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Not Accepted Anywhere
''Not Accepted Anywhere'' is the debut album from Welsh rock band The Automatic, originally released on 19 June 2006. Working with producers Stephen Harris, Richard Jackson and Ian Broudie on different tracks at a variety of studios around the United Kingdom the album was released through a joint deal between B-Unique Records and Polydor Records. The album spawned three singles, all of which charted in the UK top 40; " Recover" - which was originally released in 2005, then again in 2006, " Raoul" in 2006 and again in 2007, and " Monster" in 2006. ''Not Accepted Anywhere'' charted at No. 3 in the UK top 40, being awarded platinum certification in music sales. The BBC named it amongst the top 10 greatest Welsh albums of the 2000s (decade). Recording and production The band recorded demos in early 2005 with Richard Jackson, amongst which were "Monster", "Rats" and "By My Side", early versions of which included Rob Hawkins playing flute on. The demo was sent to B-Unique, who subs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Automatic
The Automatic (also known as The Automatic Automatic in the U.S.) was a Welsh rock band. The band's last-known lineup was composed of Robin Hawkins on vocals, bass and synthesisers, James Frost on guitar, synthesisers, backing vocals and occasional bass, Iwan Griffiths on drums and Paul Mullen on vocals, guitar and synthesiser. Mullen joined after the departure of Alex Pennie, who provided synthesiser, percussion and vocals. Signing to a deal between B-Unique Records and Polydor Records in 2005, the band released their platinum selling debut ''Not Accepted Anywhere'' in 2006, which spawned three UK top 40 singles – " Raoul", " Recover" and " Monster". The band released their second album ''This Is A Fix'' accompanied by only one single, "Steve McQueen" in 2008, which due to a dispute between the band's labels – B-Unique and Polydor – was plagued with distributional and promotional problems. The dispute led to the band withdrawing from their 5-album deal with the labels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Recording Sales Certification
Music recording certification is a system of certifying that a music recording has shipped, sold, or streamed a certain number of units. The threshold quantity varies by type (such as album, single, music video) and by nation or territory (see List of music recording certifications). Almost all countries follow variations of the RIAA certification categories, which are named after precious materials (gold, platinum and diamond). The threshold required for these awards depends upon the population of the territory where the recording is released. Typically, they are awarded only to international releases and are awarded individually for each country where the album is sold. Different sales levels, some perhaps 10 times greater than others, may exist for different music media (for example: videos versus albums, singles, or music download). History The original gold and silver record awards were presented to artists by their own record companies to publicize their sales achi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D*Face
Dean Stockton, better known by his alias D*Face, is an English multimedia street artist who uses spray paint, stickers, posters, and stencils. D*Face grew up in London and had a childhood interest in graffiti in drawing. He credits this to Henry Chalfant's coverage of subway graffiti in New York City in ''Spraycan'' and ''Subway Art'', later as a teenager skateboarding and in particular ''Thrasher'' magazine's coverage of skateboard deck graphics led his interest in stickers and the DIY mentality associated with skate and punk fanzines. He attended an illustration and design course and worked as a freelance illustrator/designer whilst honing his street work. Influences included Shepard Fairey's "Obey Giant" art campaign, Jim Philips, hip hop, punk music, and popular animated cartoons. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Call And Response (music)
In music, call and response is a succession of two distinct phrases usually written in different parts of the music, where the second phrase is heard as a direct commentary on or in response to the first. This can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). It corresponds to the call and response pattern in human communication and is found as a basic element of musical form, such as verse-chorus form, in many traditions. African music In Sub-Saharan African cultures, call and response is a pervasive pattern of democratic participation—in public gatherings in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental musical expression. African-American music Enslaved Africans brought call and response music with them to the colonized American continents and it has been transmitted over the centuries in various forms of cultural express ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alesis Andromeda
The Alesis Andromeda A6 ''(A6 is an acronym: A - A, 6 - SIX, and their consonance corresponds to "ASICs" which is an abbreviation for "Application Specific integrated Circuits")'' is a 16-voice, 16-channel multitimbral analog synthesizer by Alesis which was released in 2000 and discontinued in 2010. The Andromeda has analog oscillators and filters combined with modern digital control. It can be considered a hybrid of older and newer technologies, but its entire signal path is purely analog. The VCOs have a very practical pitch correction function, a feature missing on other old polysynths. The VCOs have FM and ring modulation and sub-oscillators. These features makes it possible to create a much wider sonic palette than usual on analog polysynths. Specifications * Polyphony: 16 voices * Oscillators: 2 oscillators (with subs) per voice, 5 waveforms available (sine, triangle, pulse, up saw, down saw) * Filter: 2-pole multimode resonating filter per voice, 4-pole lowpass resonati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Juno-106
