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National Museum, Gdańsk
The National Museum in Gdańsk ( pl, Muzeum Narodowe w Gdańsku), established in 1972 in Gdańsk (although the history goes back the third quarter of 19th century), is one of the main branches of Poland's national museum system. History Its main location is in the old late-Gothic Franciscan monastery, which has been used to house exhibits since the end of the 19th century. During that period it was known as ''Danziger Stadtmuseum'', which held a sizeable collection of historical works of art. In 1884, the collection was enlarged with exhibits from the ''Danziger Kunstgewerbemuseum'' when the two institutions merged. The core of the Museum's collection constitutes the collection of Jacob Kabrun, which includes several thousand pictures, drawings and prints by European masters from the end of the fifteenth to the beginning of the nineteenth centuries. After the end of the Second World War, 65% of the main building of the museum was destroyed and much of the museum's collections we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gdańsk
Gdańsk ( , also ; ; csb, Gduńsk;Stefan Ramułt, ''Słownik języka pomorskiego, czyli kaszubskiego'', Kraków 1893, Gdańsk 2003, ISBN 83-87408-64-6. , Johann Georg Theodor Grässe, ''Orbis latinus oder Verzeichniss der lateinischen Benennungen der bekanntesten Städte etc., Meere, Seen, Berge und Flüsse in allen Theilen der Erde nebst einem deutsch-lateinischen Register derselben''. T. Ein Supplement zu jedem lateinischen und geographischen Wörterbuche. Dresden: G. Schönfeld’s Buchhandlung (C. A. Werner), 1861, p. 71, 237.); Stefan Ramułt, ''Słownik języka pomorskiego, czyli kaszubskiego'', Kraków 1893, Gdańsk 2003, ISBN 83-87408-64-6. * , )Johann Georg Theodor Grässe, ''Orbis latinus oder Verzeichniss der lateinischen Benennungen der bekanntesten Städte etc., Meere, Seen, Berge und Flüsse in allen Theilen der Erde nebst einem deutsch-lateinischen Register derselben''. T. Ein Supplement zu jedem lateinischen und geographischen Wörterbuche. Dresden: G. Schönf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isaac Claesz
Isaac; grc, Ἰσαάκ, Isaák; ar, إسحٰق/إسحاق, Isḥāq; am, ይስሐቅ is one of the three patriarchs of the Israelites and an important figure in the Abrahamic religions, including Judaism, Christianity, and Islam. He was the son of Abraham and Sarah, the father of Jacob and Esau, and the grandfather of the twelve tribes of Israel. Isaac's name means "he will laugh", reflecting the laughter, in disbelief, of Abraham and Sarah, when told by God that they would have a child., He is the only patriarch whose name was not changed, and the only one who did not move out of Canaan. According to the narrative, he died aged 180, the longest-lived of the three patriarchs. Etymology The anglicized name "Isaac" is a transliteration of the Hebrew name () which literally means "He laughs/will laugh." Ugaritic texts dating from the 13th century BCE refer to the benevolent smile of the Canaanite deity El. Genesis, however, ascribes the laughter to Isaac's parents, Abraham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Peeters I
Jan Peeters the Elder or Johannes Peeters (24 April 1624 – 1677) was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings, many of which were engraved by contemporary printmakers and published by the Antwerp printers.Hans Vlieghe (1998). Flemish Art and Architecture, 1585–1700'. Pelican History of Art. New Haven: Yale University Press. , pp. 198–199.Margarita Russell. "Peeters, Bonaventura, I." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 16 October 2014 Life Peeters was born in Antwerp as the son of Cornelis Peeters and Catharina van Eelen. He was the brother of the painters Gillis, Bonaventura I and Catharina. He studied with his brothers Bonaventura and Gillis as well as Joannes Boots. He became a master of Antwerp's Guild of St. Luke in 1645. He was active in Hoboken near Antwerp from 1645 to 1654, likely working in his brother Bonaven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frans Floris
Frans Floris, Frans Floris the Elder or Frans Floris de Vriendt (17 April 15191 October 1570) was a Flemish painter, draughtsman, print artist and tapestry designer. He is mainly known for his history paintings, allegorical scenes and portraits.Frans Floris at the Netherlands Institute for Art History He played an important role in the movement in Northern Renaissance painting referred to as . The Romanists had typically travelled to Italy to study the works of leading Italian Hig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Teniers The Younger
