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Nicolas Gersin
Nicolas Gersin (born 1765 – died December 1833 at Chantilly) was a French playwright and librettist. An uncle of Jean-Louis-Auguste Loiseleur-Deslongchamps who studied in his home, his plays have been performed on the most important Parisian stages of the 19th century: Théâtre du Vaudeville, Théâtre de l'Odéon, Théâtre des Variétés-Amusantes, Théâtre-Français etc. He died of apoplexy in December 1833 at Chantilly.''L'Ami de la religion et du roi: journal ecclésiastique'', 1834, vol.78, (p. 428) Works * ''Rosine ou l’Épouse abandonnée'', opera in 3 acts, music by François-Joseph Gossec, 1786 * ''Hymne à l’Être suprême'', 1794 * ''Arlequin-décorateur'', comédie-parade in 1 act and in prose, mêlée de vaudevilles, with Alexandre de Ferrière, 1798 * ''Ne pas croire ce qu'on voit'', comédie en vaudevilles in 1 act, 1798 * ''Gilles ventriloque'', with Pierre-Ange Vieillard, 1799 * ''Le Triomphe de Camille'', opéra in 1 act, with Vieillard, 1799 * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chantilly, Oise
Chantilly ( , ) is a commune in the Oise department in the Valley of the Nonette in the Hauts-de-France region of Northern France. Surrounded by Chantilly Forest, the town of 10,863 inhabitants (2017) falls within the metropolitan area of Paris. It lies 38.4 km (23.9 miles) north-northeast of the centre of Paris and together with six neighbouring communes forms an urban area of 37,254 inhabitants (2018). Intimately tied to the House of Montmorency in the 15th to 17th centuries, the Château de Chantilly was home to the Princes of Condé, cousins of the Kings of France, from the 17th to the 19th centuries. It now houses the Musée Condé. Chantilly is also known for its horse racing track, Chantilly Racecourse, where prestigious races are held for the Prix du Jockey Club and Prix de Diane. Chantilly and the surrounding communities are home to the largest racehorse-training community in France. Chantilly is also home to the Living Museum of the Horse, with stables built b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Désaugiers
Marc-Antoine Désaugiers (1742 – 10 September 1793) was a French composer of numerous operas as well as a cantata on the storming of the Bastille and several pieces of sacred music. He was born in Fréjus. He studied music there but was largely an autodidact. Désaugiers settled in Paris in 1774 where he first came to prominence with his French translation of Giovanni Battista Mancini's ''Pensieri e riflessioni pratiche sopra il canto figurato''. His translation, published in 1776 under the title ''L'Art du chant figuré'', was much admired by Gluck who became his close friend. Désaugiers died in Paris. His son, Marc-Antoine Madeleine Désaugiers Marc-Antoine Madeleine Désaugiers (17 November 1772 – 9 August 1827) was a French composer, dramatist, and songwriter. Désaugiers is easily confused in historical writings with his father, Marc-Antoine Désaugiers (b. Fréjus, 1742 – d. Pari ... was also a composer. References 1742 births 1793 deaths People from Fréjus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Théaulon
Marie-Emmanuel-Guillaume-Marguerite Théaulon de Lambert (14 August 1787, Aigues-Mortes – 16 November 1841) was a French playwright. A customs inspector, then an inspector of military hospitals, he composed an ''Ode'' on the birth of the King of Rome which brought him thanks from Napoleon himself. In 1814 he sang for the Bourbons and put on his first play, ''Les Clefs de Paris, ou le Dessert d’Henri IV'' (The Keys of Paris, or the Deservings of Henry IV), in their honour. In 1815, he composed and organised the posting of proclamations in honour of Louis XVIII. He collaborated on the royalist journals ''Le Nain rose'', ''La Foudre'', ''L’Apollon''. Selected works Above all during the Bourbon restoration, he wrote and put on a large number (sometimes alone, sometimes with collaborators), 250 according to one account. Written extremely quickly, most of them are only sketches, whose style often leaves something to be desired but which do not lack wit and beauty. He wrote two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel De Lurieu
Gabriel de Lurieu (real name Gabriel-Zéphirin Gonyn de Lurieu; Paris, 28 October 1799 (7 brumaire year VIII) – Paris, 5 February 1889 ) was a French author and playwright. His brother Jules-Joseph-Gabriel de Lurieu (1792–1869), with whom he is sometimes mistaken, was also a playwright, who used the pseudonym "J. Gabriel", under which he cowrote the libretto for the opera ''La perle du Brésil'' by Félicien David, and the collective pseudonym "Monsieur Sapajou" (with Armand d'Artois and Francis d'Allarde). Biography The son of a captain of Dragons from a family of the minor nobility (squire) of the former Forez province, parallel to its inspector general career in the watch of Benevolent Institutions of the City of Paris, he started writing theatre plays. He authored numerous plays and libretti for opéras comiques, most of them written in collaboration, in particular with Théophile Marion Dumersan, Francis baron d'Allarde, Armand d'Artois, Nicolas Brazier, Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Brazier
Nicolas Brazier (17 February 1783, Paris - 18 February 1838) was a French chansonnier and vaudevillist. Life Son of a boarding school master and author of school manuals, Brazier's education was however strongly neglected due to the French Revolution. At first a jeweller's apprentice, then employed in the "Droits réunis" (the French indirect taxes administration of the time), he showed a talent for verse and was encouraged and guided by Armand Gouffé. Following his first success at the Théâtre des Délassements-Comiques, in 1803, he left his job to devote himself to chansons and to the theatre, following courses at school to fill in the gaps in his education. His witty, spirited and lively chansons often proved popular, though the vulgarity of his style has led to them being forgotten. The Société du Caveau keeps their memory alive. Brazier collaborated on over 200 witty vaudeville pieces, above all on the couplets. His collaborators included Dumersan, Désaugiers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léonard Tousez
