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Nine Bows
The Nine Bows is a visual representation in Ancient Egyptian art of foreigners or others. Besides the nine bows, there were no other generic representations of foreigners. Due to its ability to stand in for any nine enemies to Ancient Egypt, the peoples covered by this term changed over time as enemies changed, and there is no true list of the nine bows. Alternatively, the nine bows may have had a separate or complementary meaning. In Egyptian hieroglyphs, the word 'Nine Bows' is spelled out as a bow and three sets of three vertical lines. The bow, holding the phonic value "pḏ," means "stretch, (be) wide," and the three sets of lines makes the word plural. The number nine was used metaphorically to express totality. Using this more literal translation of the hieroglyphs, the nine bows could also refer to endless, innumerable foreign lands or the totality of foreign lands. It is important to note that Ancient Egyptians believed in dualism or that two cosmic forces, order and ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thutmose III Sphinx E10897 Mp3h8800-gradient
Thutmose (also rendered Thutmoses, Thutmosis, Tuthmose, Tutmosis, Thothmes, Tuthmosis, Thutmes, Djhutmose, Djehutymes, etc.) is an Anglicization of the Ancient Egyptian personal name ''dhwty-ms'', usually translated as "Born of the god Thoth". Thoutmôsis (in Ancient Greek Θούθμωσις / Thoúthmôsis ) is the Hellenized form of the Egyptian Ḏḥwtj-mś (reconstructed pronunciation: /tʼaˈħawtij ˈmissaw/) and means "Born of Thoth ". This theophoric name was part of the royal titulary of four pharaohs of the 18th dynasty as the name of Nomen (ancient Egypt), Sa-Rê or “birth name”. It was also worn by the eldest son of Amenhotep III, high priest of Ptah, as well as by a vizier who exercised his functions successively under Thutmose IV and Amenhotep III. Under this last king and under his successor, Amenhotep IV, two other high dignitaries, royal sons of Kush, similarly called themselves "Born[s] of Thoth" Ancient Egyptians Monarchs and royals The name was common amo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoshenq I
Hedjkheperre Setepenre Shoshenq I (Egyptian ''ššnq''; reigned c. 943–922 BC)—also known as Shashank or Sheshonk or Sheshonq Ifor discussion of the spelling, see Shoshenq—was a pharaoh of ancient Egypt and the founder of the Twenty-second Dynasty of Egypt. Of Meshwesh ancestry, Shoshenq I was the son of Nimlot A, Great Chief of the Ma, and his wife Tentshepeh A, a daughter of a Great Chief of the Ma herself. He is presumed to be the Shishak mentioned in the Hebrew Bible, and his exploits are carved on the Bubastite Portal at Karnak. Chronology The conventional dates for his reign, as established by Kenneth Kitchen, are 945–924 BC but his time-line has recently been revised upwards by a few years to 943–922 BC, since he may well have lived for up to two to three years after his successful campaign in Canaan, conventionally dated to 925 BC. As Edward Wente of the University of Chicago noted (1976) on page 276 of his JNES 35 Book Review of Kitchen's study o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nectanebo II
Nectanebo II (Egyptian: ; grc-gre, Νεκτανεβώς ) was the last native ruler of Ancient Egypt, as well as the third and last pharaoh from the Thirtieth Dynasty of Egypt. He reigned from 358 to 340 BC. Under Nectanebo II, Egypt prospered. During his reign, the Egyptian artists developed a specific style that left a distinctive mark on the reliefs of the Ptolemaic Kingdom. Like his indirect predecessor Nectanebo I, Nectanebo II showed enthusiasm for many of the cults of the gods within ancient Egyptian religion, and more than a hundred Egyptian sites bear evidence of his attentions. Nectanebo II, however, undertook more constructions and restorations than Nectanebo I, commencing in particular the enormous Egyptian temple of Isis (the Iseum). For several years, Nectanebo II was successful in keeping Egypt safe from the Achaemenid Empire. However, betrayed by his former servant, Mentor of Rhodes, Nectanebo II was ultimately defeated. The Persians occupied Memphis and then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze Sphinx Of Thutmose III
The Bronze Sphinx of Thutmose III is a statuette of a sphinx made during the 18th Dynasty of Egypt under the reign of Thutmose III, who ruled from c. 1479 to 1425 BCE. Adorned with multiple symbols of royal power, it might have been an element or a lock. It was purchased by the Louvre in 1826, and is part of the permanent collections in the display case 4 in Room 637 (formerly 24), Sully Wing, first floor. Symbolism The statuette is adorned with gold inlays highlighting symbols of royal power. The sphinx depicts Pharaoh reclining on the Nine bows, which represent the traditional enemies of Egypt brought to submission. The front of the statuette uses the lapwing Rekhyt bird to spell: ''"all the people give praise"'', using the basket hieroglyph V30 𓎠 ("nb") for "all"; the lapwing hieroglyph G24 𓅛 ("rḫyt") for "the people"; and the star hieroglyph N14 𓇼 for "praising" (this is a rebus). Djed The ''djed,'' also ''djt'' ( egy, ḏd 𓊽, Coptic ''jōt'' "pillar", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thebes, Egypt
, image = Decorated pillars of the temple at Karnac, Thebes, Egypt. Co Wellcome V0049316.jpg , alt = , caption = Pillars of the Great Hypostyle Hall, in ''The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia'' , map_type = Egypt , map_alt = , map_size = , relief = yes , coordinates = , location = Luxor, Luxor Governorate, Egypt , region = Upper Egypt , type = Settlement , part_of = , length = , width = , area = , height = , builder = , material = , built = , abandoned = , epochs = , cultures = , dependency_of = , occupants = , event = , excavations = , archaeologists = , condition = , ownership = , management = , public_access = , website = , notes = , designation1 = WHS , designation1_offname = Ancient Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramesseum
