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Nicola Da Urbino
Nicola da Urbino (ca. 1480 – 1540/1547) formerly confused with Nicola Pellipario has traditionally been designated as the Italian ceramicist from Castel Durante in Marche who introduced into painted maiolica the new ''istoriato'' style, in which the whole surface of a plate or charger is devoted to a single representational scene. Nicola's scenes were often derived by freely adapting woodcuts from Romances or the Latin classics, such as the illustrated Ovid's ''Metamorphoses'' printed at Venice, 1497, to which he returned so often that it appears that a copy of it must have lain in his shop; however, he did not merely copy: "the often crude outlines of the black-and-white figures are converted by him into embodiments of supple vitality," Bernard Rackham observed. Later he gave up book illustrations in favour of compositions of Raphael, mediated through the engravings of Marcantonio Raimondi, and, in at least one case, by direct access to a drawing by Raphael of Michelange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BLW Plate With Hippolytus And Phaedra , Luzon, Philippines
{{Disambiguation ...
BLW or blw may refer to: * Baby-led weaning, an approach to adding complementary foods to a baby's diet of breast milk or formula * Baldwin Locomotive Works, a defunct American manufacturer of railroad locomotives * BLW, the IATA code for Beledweyne Airport, Somalia * BLW, the Indian Railways station code for Balawali railway station, Uttar Pradesh, India * blw, the ISO 639-3 code for Balangao language Balangao or Balangaw (also called Balangao Bontoc) is an Austronesian language spoken in northern Luzon, Philippines. It is spoken in the central area of Mountain Province, and into Tanudan municipality of Kalinga Province ; tl, Lalawigan ng Ka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcantonio Raimondi
Marcantonio Raimondi, often called simply Marcantonio (c. 1470/82 – c. 1534), was an Italian engraver, known for being the first important printmaker whose body of work consists largely of prints copying paintings. He is therefore a key figure in the rise of the reproductive print. He also systematized a technique of engraving that became dominant in Italy and elsewhere. His collaboration with Raphael greatly helped his career, and he continued to exploit Raphael's works after the painter's death in 1520, playing a large part in spreading High Renaissance styles across Europe. Much of the biographical information we have comes from his life, the only one of a printmaker, in Vasari's ''Lives of the Artists''. He is attributed with around 300 engravings. After years of great success, his career ran into trouble in the mid-1520s; he was imprisoned for a time in Rome over his role in the series of erotic prints ''I Modi'', and then, according to Vasari, lost all his money in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Potters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maiolica Painters
Maiolica is tin-glazed pottery decorated in colours on a white background. Italian maiolica dating from the Renaissance period is the most renowned. When depicting historical and mythical scenes, these works were known as ''istoriato'' wares ("painted with stories"). By the late 15th century, multiple locations,L. Arnoux, 1877, British Manufacturing Industries – Pottery "Most of the Italian towns had their manufactory, each of them possessing a style of its own. Beginning at Caffagiolo and Deruta, they extended rapidly to Gubbio, Ferrara, and Ravenna, to be continued to Casteldurante, Rimini, Urbino, Florence, Venice, and many other places." mainly in northern and central Italy, were producing sophisticated pieces for a luxury market in Italy and beyond. In France maiolica developed as faience, in the Netherlands and England as delftware, and in Spain as talavera. In English the spelling was anglicised to ''majolica'' but the pronunciation usually preserved the vowel with an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Xanto Avelli
Francesco Xanto Avelli (Rovigo, c. 1487? – c. 1542?)These dates are put forth in the biography provided by the J. Paul Getty Museum; they appear, however, to be highly conjectural. was an Italian ceramicist. He is best known for his painted maiolica works. Life Xanto Avelli was born in Rovigo, in the Veneto, sometime in the late 1480s. Nothing at all is known of his origins, his teaching, or his early years; he is first recorded as working in Urbino in 1530, when he is mentioned in a notarial document describing attempts by a group of pottery workers, or ''interlaboratores artis figuli'', to form an early trade union for the purpose of raising wages. 1530 is also the date on his earliest signed piece, a plate commemorating the coming new year. It is signed ''.f.X.A.R.'', and is further marked ''î Urbino''. At around this time Xanto married a woman called Finalissa, also in Urbino. Over the five years following he produced a large body of work; each piece was signe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypnerotomachia Poliphilii
