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Norbert Dufourcq
Norbert Stéphane Jean-Marie Dufourcq (21 September 1904 – 19 December 1990) was a French organist, music educator, musicologist and musicographer. Biography Norbert Dufourcq was born in 1904 in Saint-Jean-de-Braye in the Loiret department of France. His parents were the historian Albert Dufourcq who worked as a professor at the University of Bordeaux and Madeleine Dufourcq, née Prot. He was the third of six children. Trained at the École des chartes and holder of a doctorate of literature, and an archivist/palaeographer, Norbert Dufourcq nonetheless devoted himself to music. An amateur organist (pupil of André Marchal), he served as titular organist of the organ of the Saint-Merri church in Paris from 1923 to his death. The Clicquot/ Cavaillé-Coll pipe organ was restored by the company in a under the direction of its owner between 1946 and 1947. Many stops were added to the instrument. A professor of music history at the Conservatoire de Paris from 1941 to 1975 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint-Jean-de-Braye
Saint-Jean-de-Braye () is a commune in the Loiret department in north-central France. It is an eastern suburb of Orléans. The organist and musicologist Norbert Dufourcq (1904–1990) was born in the commune. On 14 February 2020, the municipal council voted unanimously to suspend the twin towns partnership with the Polish Tuchów as a result of the controversial anti-LGBT resolution passed by the Tuchów authorities.Yacha Hajzler,Homophobie : Saint-Jean-de-Braye rompt ses relations avec la ville jumelle polonaise de Tuchów, France 3, 16 February 2020 Population See also * Communes of the Loiret department The following is the list of the 325 communes of the Loiret department of France. The communes cooperate in the following intercommunalities (as of 2020): [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Corrette
Michel Corrette (10 April 1707 – 21 January 1795) was a French composer, organist and author of musical method books. Life Corrette was born in Rouen, Normandy. His father, Gaspard Corrette, was an organist and composer. Little is known of his early life. In 1726, Corrette entered into a competition for the post of organist at the Church of Sainte Marie-Madeleine in Paris, but was not selected. He then earned his living as a music teacher (which in fact made him more money than he would have as an organist), and in 1727 he published his first collections of sonatas for various instruments such as the flute, violin, brass, musette, and hurdy-gurdy. On 8 January 1733, Corrette married Marie-Catherine Morize, with whom he had two children, Marie-Anne (1734 - ca. 1822), and a son, Pierre-Michel (1744 - 1801), who also became an organist. In 1737, Corrette was appointed as the organist at the Church of Sainte Marie du Temple in Paris - a position he held for 54 years until 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis-Antoine Dornel
Louis-Antoine Dornel (30 March 1680 in Presles, Val-d'Oise near (Beaumont-sur-Oise) – 22 July 1757) was a French composer, harpsichordist, organist and violinist. Biography Dornel was probably taught by the organist Nicolas Lebègue. He was appointed organist at the church of Sainte-Marie-Madeleine-en-la-Cité in 1706, where he took over from François d'Agincourt. He was runner-up in the competition for the post to Jean-Philippe Rameau, who eventually refused the terms set by the church authorities. He occupied several organist posts in Paris over a period from 1714 to 1748. In 1719 he was appointed to the abbey of Sainte-Geneviève, following the death of André Raison. From 1725 to 1742, Dornel was appointed successor to du Boussetto as the music master of the Académie Française. He was required to compose a large-scale motet for choir and orchestra to be performed by the Académie each year on the feast of Saint Louis (August 25), but none survive. Dornel's works for harp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Lebègue
Nicolas-Antoine Lebègue (also ''Le Bègue''; c. 16316 July 1702) was a French Baroque composer, organist and harpsichordist. He was born in Laon and in the 1650s settled in Paris, quickly establishing himself as one of the best organists of the country. He lived and worked in Paris until his death, but frequently made trips to other cities to consult on organ building and maintenance matters. Lebègue's reputation today rests on his keyboard music. He made particularly important contributions to the development of the French organ school by devising pieces with independent pedal parts and developing the ''Tierce en taille'' genre. His oeuvre also includes the earliest published unmeasured preludes, as well as some of the earliest known noëls. Life Lebègue was born in Laon, and nothing certain is known about his early years or training. It may be possible that his uncle (also named Nicolas Lebègue), a ''maître joueur d'instrument'', played some role in Lebègue's music educatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilles Jullien
