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Novation DrumStation
The Novation DrumStation is a 1U rackmount "analog modelling" digital drum machine by Novation Digital Music Systems. It emulates the sounds of the Roland TR-808 and Roland TR-909, although it lacks the step sequencers of the originals, instead receiving notes via MIDI. One of its notable characteristics is its DIN sync connector, allowing synchronisation of older equipment such as the Roland TB-303. Notable users * Mike Banks * Laurent Garnier * Massive Attack Massive Attack are an English trip hop collective formed in 1988 in Bristol by Robert "3D" Del Naja, Adrian "Tricky" Thaws, Andrew "Mushroom" Vowles and Grant "Daddy G" Marshall. The debut Massive Attack album ''Blue Lines'' was release ... References Drum machines Novation synthesizers {{electronic-musical-instrument-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novation DrumStation
The Novation DrumStation is a 1U rackmount "analog modelling" digital drum machine by Novation Digital Music Systems. It emulates the sounds of the Roland TR-808 and Roland TR-909, although it lacks the step sequencers of the originals, instead receiving notes via MIDI. One of its notable characteristics is its DIN sync connector, allowing synchronisation of older equipment such as the Roland TB-303. Notable users * Mike Banks * Laurent Garnier * Massive Attack Massive Attack are an English trip hop collective formed in 1988 in Bristol by Robert "3D" Del Naja, Adrian "Tricky" Thaws, Andrew "Mushroom" Vowles and Grant "Daddy G" Marshall. The debut Massive Attack album ''Blue Lines'' was release ... References Drum machines Novation synthesizers {{electronic-musical-instrument-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rack Unit
A rack unit (abbreviated U or RU) is a unit of measure defined as . It is most frequently used as a measurement of the overall height of 19-inch and 23-inch rack frames, as well as the height of equipment that mounts in these frames, whereby the height of the frame or equipment is expressed as multiples of rack units. For example, a typical full-size rack cage is 42U high, while equipment is typically 1U, 2U, 3U, or 4U high. Definition The rack unit size is based on a standard rack specification as defined in EIA-310. The Eurocard specifies a standard rack unit as the unit of height; it also defines a similar unit, horizontal pitch (HP), used to measure the width of rack-mounted equipment. The standard was adopted worldwide as ''IEC 60297 Mechanical structures for electronic equipment – Dimensions of mechanical structures of the series'', and defines the sizes for rack, subrack (a shelf-like chassis in which cards can be inserted), and the pitch of printed circuit boards/ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19-inch Rack
A 19-inch rack is a standardized frame or enclosure for mounting multiple electronic equipment modules. Each module has a front panel that is wide. The 19 inch dimension includes the edges or "ears" that protrude from each side of the equipment, allowing the module to be fastened to the rack frame with screws or bolts. Common uses include computer servers, telecommunications equipment and networking hardware, audiovisual production gear, and scientific equipment. Overview and history Equipment designed to be placed in a rack is typically described as rack-mount, rack-mount instrument, a rack-mounted system, a rack-mount chassis, subrack, rack cabinet, rack-mountable, or occasionally simply shelf. The height of the electronic modules is also standardized as multiples of or one rack unit or U (less commonly RU). The industry-standard rack cabinet is 42U tall; however, 45U racks are also common. The term ''relay rack'' appeared first in the world of telephony. By 1911, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novation Digital Music Systems
Novation Digital Music Systems Ltd. is a British musical equipment manufacturer, founded in 1992 by Ian Jannaway and Mark Thompson as Novation Electronic Music Systems. Today the company specializes in MIDI controllers with and without keyboards, both analog and virtual analog performance synthesizers, grid-based performance controllers, and audio interfaces. At present, Novation products are primarily manufactured in China. History Novation's first commercial product, released in 1992, was the Novation MM10, a portable battery-operated keyboard controller with full-sized keys, designed to operate with the Yamaha QY10 music workstation. It was based on a device called the MidiCon, which was never released and was the first hardware controller the company made. The MM10 combined with the QY10 arguably constituted the first completely portable modern music workstation. In 1993 the company released the Novation Bass Station. Influenced by the Roland TB-303 Bassline, a portabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland TR-808
The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by the Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns. Unlike its nearest competitor at the time, the more expensive Linn LM-1, the 808 generates sounds using analog synthesis rather than by playing samples (prerecorded sounds). Launched when electronic music had yet to become mainstream, the 808 received mixed reviews for its unrealistic drum sounds and was a commercial failure. After building approximately 12,000 units, Roland discontinued the 808 after its semiconductors became impossible to restock. It was succeeded by the TR-909 in 1983. Over the course of the 1980s, the 808 attracted a cult following among underground musicians for its affordability on the used market, ease of use and idiosyncratic sounds, particularly its deep, booming bass drum. It became a cornerstone of the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland TR-909