''Hypnerotomachia Poliphili'' (; ), called in English ''Poliphilo's Strife of Love in a Dream'' or ''The Dream of Poliphilus'', is a book said to be by Francesco Colonna. It is a famous example of an incunable (a work of early printing). The work was first published in 1499 in Venice by Aldus Manutius. This first edition has an elegant page layout, with refined woodcut illustrations in an Early Renaissance style. ''Hypnerotomachia Poliphili'' presents a mysterious arcane allegory in which the main protagonist, Poliphilo, pursues his love, Polia, through a dreamlike landscape. In the end, he is reconciled with her by the "Fountain of Venus". History The ''Hypnerotomachia Poliphili'' was printed by Aldus Manutius in Venice in December 1499. The author of the book is anonymous. However, an acrostic formed by the first, elaborately decorated letter in each chapter in the original Italian reads "POLIAM FRATER FRANCISCVS COLVMNA PERAMAVIT", which means "Brother Francesco Colonna has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Correr
The Museo Correr () is a museum in Venice, northern Italy. Located in St. Mark's Square, Venice, it is one of the 11 civic museums run by the Fondazione Musei Civici di Venezia. The museum extends along the southside of the square on the upper floors of the Procuratorie Nuove. With its rich and varied collections, the Museo Correr covers both the art and history of Venice. History The Museo Correr originated with the collection bequeathed to the city of Venice in 1830 by Teodoro Correr. A member of a traditional Venetian family, Correr was a meticulous and passionate collector, dedicating most of his life to the collection of both works of art and documents or individual objects that reflected the history of Venice. Upon his death, all this material was donated to the city, together with the family's Grand Canal palace which then housed it. The nobleman also left the city funds to be used in conserving and extending the collections and in making them available to the public ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo's David
''David'' is a masterpiece of Renaissance sculpture, created in marble between 1501 and 1504 by the Italian artist Michelangelo. ''David'' is a marble statue of the Biblical figure David, a favoured subject in the art of Florence. ''David'' was originally commissioned as one of a series of statues of prophets to be positioned along the roofline of the east end of Florence Cathedral, but was instead placed in a public square, outside the Palazzo Vecchio, the seat of civic government in Florence, in the Piazza della Signoria, where it was unveiled on 8 September 1504. The statue was moved to the Galleria dell'Accademia, Florence, in 1873, and later replaced at the original location by a replica. Because of the nature of the figure it represented, the statue soon came to symbolize the defence of civil liberties embodied in the Republic of Florence, an independent city-state threatened on all sides by more powerful rival states and by the hegemony of the Medici family. The eyes of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael Sanzio
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was sti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Two Plates In Nicola De Urbino's Correr Service
2 (two) is a number, numeral and digit. It is the natural number following 1 and preceding 3. It is the smallest and only even prime number. Because it forms the basis of a duality, it has religious and spiritual significance in many cultures. Evolution Arabic digit The digit used in the modern Western world to represent the number 2 traces its roots back to the Indic Brahmic script, where "2" was written as two horizontal lines. The modern Chinese written language, Chinese and Japanese writing system, Japanese languages (and Korean Hanja) still use this method. The Gupta script rotated the two lines 45 degrees, making them diagonal. The top line was sometimes also shortened and had its bottom end curve towards the center of the bottom line. In the Devanagari, Nagari script, the top line was written more like a curve connecting to the bottom line. In the Arabic Ghubār numerals, Ghubar writing, the bottom line was completely vertical, and the digit looked like a dotle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Rackham
Bernard Rackham (26 July 1876, Lambeth, London – 13 February 1964, Liss, Hampshire) was an English writer and lecturer on ceramics and stained glass and spent his career as a curator at the Victoria and Albert Museum. He is known for his pioneering research on Italian maiolica. Education and career Bernard Rackham matriculated in October 1895 at Pembroke College, Cambridge, graduating there B.A. 1898 and M.A. 1907. At the Ceramics Department of the Victoria and Albert Museum he was from 1898 to 1924 an Assistant and from 1924 to 1938 a Keeper. As a curator, he acquired Chinese ceramics, works by Reginald Wells, and works by William Staite Murray, the latter works as the gift of George Eumorfopoulos. Rackham contributed over 50 articles to ''The Burlington Magazine'' and wrote one section of the article on ceramics for the ''1911 Encyclopædia Britannica''. In 1937, he was appointed a Companion of the Order of the Bath (CB). The Cardiff Metropolitan University Library has the R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