David Teniers the Younger or David Teniers II (bapt. 15 December 1610 – 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output.Teniers the Younger, David at the National Gallery of Art He was an innovator in a wide range of genres such as history painting, genre painting, , |
Jacob Jordaens
Jacob (Jacques) Jordaens (19 May 1593 – 18 October 1678) was a Flemish painter, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painter of his day. Unlike those contemporaries he never travelled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations.d'Hulst, pp. 23 In fact, except for a few short trips to locations elsewhere in the Low Countries, he remained in Antwerp his entire life. As well as being a successful painter, he was a prominent designer of tapestries.d'Hulst, pp. 24–25. Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died—he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general.d'Hulst, p. 26–27. However, he is best known today for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Brueghel The Younger
Jan Brueghel (also Bruegel or Breughel) the Younger (, ; ; 13 September 1601 – 1 September 1678) was a Flemish Baroque painter. He was the son of Jan Brueghel the Elder, and grandson of Pieter Bruegel the Elder, both prominent painters who contributed respectively to the development of Renaissance and Baroque painting in the Habsburg Netherlands. Taking over his father's workshop at an early age, he largely painted the same subjects as his father in a style which was similar to that of his father.Jan Brueghel the Younger at the Getty Center He gradually was able to break away from his father's style by developing a broader, more painterly, and less structured manner of painting. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muzeum Narodowe W Gdańsku 005
Muzeum () is a Prague Metro station providing the interchange between Lines A and C, and serving the National Museum. It is located at the top end of Wenceslas Square. The Line C station was opened on 9 May 1974, with the first section of Prague Metro, between Sokolovská and Kačerov. It is a single hall station, long and only deep. Two escalators and a staircase go to the vestibule. The Line A station was opened on 12 August 1978 as part of the inaugural section of Line A, between Leninova and Náměstí Míru. It is a three-bore station with a shortened, middle tunnel. It is long and deep. The station at Line A was damaged during the 2002 floods and station at Line C was terminus. Nearby Attractions *National Museum *Wenceslas Square Wenceslas Square (Czech: , colloquially ''Václavák'' ) is one of the main city squares and the centre of the business and cultural communities in the New Town of Prague, Czech Republic. Many historical events occurred there, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waplewo Wielkie
Waplewo Wielkie is a village in the administrative district of Gmina Stary Targ, within Sztum County, Pomeranian Voivodeship, in northern Poland. It lies approximately east of Stary Targ, east of Sztum, and south-east of the regional capital Gdańsk. Before 1772 the area was part of Kingdom of Poland, and in 1772–1945 it belonged to Prussia and Germany. For the history of the region, see History of Pomerania The history of Pomerania starts shortly before 1000 AD with ongoing conquests by newly arrived Polans rulers. Before that, the area was recorded nearly 2000 years ago as Germania, and in modern-day times Pomerania is split between Germany and Pol .... The village has a manor house, formerly owned by the Sierakowski family, with a garden laid out in English style. References Villages in Sztum County {{Sztum-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Szlachta
The ''szlachta'' (Polish: endonym, Lithuanian: šlėkta) were the noble estate of the realm in the Kingdom of Poland, the Grand Duchy of Lithuania, and the Polish–Lithuanian Commonwealth who, as a class, had the dominating position in the state, exercising extensive political rights and power. Szlachta as a class differed significantly from the feudal nobility of Western Europe. The estate was officially abolished in 1921 by the March Constitution."Szlachta. Szlachta w Polsce" ''Encyklopedia PWN'' The origins of the ''szlachta'' are obscure and the subject of several theories. Traditionally, its members owned land (allods), [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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