The Roland Juno-106 is a synthesizer released by Roland Corporation in February 1984. Features The Juno-106 is a polyphonic synthesizer with six voices. It is an analog synthesizer but with digitally controlled oscillators and chorus effects. Whereas its predecessor, the Juno-60, has 56 patches, the Juno-106 has 128. It introduced Roland's performance lever for pitch bends and modulation, which became a standard feature of Roland instruments. It also adds MIDI and was one of the first analog synthesizers to allow users to sequence parameter changes. Impact Artists who have used the Juno-106 include Jacob Mann, Vince Clarke, Frankie Goes to Hollywood, Chvrches, Leftfield, William Orbit, Tangerine Dream, Underworld, Reel 2 Real, Jam & Spoon, and Vangelis. The Juno-106 was Roland's bestselling synthesizer until the release of the Roland D-50 later in the decade. It remains one of the bestselling synthesizers. In 1985, Roland released two versions with built-in speakers: the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alesis Micron
The Alesis Ion is an analog modeling synthesizer. It was presented to the public on the Summer NAMM of 2002. Unlike the Alesis Andromeda, Alesis's analog synthesizer, its sounds are synthesized using DSP chips to mimic the sound of analog audio circuitry and components. FeaturesThe Ion has several featuresthat make it stand apart from other analog modeling synthesizers. Most importantly, it features a selection of emulations of classic analog filter models of synthesizers such as the Moog Minimoog, Oberheim's SEM, the Roland TB-303, the ARP 2600 and the Roland Jupiter 8. Besides these emulations (which carry euphemistic names due to trademark issues), it has a series of filter models that are not commonly found on most synthesizers, such as formant and comb filters. This vastly increases the sonic range; most virtual analogs have only a single multimode filter (usually featuring low-pass, high-pass and band-pass modes) which was either designed from scratch or "inspired by" an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hard Rock
Hard rock or heavy rock is a loosely defined subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, The Beatles, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Queen, AC/DC, Aerosmith, Kiss, and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul'' (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-punk
Dance-punk (also known as disco-punk, punk-funk or techno-punk) is a post-punk subgenre that emerged in the late 1970s, and is closely associated with the disco, post-disco and new wave movements.Rip It Up and Start Again: Post Punk 1978-1984.Simon Reynolds.Faber and Faber Ltd, April 2005, (U.S. Edition: Penguin, February 2006, ) Predecessors Many groups in the post-punk era adopted a more danceable style. These bands were influenced by funk, disco, new wave, and other dance music popular at the time (as well as being anticipated by some artists from 1970s including Sparks and Iggy Pop). Influential bands from the 1980s included Talking Heads, Public Image Ltd.,Swaminathan, Nikhil (25 December 2003) â€Dance-punk ends scenester dormancy New Order, Gang of Four, Pigbag, the Clash, the Pop Group, Maximum Joy, Minutemen, and Red Hot Chili Peppers. New York City dance-punk included Defunkt, Material, James Chance and the Contortions, Cristina Monet, Bush Tetras, ESG, and Li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fear And Loathing On The Campaign Trail '72
''Fear and Loathing: On the Campaign Trail '72'' is a 1973 book that recounts and analyzes the 1972 presidential campaign in which Richard Nixon was re-elected President of the United States. Written by Hunter S. Thompson and illustrated by Ralph Steadman, the book was largely derived from articles serialized in ''Rolling Stone'' throughout 1972. The book focuses almost exclusively on the Democratic Party's primaries and the breakdown of the party as it splits between the different candidates such as Ed Muskie and Hubert Humphrey. Of particular focus is the manic maneuvering of George McGovern's campaign during the Miami convention as they sought to ensure the Democratic nomination despite attempts by Humphrey and other candidates to block McGovern. Thompson began his coverage of the campaign in December 1971, just as the race toward the primaries was beginning, from a rented apartment in Washington, D.C. (a situation he compared to "living in an armed camp, a condition of co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hunter S
Hunting is the human practice of seeking, pursuing, capturing, or killing wildlife or feral animals. The most common reasons for humans to hunt are to harvest food (i.e. meat) and useful animal products (fur/ hide, bone/tusks, horn/antler, etc.), for recreation/taxidermy (see trophy hunting), to remove predators dangerous to humans or domestic animals (e.g. wolf hunting), to eliminate pests and nuisance animals that damage crops/livestock/poultry or spread diseases (see varminting), for trade/tourism (see safari), or for ecological conservation against overpopulation and invasive species. Recreationally hunted species are generally referred to as the ''game'', and are usually mammals and birds. A person participating in a hunt is a hunter or (less commonly) huntsman; a natural area used for hunting is called a game reserve; an experienced hunter who helps organize a hunt and/or manage the game reserve is known as a gamekeeper. Many non-human animals also hunt (see predat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
