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Nydala Abbey
Nydala Abbey ( sv, Nydala kloster) was a Cistercian monastery in the province of Småland, Sweden, near the lake Rusken. Although the abbey ceased to operate in the 16th century, its church was renovated and converted into a Protestant church during the 17th century and is still in use. The church belongs to the Church of Sweden and is part of the Diocese of Växjö. History Nydala (from Swedish ''ny'', meaning ''new'', and ''dal'', meaning ''valley'') was called ''Sancta Maria de Nova Valle'' or just ''Nova Vallis'' in Latin. It was founded in 1143 by Cistercian monks sent out from Clairvaux Abbey in France. Together with Alvastra and Roma Abbey, it is one of the oldest Cistercian abbeys in Sweden. It is furthermore unique in Sweden in that the Cistercian ideal of almost complete isolation was respected: the abbey was built in an area away from any settlement. The abbey took slightly over a hundred years to complete, and the church was not inaugurated until 1266. Rather little is ...
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Abbot
Abbot is an ecclesiastical title given to the male head of a monastery in various Western religious traditions, including Christianity. The office may also be given as an honorary title to a clergyman who is not the head of a monastery. The female equivalent is abbess. Origins The title had its origin in the monasteries of Egypt and Syria, spread through the eastern Mediterranean, and soon became accepted generally in all languages as the designation of the head of a monastery. The word is derived from the Aramaic ' meaning "father" or ', meaning "my father" (it still has this meaning in contemporary Hebrew: אבא and Aramaic: ܐܒܐ) In the Septuagint, it was written as "abbas". At first it was employed as a respectful title for any monk, but it was soon restricted by canon law to certain priestly superiors. At times it was applied to various priests, e.g. at the court of the Frankish monarchy the ' ("of the palace"') and ' ("of the camp") were chaplains to the Merovingi ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia ...
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Gneiss
Gneiss ( ) is a common and widely distributed type of metamorphic rock. It is formed by high-temperature and high-pressure metamorphic processes acting on formations composed of igneous or sedimentary rocks. Gneiss forms at higher temperatures and pressures than schist. Gneiss nearly always shows a banded texture characterized by alternating darker and lighter colored bands and without a distinct cleavage. Gneisses are common in the ancient crust of continental shields. Some of the oldest rocks on Earth are gneisses, such as the Acasta Gneiss. Description Orthogneiss from the Czech Republic In traditional English and North American usage, a gneiss is a coarse-grained metamorphic rock showing compositional banding ( gneissic banding) but poorly developed schistosity and indistinct cleavage. In other words, it is a metamorphic rock composed of mineral grains easily seen with the unaided eye, which form obvious compositional layers, but which has only a weak tendency to fract ...
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Cistercian Architecture
Cistercian architecture is a style of architecture associated with the churches, monasteries and abbeys of the Roman Catholic Cistercian Order. It was heavily influenced by Abbot Bernard of Clairvaux Bernard of Clairvaux, O. Cist. ( la, Bernardus Claraevallensis; 109020 August 1153), venerated as Saint Bernard, was an abbot, mystic, co-founder of the Knights Templars, and a major leader in the reformation of the Benedictine Order through t ... (d. 1153), who believed that churches should avoid superfluous ornamentation so as not to distract from prayer. Cistercian architecture was simple and utilitarian. Although a few images of religious subjects were allowed, such as the crucifix, elaborate figures common in medieval churches were prohibited. Bernard noted their capacity for distracting monks in a famous letter. Early Cistercian architecture shows a transition between Romanesque architecture, Romanesque and Gothic architecture. Later abbeys were constructed in Renaissance ...