Léonard Décade Tousez (1788–1826) was a French actor and playwright of the 19th century. Biography Tousez was born in Paris. An actor at the Théâtre des Variétés (1816-1826), he played the handsome young men in ''Les Bolivars et les Morillos ou Les amours de Belleville'' (1819) by Armand d'Artois and Gabriel de Lurieu as well as, inter alia, in ''Le témoin ou La Porte-Maillot'' (1820) by Eugène Scribe, Mélesville and Xavier Boniface. In 1818, he married Charlotte Zoë Régnier de la Brière, an actress and François-Joseph Regnier's mother. He took part in the composition of several plays of the boulevard theatre genre which were presented at the Théâtre du Gymnase dramatique and the Théâtre du Vaudeville. He lost reason while performing in 1826 and died in the asylum at Charenton.''Biographies des artistes dramatiques par nos meilleurs auteurs contemporains'', 1848,Lire en ligne Works *1820: ''Les bons gendarmes'', poème épique en deux chants, with Charl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard-Joseph-Ennemond Mazères
Édouard-Joseph-Ennemond Mazères (11 September 1796, Paris – 19 March 1866, Paris) was a 19th-century French playwright and librettist. Biography A son of a French colonist of Saint-Domingue, he studied in Paris then joined the army. Lieutenant of infantry, he resigned in 1820 to concentrate on literature. He became Charles X's lecturer but had to leave the post during the July Revolution. In 1832, he was raised to the position of sous-préfet of Saint-Denis, then prefect of Ariège (1835), Aveyron (1837), Haute-Saône (1839) and Cher (1847-1848). His plays, many of which he wrote with Eugène Scribe, were performed on the most important stages of the Parisian theatre of the 19th century: Théâtre du Gymnase, Théâtre de Madame, Théâtre de l'Odéon, Comédie-Française, Théâtre du Vaudeville, etc. Works *1821: ''L'Album'', comedy vaudeville in 1 act, with Louis-Benoît Picard *1821: ''Un jour a Rome, ou Le jeune homme en loterie'', with G. de Lurieu *1821: ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine-Pierre-Charles Favart
Antoine-Pierre-Charles Favart (6 October 1780 – 28 March 1867) was a 19th-century French playwright, painter, engraver and diplomat. Biography Favart was born in Paris in 1784. He was the grandson of Charles-Simon Favart and Marie Justine Benoite Duronceray, a celebrated actress of her time. Favart's father, Charles Nicolas Joseph Favart, was also a dramatist and an actor. Favart's works were published, his own plays were presented at Théâtre du Vaudeville. He also participated as costume designer to other boulevard plays such as ''Le sultan du Havre'' by Armand d'Artois and Henri Dupin (1810). Favart also edited his grandfather's ''Memoires''. He entered the French diplomatic service, where he gained some distinction. He became a consul of France in Russia, secretary of the Duke of Caraman and the Duke de Polignac, in charge of diplomatic missions, he established ties with the playwright and poet Aleksey Konstantinovich Tolstoy of whom he made an oil portrait in 1846 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armand D'Artois
Armand d'Artois (3 October 1788 – 28 March 1867) was a 19th-century French playwright and librettist, and also Achille d'Artois's brother. Biography Trained for the bar, he first worked as an attorney but the success of his play ''Les Finacés'', in 1808, caused him to devote himself entirely to literature. In 1814, he joined the guards of the king of Belgium, leaving military service after receiving the Legion of Honour in 1818. A very prolific author, he wrote under various collective pseudonyms such as Emmanuel, with Emmanuel Arago, M. Sapajou, with Francis baron d'Allarde and Gabriel de Lurieu. Managing director of the Théâtre des Variétés from 1830 to 1836, he also directed ''Le Nain couleur de rose'', a political, literary and moral newspaper from 15 September 1815 to 5 May 1816 and collaborated with ''La Foudre'' by Alphonse de Beauchamp. His plays were presented on some of the most important Parisian stages of the 19th century: Théâtre du Vaudeville, Thé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sewrin
Sewrin, real name Charles-Augustin Bassompierre, (9 October 1771 – 22 April 1853ÂParis», ''Journal de débats'', 24 avril 1853, at Gallica) was a French playwright and goguettier. In addition to his writing of comedies, opéras-comiques, vaudevilles and songs, he also was a librettist for François Adrien Boieldieu, Ferdinand Hérold and Luigi CherubiniNotice d'autorité sur le site de la BNF Biography Charles-Augustin Bassompierre was born 9 October 1771 in , a French fortress in the |
Michel-Joseph Gentil De Chavagnac
Michel-Joseph Gentil de Chavagnac, full name Adolphe Michel Joseph Gentil de Chavagnac, (Paris, 3 July 1770 – Passy, 27 May 1846) was a 19th-century French chansonnier and playwright. Biography After a career in the army, he became known in theater as Marc-Antoine Madeleine Désaugiers's collaborator with whom he published more than thirty plays. Managing director of the Théâtre de l'Odéon in 1821-1822, he also was Private Secretary to the Director of Water and Forests (1822), a founding member of the , and honorary reader of the King (Charles X) from 1823 to 1830. His plays, often circumstantial, were presented on the most important Parisian stages of his time, including the Théâtre des Variétés, the Théâtre de la Porte-Saint-Martin, the Théâtre du Vaudeville, the Théâtre de l'Opéra-Comique etc. Works * ''La Comédie chez l'épicier, ou le Manuscrit retrouvé'', vaudeville-anecdote in 1 act, with Désaugiers, 1808 * ''La Jeunesse de Favart'', comédie anecdo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