The Roland TR-909 Rhythm Composer is a drum machine introduced by Roland Corporation in 1983, succeeding the TR-808. It was the first Roland drum machine to use samples for some sounds, and the first with MIDI functionality, allowing it to synchronize with other devices. Though it was a commercial failure, the 909 became influential in the development of electronic dance music genres such as techno, house and acid. Design The 909 was designed by Tadao Kikumoto, who also designed the Roland TB-303 synthesizer. Chief Roland engineer Makoto Muroi credited the design of the analog and pulse-code modulation voice circuits to "Mr Ou" and its software to "Mr Hoshiai". Whereas its predecessor, the TR-808, is known for its "boomy" bass, the 909 sounds aggressive and "punchy". It was the first Roland drum machine to use samples (prerecorded sounds), for its crash, ride and hi-hat sounds; other sounds are generated with analog synthesis. As the clap and snare are generated via ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. Sof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DIN Sync
DIN sync, also called Sync24, is a synchronization interface for electronic musical instruments. It was introduced in the early 1980s by Roland Corporation and has been superseded by MIDI. Definition and history DIN sync was introduced in the early 1980s by Roland Corporation for the synchronization of music sequencers, drum machines, arpeggiators and similar devices. It was superseded by MIDI, in the mid to late 1980s. DIN sync consists of two signals, clock (tempo) and run/stop. Both signals are TTL compatible, meaning the low state is 0 V and the high state is about +5 V. The clock signal is a low-frequency pulse wave suggesting the tempo. Instead of measuring the waveform's frequency, the machine receiving the signal merely has to count the number of pulses to work out when to increment its position in the music. Roland equipment uses 24 pulses per quarter note, known as Sync24. Therefore, a Roland-compatible device playing sixteenth notes would have to adv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland TB-303
The Roland TB-303 Bass Line (also known as the 303) is a bass synthesizer released by Roland Corporation in 1981. Designed to simulate bass guitars, it was a commercial failure and was discontinued in 1984. However, cheap second-hand units were adopted by electronic musicians, and its "squelching" or "chirping" sound became a foundation of electronic dance music genres such as acid house, Chicago house and techno. It has inspired numerous clones. Design and features The TB-303 was designed by Tadao Kikumoto who also designed the Roland TR-909 drum machine. It was marketed as a "computerised bass machine" to replace the bass guitar. However, according to ''Forbes,'' it instead produces a "squelchy tone more reminiscent of a psychedelic mouth harp than a stringed instrument". The TB-303 has a single oscillator, which produces either a "buzzy" sawtooth wave or a "hollow-sounding" square wave. This is fed into a 24 dB/octave low-pass filter, which is manipulated by an envelope ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Banks (musician)
Michael Anthony Banks, better known as "Mad" Mike Banks, is an American record producer. He is the co-founder, along with Jeff Mills, of record label Underground Resistance and was a key player in the "second generation" of Detroit techno. Banks lives in Detroit, Michigan and is a former studio musician (bass/guitar), having played with Parliament/Funkadelic among others.Night Drive: A Bluffer's Guide to Detroit Techno ''Stylus Magazine'', March 7, 2006. He worked in the second half of the 1980s with the collective , releasing several 12" singles. Banks and Mills founded the label Underground ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurent Garnier
Laurent Garnier (born 1 February 1966), also known as Choice, is a French electronic music producer and DJ. Garnier began DJing in Manchester during the late 1980s. He became a producer in the early 1990s and recorded several albums. Early influences In 1984, Garnier started working as a waiter for the French Embassy in London.Johnson, Miles (2007)Profile – Laurent Garnier, '' The List'', Issue 591, 29 November 2007. Retrieved 16 March 2012 He started to play with DJ Nelson a.k.a. DJ Stan in French club. He stayed there for a year and a half before moving to Manchester in 1986. Living in England he discovered the booming UK house scene and started DJing. Career In 1987, he discovered The Haçienda in Manchester, and met Mike Pickering the resident DJ. Chicago house and Detroit techno became popular, and Garnier started mixing there under the name of DJ Pedro. In 1988, he went back to France to fulfill his military obligations. He also spent some time in New York City where he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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