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Noelani Pantastico
Noelani Pantastico (born May 4, 1980) is an American ballet dancer. She was formerly a principal dancer with Pacific Northwest Ballet in Seattle and also danced at the Les Ballets de Monte-Carlo in Monaco. Early life Pantastico was born in Oahu, Hawaii, to a Hawaiian-Filipino father and an Australian mother, and is one of six children. In her early life, her family moved around in the country. She started training at the Central Pennsylvania Youth Ballet at the age of 11. She also attended Pacific Northwest Ballet's summer intensives for three years Career In 1997, Pantastico joined the Pacific Northwest Ballet in Seattle as an apprentice, and became a member of the corps de ballet a year later. She was named soloist in 2001 and, a year after dancing Aurora in ''Sleeping Beauty'', a principal in 2004. In 2008, she left PNB and joined Jean-Christophe Maillot's Les Ballets de Monte-Carlo in Monaco as a soloist, having previously danced Maillot's '' Roméo et Juliette'' at PNB. She ...
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Oahu, Hawaii
Oahu () ( Hawaiian: ''Oʻahu'' ()), also known as "The Gathering Place", is the third-largest of the Hawaiian Islands. It is home to roughly one million people—over two-thirds of the population of the U.S. state of Hawaii. The island of O’ahu and the Northwestern Hawaiian Islands constitute the City and County of Honolulu. The state capital, Honolulu, is on Oʻahu's southeast coast. Oʻahu had a population of 1,016,508 according to the 2020 U.S. Census, up from 953,207 people in 2010 (approximately 70% of the total 1,455,271 population of the State of Hawaii, with approximately 81% of those living in or near the Honolulu urban area). Name The Island of O{{okinaahu in Hawaii is often nicknamed (or translated as) ''"The Gathering Place"''. It appears that O{{okinaahu grew into this nickname; it is currently the most populated Hawaiian Island, however, in ancient times, O{{okinaahu was not populous and was outranked by the status of other islands. The translation of ''"gath ...
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Concerto Barocco
''Concerto Barocco'' is a neoclassical ballet made for students at the School of American Ballet by George Balanchine, subsequently ballet master and co-founder of New York City Ballet, to Johann Sebastian Bach's Concerto in D minor for Two Violins, BWV 1043. After an open dress rehearsal on May 29, 1941, in the Little Theatre of Hunter College, New York, the official premiere took place June 27, 1941, at Teatro Municipal in Rio de Janeiro as part of American Ballet Caravan's South American tour. ''Concerto Barocco'' subsequently entered the repertory of the Ballet Russe de Monte Carlo, premiering on September 9, 1945, at New York City Center.Martin, John"THE DANCE: BALLET RUSSE: Monte Carlo Company to Present New Works in City Center Season,"''New York Times'' (August 26, 1945). The New York City Ballet premiere was October 11, 1948, as one of three ballets on the program of its first performance at New York City Center. Three years later, in 1951, Balanchine replaced the ...
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Symphony In C (ballet)
''Symphony in C'', originally titled ''Le Palais de Cristal'', is a ballet choreographed by George Balanchine, to Georges Bizet's Symphony in C. The ballet was originally created for the Paris Opera Ballet, and premiered on July 28, 1947 at Théâtre National de l'Opéra. Production Georges Bizet (1838 – 1875) wrote Symphony in C when he was 17-year-old student, and the score was not found until 1933. Composer Igor Stravinsky informed choreographer George Balanchine about this discovery. In 1947, as a guest ballet master at the Paris Opera Ballet, Balanchine choreographed the ballet, then titled ''Le Palais de Cristal'', to "showcase for the talent of the whole company." Balanchine paid homage to Léo Staats, a French choreographer he admired. According to NYCB, Balanchine created the ballet within two weeks. The following year, he restaged the ballet for Ballet Society, under the title ''Symphony in C'', and this version was featured in New York City Ballet's first program ...
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Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoye ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, link=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revis ...
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The Sleeping Beauty (ballet)
''The Sleeping Beauty'' ( rus, Спящая красавица, Spyashchaya krasavitsa ) is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (Opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's '' La Belle au bois dormant''. The choreographer of the original production was Marius Petipa. The premiere performance took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890. The work has become one of the classical repertoire's most famous ballets. History Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of ''Undine''. It was later decided that Charles Perrault's '' La Belle au bois dormant'' would be the story for which Tchaikovsky would c ...
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Serenade (ballet)
''Serenade'' is a ballet by George Balanchine to Tchaikovsky's 1880 '' Serenade for Strings in C'', Op. 48. Serenade is credited as being George Balanchine's first full-length ballet in America. Using the students of his newly formed School of American Ballet, Balanchine choreographed this ballet for an American audience that had not been widely exposed to ballet before.Bird, "Principles of Choreography as Exemplified in the Works of George Balanchine" (1980). Master's Theses. 1851 Students of the School of American Ballet gave the first performance on Sunday, 10 June 1934 on the Felix M. Warburg estate in White Plains, N.Y., where '' Mozartiana'' had been danced the previous day. It was then presented by the Producing Company of the School of American Ballet on 6 December at the Avery Memorial Theatre of the Wadsworth Atheneum with sets by the painter William Littlefield. Balanchine presented the ballet as his response to the generous sponsorships he received during his immig ...