The Ramesseum is the memorial temple (or mortuary temple) of Pharaoh Ramesses II ("Ramesses the Great", also spelled "Ramses" and "Rameses"). It is located in the Theban Necropolis in Upper Egypt, on the west of the River Nile, across from the modern city of Luxor. The name – or at least its French form Rhamesséion – was coined by Jean-François Champollion, who visited the ruins of the site in 1829 and first identified the hieroglyphs making up Ramesses's names and titles on the walls. It was originally called the ''House of millions of years of Usermaatra-setepenra that unites with Thebes-the-city in the domain of Amon.'' ''Usermaatra-setepenra'' was the prenomen of Ramesses II. History Ramesses II modified, usurped, or constructed many buildings from the ground up, and the most splendid of these, in accordance with New Kingdom royal burial practices, would have been his memorial temple: a place of worship dedicated to pharaoh, god on earth, where his memory would h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keftiu
Caphtor ( he, ''Kaftōr'') is a locality mentioned in the Bible, in which its people are called Caphtorites or Caphtorim and are named as a division of the ancient Egyptians. Caphtor is also mentioned in ancient inscriptions from Egypt, Mari, and Ugarit. Jewish sources placed Caphtor in the region of Pelusium, though modern sources tend to associate it with localities such as Cilicia, Cyprus, or Crete.Strange, J. ''Caphtor/Keftiu: A New Investigation'' (Leiden: Brill) 1980 Jewish accounts The Caphtorites are mentioned in the Table of Nations, Book of Genesis () as one of several divisions of Mizraim (Egypt). This is reiterated in the Books of Chronicles () as well as later histories such as Josephus' '' Antiquities of the Jews'' i.vi.2,Josephus, Antiquities of the Jews - Book i, Chapter vi, Section 2, partial: Now all the children of Mesraim, being eight in number, possessed the country from Gaza to Egypt, though it retained the name of one only, the Philistim; for the Greeks c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horus Name
The Horus name is the oldest known and used crest of ancient Egyptian rulers. It belongs to the " great five names" of an Egyptian pharaoh. However, modern Egyptologists and linguists are starting to prefer the more neutral term: the "serekh name". This is because not every pharaoh placed the falcon, which symbolizes the deity Horus, atop his (or in some cases, her) serekh. Heraldic appearance The picture of the Horus name is made of two basic elements: A sitting or walking figure of a certain deity holds a rectangular, ornamental vignette, imitating the floor plan of a palace facade and the royal courtyard. The rectangular vignette is called ''serekh'', after the Egyptian word for "facade". There are countless variations of the facade decor in the serekh. The complexity and detail of the facade decor varied remarkably depending on the object on which it was present. It seems that no strict artistic rules for the design of the serekh itself existed. The name of the pharaoh was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cartouche
In Egyptian hieroglyphs, a cartouche is an oval with a line at one end tangent to it, indicating that the text enclosed is a royal name. The first examples of the cartouche are associated with pharaohs at the end of the Third Dynasty, but the feature did not come into common use until the beginning of the Fourth Dynasty under Pharaoh Sneferu. While the cartouche is usually vertical with a horizontal line, if it makes the name fit better it can be horizontal, with a vertical line at the end (in the direction of reading). The ancient Egyptian word for cartouche was , and the cartouche was essentially an expanded shen ring. Demotic script reduced the cartouche to a pair of brackets and a vertical line. Of the five royal titularies it was the ''prenomen'' (the throne name), and the "Son of Ra" titulary (the so-called '' nomen'' name given at birth), which were enclosed by a cartouche. At times amulets took the form of a cartouche displaying the name of a king and placed in tombs. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Kingdom Of Egypt
The New Kingdom, also referred to as the Egyptian Empire, is the period in ancient Egyptian history between the sixteenth century BC and the eleventh century BC, covering the Eighteenth, Nineteenth, and Twentieth dynasties of Egypt. Radiocarbon dating places the beginning of the New Kingdom between 1570 BC and 1544 BC. The New Kingdom followed the Second Intermediate Period and was succeeded by the Third Intermediate Period. It was Egypt's most prosperous time and marked the peak of its power. The concept of a "New Kingdom" as one of three "golden ages" was coined in 1845 by German Egyptologist Baron von Bunsen, and its definition would evolve significantly throughout the nineteenth and twentieth centuries. The later part of this period, under the Nineteenth and Twentieth dynasties (1292–1069 BC), is also known as the ''Ramesside period''. It is named after the eleven pharaohs who took the name Ramesses, after Ramesses I, the founder of the Nineteenth Dynasty. Possibly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antinoöpolis
Antinoöpolis (also Antinoopolis, Antinoë, Antinopolis; grc, Ἀντινόου πόλις; cop, ⲁⲛⲧⲓⲛⲱⲟⲩ ''Antinow''; ar, الشيخ عبادة, modern ''Sheikh 'Ibada'' or ''Sheik Abāda'') was a city founded at an older Egyptian village by the Roman emperor Hadrian to commemorate his deified young beloved, Antinoüs, on the east bank of the Nile, not far from the site in Upper Egypt where Antinoüs drowned in 130 AD. Antinoöpolis was a little to the south of the Egyptian village of Besa (), named after the god and oracle of Bes. Antinoöpolis was built at the foot of the hill upon which Besa was seated. The city is located nearly opposite of Hermopolis Magna, and was connected to Berenice Troglodytica by the Via Hadriana. History New Kingdom During the New Kingdom, the city, ''Hir-we'', was the location of Ramesses II's great temple, dedicated to the gods of Khmun and Heliopolis. Roman period During the Roman Empire, the city of Antinoöpolis was e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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