Norman Foster (bass)
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Norman Foster (bass)
Norman Foster (born Boston, Massachusetts) was an American operatic bass-baritone, a film and television actor and a television producer. Recordings * Gustav Mahler: ''Lieder eines fahrenden Gesellen'' with Bamberg Symphony Orchestra conducted by Jascha Horenstein recorded 1954 (Vox Box, 47163552922, released 1999) * Samuel Barber: ''Vanessa'' (Norman Foster, Eleanor Steber, Nicolai Gedda, Alois Pernerstorfer, Rosalind Elias, Ira Malaniuk, Giorgio Tozzi) Vienna State Opera Chorus, Vienna Philharmonic Orchestra; Conductor: Dimitri Mitropoulos. Orfeo ORF 653062. * Gian Carlo Menotti: ''The Medium'' Performer: Norman Foster (Baritone), Hilde Konetzni (Soprano), Sonja Draksler (Mezzo Soprano), María José De Vine (Soprano), Elisabeth Höngen (Mezzo Soprano), Nino Albanese (Voice); Vienna Volksoper Orchestra, Armando Aliberti (conductor). Recorded 1964. Label: Arthaus Musik (DVD) 101515, released 2010 Films * '' Herzog Blaubarts Burg'' (''Bluebeard's Castle'') (1964)Lazar, ...
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Samuel Barber
Samuel Osmond Barber II (March 9, 1910 – January 23, 1981) was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the 20th century. The music critic Donal Henahan said, "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim." Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the '' Cello Concerto'' (1945) and '' Medea's Dance of Vengeance'' (1955); and the use of tonal ambiguity and a narrow use of ...
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1924 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipk ...
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New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital media, digital subscribers. It also is a producer of popular podcasts such as ''The Daily (podcast), The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones (publisher), George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won List of Pulitzer Prizes awarded to The New York Times, 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national "newspaper of record". For print it is ranked List of newspapers by circulation, 18th in the world by circulation and List of newspapers in the United States, 3rd in the U.S. The paper is owned by the New York Times Company, which is Public company, publicly traded. It has been governed by the Sulzberger family since 189 ...
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Die Lustigen Weiber Von Windsor (film)
''The Merry Wives of Windsor'' (German: ''Die lustigen Weiber von Windsor'') is an opera in three acts by Otto Nicolai to a German libretto by Salomon Hermann Mosenthal based on the play ''The Merry Wives of Windsor'' by William Shakespeare. The opera is a ''Singspiel'', containing much spoken dialogue between distinct musical numbers. The opera remains popular in Germany, and the overture is sometimes heard in concert in other countries. Composition history Otto Nicolai composed the music from 1845 to 1849. He had previously achieved great success with a few Italian operas, but this opera was to become his masterpiece in the German language. The composer himself made some changes to the libretto. Performance history It was difficult at first to find a stage that was willing to mount the opera. Following the premiere at the Königliches Opernhaus (Royal Opera House, now Berlin State Opera) in Berlin on 9 March 1849 under the baton of the composer, it proved unsuccessful at first, ...
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A Free Agent
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish ...
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Conversations With Filmmakers Series
The Conversations with Filmmakers Series is part of the University Press of Mississippi which is sponsored by Mississippi's eight state universities. The mission of the Series is to publish collected interviews with world-famous directors. The current Filmmakers Series editor is Gerald Peary, a noted film critic and Professor of Communications and Journalism at Suffolk University, Boston. Peary was appointed to this position following the death of the Series' original general editor, Dr. Peter Brunette. Background The series was launched in 1998 with Gerald Peary's ''Quentin Tarantino: Interviews''. It was favorably reviewed by ''MovieMaker'' magazine which found a balance and depth throughout saying, "Contemporary giants like Soderbergh, Oliver Stone and John Sayles are treated with just as much esteem as legends like Wilder and John Huston." Interviewees * J.J. Abrams * Robert Aldrich * Woody Allen * Pedro Almodóvar * Robert Altman * Theo Angelopoulos * Michelangelo Anton ...