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Scheherazade (Rimsky-Korsakov)
''Scheherazade'', also commonly ''Sheherazade'' ( rus, Шехеразада, Shekherazada, ʂɨxʲɪrɐˈzadə), Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on ''One Thousand and One Nights'' (also known as ''The Arabian Nights)''. This orchestral work combines two features typical of Russian music in general and of Rimsky-Korsakov in particular: dazzling, colorful orchestration and an interest in the East, which figured greatly in the history of Imperial Russia, as well as orientalism in general. The name "Scheherazade" refers to the main character Scheherazade of the ''One Thousand and One Nights''. It is one of Rimsky-Korsakov's most popular works. Background During the winter of 1887, as he worked to complete Alexander Borodin's unfinished opera '' Prince Igor,'' Rimsky-Korsakov decided to compose an orchestral piece based on pictures from ''One Thousand and One Nights'' as well as separate and unconnected episodes.Rimsky-Korsa ...
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Paquita
''Paquita'' is a ballet in two acts and three scenes originally choreographed by Joseph Mazilier to music by Édouard Deldevez and Ludwig Minkus. Paul Foucher received royalties as librettist. History ''Paquita'' is the creation of French composer Édouard Deldevez and Paris Opéra Ballet Master Joseph Mazilier. It was first presented at the Salle Le Peletier by the Paris Opera Ballet on 1 April 1846 and was retained in the repertory of the Opéra until 1851. In 1847, ''Paquita'' was staged for the first time in Russia for the Imperial Ballet of St. Petersburg by Marius Petipa and Pierre-Frédéric Malavergne, being the first work ever staged by Petipa in Russia. In 1881, Petipa produced a revival of the ballet for which he added new pieces specially composed by Ludwig Minkus. This included the ''Paquita pas de trois'' for the first act and the ''Paquita grand pas classique'' and the ''Mazurka des enfants'' for the last act. Petipa's version of ''Paquita'' was retained in the ...
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Other Dances
''Other Dances'' is a ballet choreographed by Jerome Robbins to music by Frédéric Chopin. It was created on Natalia Makarova and Mikhail Baryshnikov, and premiered on May 9, 1976, at a gala benefitting the New York Public Library for the Performing Arts, held at Metropolitan Opera House. It was originally made as a pièce d'occasion, but after receiving critical acclaim, it was soon added to American Ballet Theatre and New York City Ballet's repertories. Production ''Other Dances'' was made as a pièce d'occasion for James Lipton's "The Star Spangled Gala", which benefited the New York Public Library for the Performing Arts. Robbins had previously donated part of his profits from the musical '' Fiddler on the Roof'' to the library's dance collection. It was funded by Eugenia "Genya" Doll, the wife of Henri George Doll and former wife of choreographer Léonide Massine, as a wedding gift to dancer Natalia Makarova, with her partner in the ballet being Mikhail Baryshnikov. ...
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The Nutcracker (Balanchine)
Choreographer George Balanchine's production of Tchaikovsky's 1892 ballet ''The Nutcracker'' has become the most famous stage production of the ballet performed in the U.S. (Mikhail Baryshnikov's production is the most famous television version, although it too originated onstage.) It uses the plot of the Alexandre Dumas, ''père'', version of E.T.A. Hoffmann's tale, "The Nutcracker and the Mouse King" (1816). Its premiere took place on February 2, 1954, at City Center, New York, with costumes by Karinska and sets by Horace Armistead. It has been staged in New York every year since 1954, and many other productions throughout the United States either imitate it, or directly use the Balanchine staging. However, although it is often cited as being the production that made the ballet famous in the U.S., it was Willam Christensen's 1944 production for the San Francisco Ballet which first introduced the complete work to the United States. Staging In Balanchine's version, the leadi ...
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The Merry Widow (ballet)
''The Merry Widow'' ballet is a 1975 adaptation of Franz Lehár's 1905 romantic operetta ''The Merry Widow'' (''Die lustige Witwe''). John Lanchbery and Alan Abbott adapted the score of the operetta for ballet and retained the style of Lehár's orchestration. The arrangement includes the well-known tunes of the operetta: Vilja's song ''Ich bin eine anständige Frau'' and the ''Weibermarsch''. This musical arrangement has been used for two ballets: the first was choreographed by Ronald Hynd for The Australian Ballet in 1975, while the second was choreographed by Veronica Paeper for CAPAB (since renamed the Cape Town City Ballet Company) in 1988. Ballet choreographed by Ronald Hynd The ballet was created for The Australian Ballet by Sir Robert Helpmann (a principal dancer and choreographer), who obtained permission from the heirs of the composer and the librettists ( Viktor Léon and Leo Stein), by special arrangement with Glocken Verlag Ltd. of London. The scenario and sta ...
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