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Nicolas Lebègue
Nicolas-Antoine Lebègue (also ''Le Bègue''; c. 16316 July 1702) was a French Baroque composer, organist and harpsichordist. He was born in Laon and in the 1650s settled in Paris, quickly establishing himself as one of the best organists of the country. He lived and worked in Paris until his death, but frequently made trips to other cities to consult on organ building and maintenance matters. Lebègue's reputation today rests on his keyboard music. He made particularly important contributions to the development of the French organ school by devising pieces with independent pedal parts and developing the ''Tierce en taille'' genre. His oeuvre also includes the earliest published unmeasured preludes, as well as some of the earliest known noëls. Life Lebègue was born in Laon, and nothing certain is known about his early years or training. It may be possible that his uncle (also named Nicolas Lebègue), a ''maître joueur d'instrument'', played some role in Lebègue's music educatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soissons
Soissons () is a commune in the northern French department of Aisne, in the region of Hauts-de-France. Located on the river Aisne, about northeast of Paris, it is one of the most ancient towns of France, and is probably the ancient capital of the Suessiones. Soissons is also the see of an ancient Roman Catholic diocese, whose establishment dates from about 300, and it was the location of a number of church synods called " Council of Soissons". History Soissons enters written history under its Celtic name, later borrowed into Latin, Noviodunum, meaning "new hillfort", which was the capital of the Suessiones. At Roman contact, it was a town of the Suessiones, mentioned by Julius Caesar (''B. G.'' ii. 12). Caesar (''B.C.'' 57), after leaving the Axona (modern Aisne), entered the territory of the Suessiones, and making one day's long march, reached Noviodunum, which was surrounded by a high wall and a broad ditch. The place surrendered to Caesar. From 457 to 486, under Aegi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnificat
The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Eastern Christianity, Byzantine tradition, the Ode of the Theotokos (). It is traditionally incorporated into the liturgical services of the Catholic Church, the Eastern Orthodox churches, and the Anglican Communion. Its name comes from the incipit of the Latin version of the text. The text of the canticle is taken from the Gospel of Luke () where it is spoken by Mary, mother of Jesus, Mary upon the occasion of her Visitation (Christianity), Visitation to her cousin Elizabeth (biblical figure), Elizabeth. In the narrative, after Mary greets Elizabeth, who is pregnant with John the Baptist, the latter moves within Elizabeth's womb. Elizabeth praises Mary for her Faith in Christianity, faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat. The Magnificat is one of the eight most a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mode (music)
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. ( Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite (music)
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/ concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical " overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint-Quentin Collegiate Church
The Basilica of Saint-Quentin (french: Basilique Saint-Quentin), formerly the Collegiate Church of Saint-Quentin (french: Collégiale Saint-Quentin) is a Catholic church in the town of Saint-Quentin, Aisne, France. There have been religious buildings on the site since the 4th century AD, which were repeatedly destroyed and rebuilt during the Early Middle Ages. The present basilica was constructed in stages between the 12th and 15th centuries. It was severely damaged in World War I (1914–18), and was only reopened in 1956 after extensive reconstruction. Origins The town of Saint-Quentin has been identified with the Roman city of Augusta Veromandurorum, a commercial center at an important crossroads. It takes its present name from the Christian missionary Saint Caius Quintinus, who was beheaded there in 287 AD. Legend says the body was found many years later in the nearby marches of the River Somme by a Roman widow named Eusebia. She reburied the remains at the top of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Dumage
Pierre du Mage (also ''Dumage'') ( baptized 23 November 1674 – 2 October 1751) was a French Baroque organist and composer. His first music teacher was most likely his father, organist of Beauvais Cathedral. At some point during his youth Dumage moved to Paris and studied under Louis Marchand. He also befriended Nicolas Lebègue, who in 1703 procured for Dumage a position of organist of the Saint-Quentin collegiate church.Apel 1972, 744. In 1710 he was appointed titular organist of the Laon Cathedral. Due to strained relations with his superiors in the cathedral chapter, du Mage left on 30 March 1719, at the age of 45, and became a civil servant.Higginbottom, Grove. He apparently neither played nor composed music professionally until his death. Du Mage's only surviving work is ''Premier livre d'orgue'', published in 1708. This collection is dedicated to the chapter of Saint Quentin. It contains a single ''Suite du premier ton'': eight pieces in the traditional French forms: ''P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilles Jullien
Gilles Jullien (c. 1651/165314 September 1703) was a French Baroque composer and organist. He is credited with bringing the style of French organ music then current in Paris to Chartres.Apel 1973, 734. Almost nothing is known about Jullien's life or training. His burial certificate indicates he was 50 or slightly younger when he died, so he must have been born between 1651 and 1653. It is assumed that he became organist of the Chartres Cathedral on 6 December 1667. The date is questionable, but the fact that Jullien was appointed organist of the cathedral while still very young is indisputable. He occupied this position until his death in Chartres in 1703. He was succeeded at the cathedral by his eldest son, Jean-François Jullien. All of Jullien's surviving music is contained in his ''Premier Livre d'orgue'' (Paris, 1690). It consists of around 80 pieces (most influenced by Nicolas Lebègue's work), organized into eight organ suites in the eight church modes. According to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Nicolas Geoffroy
Jean-Nicolas Geoffroy (1633 – 11 March 1694) was a French harpsichordist, organist and composer.The registration of baroque organ music Barbara Owen - 1997 "Jean-Nicolas Geoffrey (fl. 1633-94)" His birthplace is unknown; he died in Perpignan. His life before 1690 is unknown; he was probably a pupil of Nicolas Lebègue and served as titular organist of the Saint-Nicolas-du-Chardonnet church in Paris. He was considered an expert in organ building and at some point in life settled in Perpignan where he played the organ of Perpignan Cathedral (''Cathédrale Saint-Jean-Baptiste''). Geoffroy's harpsichord oeuvre is, along with those of François Couperin and Jean-François Dandrieu, one of the most important contributions to French music of the Baroque era. A single collection of his pieces survives in manuscript A manuscript (abbreviated MS for singular and MSS for plural) was, traditionally, any document written by hand – or, once practical typewriters became avai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