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The Medium
''The Medium'' is a short (one-hour-long) two-act dramatic opera with words and music by Gian Carlo Menotti. Commissioned by the Alice M. Ditson Fund at Columbia University, its first performance was there on 8 May 1946. The opera's first professional production was presented on a double bill with Menotti's '' The Telephone'' at the Heckscher Theater, New York City, February 18–20, 1947 by the Ballet Society. The Broadway production took place on May 1, 1947, at the Ethel Barrymore Theater with the same cast. In 1951, Menotti directed, with the help of filmmaker Alexander Hammid, a film version made to resemble film noir, and starring Marie Powers as Madame Flora and Anna Maria Alberghetti as Monica. A live television production starring Marie Powers took place on 12 December 1948 on the TV series '' Studio One'' and on 14 February, 1959 on '' Omnibus'', starring Claramae Turner. It was also filmed for Australian TV in 1960. Roles Synopsis Act 1 ''The medium's parlor'' ...
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Gian Carlo Menotti
Gian Carlo Menotti (, ; July 7, 1911 – February 1, 2007) was an Italian composer, librettist, director, and playwright who is primarily known for his output of 25 operas. Although he often referred to himself as an American composer, he kept his Italian citizenship. One of the most frequently performed opera composers of the 20th century, his most successful works were written in the 1940s and 1950s. Highly influenced by Giacomo Puccini and Modest Mussorgsky, Menotti further developed the verismo tradition of opera in the post-World War II era. Rejecting atonality and the aesthetic of the Second Viennese School, Menotti's music is characterized by expressive lyricism which carefully sets language to natural rhythms in ways that highlight textual meaning and underscore dramatic intent. Like Wagner, Menotti wrote the libretti of all his operas. He wrote the classic Christmas opera '' Amahl and the Night Visitors'' (1951), along with over two dozen other operas intended to appe ...
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Dimitri Mitropoulos
Dimitri Mitropoulos ( el, Δημήτρης Μητρόπουλος; The dates 18 February 1896 and 1 March 1896 both appear in the literature. Many of Mitropoulos's early interviews and program notes gave 18 February. In his later interviews, however, the conductor said he was born on 1 March, and most American sources also show this birthdate. The reason for the different dates is that Greece was still using the Julian calendar in 1896, and did not adopt the Gregorian calendar until 1923, when Mitropulos was 27. By then, the calendars were 13 days apart, but in 1896 they were only 12 days apart. The date 18 February 1896 under the Julian calendar corresponded to 1 March 1896 in the Gregorian. The earlier sources used the original Julian calendar date, and the later sources used the equivalent Gregorian date. – 2 November 1960) was a Greek conductor, pianist, and composer. Life and career Mitropoulos was born in Athens, the son of Yannis and Angelikē Mitropoulos. His father ...
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Vanessa (opera)
''Vanessa'' is an American opera in three (originally four) acts by Samuel Barber, opus 32, with an original English libretto by Gian Carlo Menotti. It was composed in 1956–1957 and was first performed at the Metropolitan Opera in New York City on January 15, 1958 under the baton of Dimitri Mitropoulos in a production designed by Cecil Beaton and directed by Menotti. Barber revised the opera in 1964, reducing the four acts to the three-act version most commonly performed today. Performance history For the Met premiere, Sena Jurinac was contracted to sing the title role. However, she cancelled six weeks before the opening night and Eleanor Steber replaced her, making the role her own for a long time. In the role of Erika, Vanessa's niece, was Rosalind Elias, then a young mezzo-soprano. Nicolai Gedda sang the lover Anatol, mezzo Regina Resnik sang the Baroness, Vanessa's mother, while bass Giorgio Tozzi sang the old doctor. It was the first American opera in 11 years to be seen ...
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