Gilles Jullien (c. 1651/165314 September 1703) was a French Baroque composer and organist. He is credited with bringing the style of French organ music then current in Paris to Chartres.Apel 1973, 734. Almost nothing is known about Jullien's life or training. His burial certificate indicates he was 50 or slightly younger when he died, so he must have been born between 1651 and 1653. It is assumed that he became organist of the Chartres Cathedral on 6 December 1667. The date is questionable, but the fact that Jullien was appointed organist of the cathedral while still very young is indisputable. He occupied this position until his death in Chartres in 1703. He was succeeded at the cathedral by his eldest son, Jean-François Jullien. All of Jullien's surviving music is contained in his ''Premier Livre d'orgue'' (Paris, 1690). It consists of around 80 pieces (most influenced by Nicolas Lebègue's work), organized into eight organ suites in the eight church modes. According to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume-Gabriel Nivers
Guillaume-Gabriel Nivers (c. 1632, Paris – 13 November 1714) was a French organist, composer and theorist. His first ''livre d'orgue'' is the earliest surviving published collection with traditional French organ school forms (a collection by Louis Couperin that is in manuscript does not seem to have been published. See Guy Oldham, "Louis Couperin: A New Source of French Keyboard Music of the Mid-17th Century", Recherches sur la musique française classique, Vol. I (1960), pp. 51–59). Nivers's other music is less known; however, his treatises on Gregorian chant and basso continuo are still considered important sources on 17th century liturgical music and performance practice. Life Nivers was born into a prosperous Parisian family: his father was a fermier générale (tax collector) for the bishop. Nothing is known of his early years or his musical training except that he may have received a degree from the University of Paris. In the early 1650s Nivers became organist of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bérenger De Miramon Fitz-James
Berengar is a masculine name derived from Germanic roots meaning "bear" and "spear". The name appears frequently among certain noble families during the Middle Ages, especially the Unruochings and those related. Bérenger is the French form, while Berengario is the Italian form, Berenguer is the Catalan form, and Berenguier or Berengier is the Occitan form. The Latin form is ''Berengarius'' and the female equivalent is '' Berengaria''. Other forms of the name include Berenger, Bérenger, Bérangier, or Beringer. Personal name *Berengar of Toulouse, Frankish nobleman (fl. ninth century) *Berengar I of Neustria, Frankish nobleman (fl. ninth century) *Berengar II of Neustria, Frankish nobleman (d. 896) *Berengar I of Italy, King of Italy (c. 845–924) *Berengar II of Italy, King of Italy (c. 900–966) *Judicael Berengar, Breton nobleman (fl. tenth century) *Berengar of Tours, theologian (c. 999–1088) *Berengar, Bishop of Venosa (fl. eleventh century) *Henry Berengar, junior co-Ki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecÃn; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Normale De Musique De Paris
The École Normale de Musique de Paris "Alfred Cortot" (ENMP) is a leading conservatoire located in Paris, Île-de-France, France. At the time of the school's foundation in 1919 by Auguste Mangeot, Alfred Cortot. The term ''école normale'' (English: normal school) meant a teacher training institution, and the school was intended to produce music teachers as well as concert performers. Located in the 17th arrondissement of Paris, it was founded by Auguste Mangeot and pianist Alfred Cortot. It is officially recognised by the Ministry of Culture and Communication and is under the patronage of the Ministry of Foreign Affairs. The school is not recognised by the Bologna Process. History The École was founded on 6 October 1919 as a private institution by French pianist Alfred Cortot and Auguste Mangeot, director of the magazine ''Le Monde musical''. In 1927, the school moved from a building in the rue Jouffroy-d'Abbans to 114 bis boulevard Malesherbes, a Belle Époque mansion g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