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Sacristy
A sacristy, also known as a vestry or preparation room, is a room in Christian churches for the keeping of vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. The sacristy is usually located inside the church, but in some cases it is an annex or separate building (as in some monasteries). In most older churches, a sacristy is near a side altar, or more usually behind or on a side of the main altar. In newer churches the sacristy is often in another location, such as near the entrances to the church. Some churches have more than one sacristy, each of which will have a specific function. Often additional sacristies are used for maintaining the church and its items, such as candles and other materials. Description The sacristy is also where the priest and attendants vest and prepare before the service. They will return there at the end of the service to remove their vestments and put away any of the vessels used during ...
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Transept
A transept (with two semitransepts) is a transverse part of any building, which lies across the main body of the building. In cruciform churches, a transept is an area set crosswise to the nave in a cruciform ("cross-shaped") building within the Romanesque and Gothic Christian church architectural traditions. Each half of a transept is known as a semitransept. Description The transept of a church separates the nave from the sanctuary, apse, choir, chevet, presbytery, or chancel. The transepts cross the nave at the crossing, which belongs equally to the main nave axis and to the transept. Upon its four piers, the crossing may support a spire (e.g., Salisbury Cathedral), a central tower (e.g., Gloucester Cathedral) or a crossing dome (e.g., St Paul's Cathedral). Since the altar is usually located at the east end of a church, a transept extends to the north and south. The north and south end walls often hold decorated windows of stained glass, such as ros ...
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Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-c ...
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Northern Seven Years' War
The Northern Seven Years' War (also known as the ''Nordic Seven Years' War'', the ''First Northern War'' or the ''Seven Years War in Scandinavia'') was fought between the Kingdom of Sweden (1523–1611), Kingdom of Sweden and a coalition of Denmark–Norway, Free City of Lübeck, Lübeck, and Polish–Lithuanian union, Poland–Lithuania between 1563 and 1570. The war was motivated by the dissatisfaction of King Frederick II of Denmark with the dissolution of the Kalmar Union, and the will of King Eric XIV of Sweden to break Denmark's dominating position. The fighting continued until both armies had been exhausted, and many men died. The resulting Treaty of Stettin (1570), Treaty of Stettin was a stalemate, with neither party gaining any new territory. Context The Kalmar Union of the three former Scandinavian Kingdoms of Sweden, Norway, and Denmark lasted on and off from 1397 to 1523, until it finally collapsed following the continued Swedish resentment of Danish domination.Bjør ...
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Reduction Of Gustav I Of Sweden
The Reduction of Gustav I of Sweden, was an important reform during the Protestant Swedish Reformation, in which king Gustav I of Sweden ordered a reduction in church property and the return of land to the crown, making the national church dependent upon the monarch and effectively ending Swedish monastic life. This organised confiscation and transfer of the property of the Swedish Catholic church to the Crown – initiated at the ''Västerås riksdag'' of 1527 and finalised in the 1540s – was the economic phase of the Swedish Reformation and was followed by the Örebro Synod, which dealt with theological matters. The reduction The goal of the reduction was for all church property was to be transferred to the crown, and the independent income of the clergy to be replaced by an allowance or salary paid by the crown. However, the king also wished to strengthen the position of the Swedish nobility, and therefore also allowed for all private donations of lands and estates to churches, ...
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Gustav I Of Sweden
Gustav I, born Gustav Eriksson of the Vasa noble family and later known as Gustav Vasa (12 May 1496 – 29 September 1560), was King of Sweden from 1523 until his death in 1560, previously self-recognised Protector of the Realm ('' Riksföreståndare'') from 1521, during the ongoing Swedish War of Liberation against King Christian II of Denmark, Norway and Sweden. Gustav rose to lead the rebel movement following the Stockholm Bloodbath, where his father was executed. Gustav's election as king on 6 June 1523 and his triumphant entry into Stockholm eleven days later marked Sweden's final secession from the Kalmar Union. As king, Gustav proved an energetic administrator with a ruthless streak not inferior to his predecessor's, brutally suppressing subsequent uprisings ( three in Dalarna – which had once been the first region to support his claim to the throne – one in Västergötland, and one in Småland). He worked to raise taxes and bring about a Reformation in Sw ...
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