, he exhibits some virtue that the tale thereby inculcates. Often, Jātaka tales include an extensive cast of characters who interact and get into various kinds of trouble - whereupon the Buddha character intervenes to resolve all the problems and bring about a happy ending. The Jātaka genre is based on the idea that the Buddha was able to recollect all his past lives and thus could use these memor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lion Throne Of Myanmar
The Lion Throne (also known as Sihasana or Thihathana Palin; my, သီဟသနပလ္လင်, derived from sa, :wikt:सिंहासन#Sanskrit, सिंहासन, siṃhāsana, lion's seat, throne) is one of the eight historic Palin (throne), thrones used by the List of Burmese monarchs, Burmese monarchs. Seven of them were destroyed by fire during the Burma Campaign 1944–45, allied bombing of World War II, but the Lion Throne was saved, because the throne was transported to India in 1885 after the Third Anglo-Burmese War, and later returned. Decorative elements of the throne As small lion figurines are placed inside the niches of the throne, it is called the ''Thihathana Throne'' or ''Royal Lion Throne''. It is made out of yamane wood (''Gmelina arborea''). The upper portion of the throne is called "U-gin". There are eleven Chakra and Deva (Hinduism), Devas at the both sides of U-gin floral carvings. There are the peacock figurines, which represent the sun, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Replica
A 1:1 replica is an exact copy of an object, made out of the same raw materials, whether a molecule, a work of art, or a commercial product. The term is also used for copies that closely resemble the original, without claiming to be identical. Also has the same weight and size as original. Replicas have been sometimes sold as originals, a type of fraud. Most replicas have more innocent purposes. Fragile originals need protection, while the public can examine a replica in a museum. Replicas are often manufactured and sold as souvenirs. An inverted replica complements the original by filling its gaps. Sometimes the original never existed. It is logically impossible for there to be a replica of something that never existed. Replicas and reproductions can be related to any form of licensing an image for others to use, whether it is through photos, postcards, prints, miniature or full size copies they represent a resemblance of the original object. Not all incorrectly attributed it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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