Heraldic appearance
The picture of the Horus name is made of two basic elements: A sitting or walking figure of a certain deity holds a rectangular, ornamental vignette, imitating the floor plan of a palace facade and the royal courtyard. The rectangular vignette is called ''serekh'', after the Egyptian word for "facade". There are countless variations of the facade decor in the serekh. The complexity and detail of the facade decor varied remarkably depending on the object on which it was present. It seems that no strict artistic rules for the design of the serekh itself existed. The name of the pharaoh was written inside the free space that represents the royal courtyard.Jürgen von Beckerath: Handbuch der ägyptischen Königsnamen. Münchner Ägyptologische Studien. Bd. 49. Philipp von Zabern, Mainz 1999, , p. 7-9.Rolf Gundlach: ''Horus in the Palace: The centre of State and Culture in pharaonic Egypt''. In: Rolf Gundlach, John H. Taylor: ''Egyptian royal Residences: 4. Symposium zur Ägyptischen Königsideologie (4th edition, London 2004)''. Harrassowitz, Wiesbaden 2009, , p. 45–68.Toby A. H. Wilkinson: ''Early Dynastic Egypt: Strategy, Society and Security.'' Routledge, London 1999, , p. 56-57, 201-202.Symbology
The symbolic meaning of the Horus name is still disputed. It seems obvious, at least, that the name of a king was addressed straight to the deity on top of the serekh. In most cases it was the falcon of the god Horus. This is based on the Egyptian tradition and belief that a living king was commonly the herald and earthly representative of Horus. A good example is the name of 2nd Dynasty king Raneb. His name was written with the sign of the sun (''Râ'') and the sign of a basket (''néb''). Altogether, the name reads "Lord of the sun of Horus", thus integrating Horus as the royal patron into the king's name. Scholars point to the symbolic and expressive strength of the Horus falcon: hovering high in the sky, stretching out his wings widely and seemingly looking over all of Egypt, this heraldic animal represented omnipresence and an outstretching power. Additionally, the names of early dynasty kings show, when translated, an astonishing aggressiveness, which clearly expresses the wish of Egyptian kings to be untouchable and undefeatable, thanks to the god Horus. During the 2nd Dynasty, the serekh names of the kings reveal a rather peace-seeking nature, expressing the wish of the pharaohs to rule over an unwavering world full of order and harmony: the epitheton of the Horus name of King Sekhemib, ''Per-en-ma'at'' (meaning "he who achieves Ma'at"), is the clearest early expression of this. As already mentioned, most Egyptian kings favored Horus as their dynastic name patron. In a few cases, especially during the midst of the 2nd Dynasty, at least two serekh names seem to contradict the Horus tradition. The most prominent example is kingIntroduction and history
As already mentioned, the Horus name is the oldest known and used royal title. Its introduction reaches back to the time of the Naqada II period at 3400 BC, and its development can be observed on objects from Naqada II to the 1st Dynasty. However, at the time of introduction, the serekhs of kings were yet anonymous. Later the name of the king was written beside the serekh or omitted completely. In many cases the serekh lacks the Horus falcon, and in other cases, such as the serekh of king Ka, the serekh seems to be held by Horus upside-down.Laurel Bestock: ''The Development of Royal Funerary Cult at Abydos: Two Funerary Enclosures from the Reign of Aha'' (= ''Menes: Studien zur Kultur und Sprache der ägyptischen Frühzeit und des Alten Reiches'', vol.6). Harrassowitz, Wiesbaden 2009, , p. 6-10. During the middle and late Naqada III period (3200–3030 BC.), kings started to write their name inside their serekhs. Some of the best-known early examples are the names ofSpecial serekhs
During the introduction and development of the serekh names, three examples of special serekhs are of very special interest to Egyptologists and historians. The first example is the serekh of a protodynastic king known as " Double Falcon". The serekh of this particular king has a top that is sharply bent inwards at the very middle. The inside of the serekh is filled with a great many little dots. This makes the upper part of the serekh look like the hieroglyphic sign of a two-topped mountain, the sign for "desert" or "foreign land". A further curiosity of Double Falcon's serekh are the two falcon figures, each one resting on one corner atop the bent serekh and facing each other. Egyptologists and historians are convinced that this unusual king's name has a deeper meaning. Most possibly it points to Lower Egypt and Sinai, since Double Falcon's name has been found only at these two sites. A second unusual serekh is that of King Hor-Aha. It shows the Horus falcon reaching into the serekh with his claws and holding a mace and a shield, forming the word ''Aha'', meaning "fighter of Horus". The arrangement is intriguing, because normally the Horus falcon and the hieroglyphs inside the serekh were out of reach and independent of one another. The motive and deeper meaning of Aha's serekh are unknown. The third examples of unusual serekhs are those of several queens, including the serekh of queen Meritneith. For a long time it was believed by scholars that the royal title of a serekh was reserved for male rulers only. For this reason, it was long thought that Meritneith was a man, until mud seal impressions revealed the female title ''mwt nesw'' ("mother of (the) king"). The tomb stela of Meritneith also proved the true gender of this queen. Thus, queen Meritneith was the first Egyptian female ruler who was allowed to use the serekh. However, her serekh is surmounted by the standard of the goddessSee also
* Nebty name *References